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Webtoon’s AI 100 Million Milestone

Naver Webtoon’s AI-based chat service ‘Character Chat’ [Source = Naver Webtoon]

Naver Webtoon’s “Character Chat”—an AI‑powered conversational feature—has quietly reshaped webtoon engagement. Hitting 100 million messages from 3.5 million users, it’s not just a flashy number. What’s more notable: teens and young adults dominate usage, paid messages now make up 41%, and original series see dramatic spikes in readership and revenue. This isn’t just tech hype—it’s proof that interactive storytelling is the next frontier.

1. The rise of conversational immersion
Launched June 2024, Character Chat provides readers with AI versions of popular characters (12 now available). Users can ask questions, interact, and get responses that feel true to the character’s voice and story. And they’re loving it—76% of users are under 30, with almost half in their teens mk.co.kr+1biz.chosun.com+1. By shifting from passive scrolling to active dialogue, webtoons are creating deeper reader journeys.

2. Monetization meets retention
A big win: paid messages now comprise 41% of total chat usage, doubling spend per user since launch cambridge.org+15mk.co.kr+15bleedingcool.com+15. But this isn’t pulling users away—quite the opposite. Readers are sticking around, interacting longer, and investing in content-driven dialogue. It’s a new layer of revenue that adds rather than interrupts.

3. Driving content consumption
Character Chat doesn’t just engage—it drives readers back to the original webtoons. Users interacting with chatbots boosted reading session counts between 77% and 97%, sales rose 44%, and subscriber counts jumped up to 29% mk.co.kr. It shows how blending interaction and narrative nudges readership organically.

4. Why it matters for creators and brands
For storytellers—from indie creators to publishers—this is core insight: engagement doesn’t stop at delivering your story. Let readers ask, explore, connect. An AI-powered chat isn’t just fancy tech; it builds loyalty. And for brands? Think about conversational deep dives—tease new products with character Q&As. This can turn passive fans into active co-creators.

Webtoon’s Character Chat shows that when technology is respectful of narrative and authentic to character, it builds engagement—and revenue. For creators, brands, and communicators, the lesson is clear: design experiences where audiences do more than read—where they connect. AI gives us tools for that connection. Let’s use it to tell stories worth joining.

E.N. Ejob

June 23, 2025

Why African Cinema Should Start Looking at African Comics as a Serious Pool for Source Material

In recent years, African cinema has been making significant strides, both in terms of quality and global recognition. Filmmakers from the continent are increasingly gaining international acclaim for their unique storytelling and diverse narratives that highlight the richness of African culture. However, there remains an untapped resource that could propel African cinema even further: African comics, both in print and digital formats. These comics represent a rich repository of stories, characters, and worlds that can bring immense value to African cinema, offering fresh, authentic content that resonates both locally and globally.

The Emergence of African Comics

African comics have been steadily growing in popularity across the continent and beyond. Historically, African comics have been an important medium for storytelling, with roots in traditional folklore, mythology, and contemporary social issues. In recent years, with the rise of digital platforms, African comics have found new audiences and are experiencing a renaissance.

Comics from Africa are not just about superheroes in the traditional Western sense; they reflect a wide array of genres including fantasy, science fiction, historical epics, and slice-of-life narratives. They offer unique perspectives, often blending indigenous African cultures with modern themes, creating a distinctive narrative style that is both visually and thematically rich.

The Symbiotic Relationship Between Comics and Cinema

Globally, comics have long been a vital source of material for the film industry. Hollywood has capitalized on comic books, turning them into blockbuster franchises that generate billions of dollars. The Marvel Cinematic Universe (MCU) and the DC Extended Universe (DCEU) are prime examples of how comics can be transformed into successful films that capture the imagination of audiences worldwide.

Comics offer a unique advantage to filmmakers because they provide a ready-made storyboard. The visual nature of comics, combined with their strong narrative arcs, makes them ideal for adaptation into films. The characters are often already well-developed, with established backstories and fan bases, which can help create an immediate connection with moviegoers. Additionally, the visual style of comics often lends itself well to the cinematic medium, allowing for creative and dynamic storytelling.

How African Comics Can Elevate African Cinema

African comics have the potential to infuse African cinema with fresh narratives, vibrant characters, and visually stunning worlds that have not yet been fully explored on the big screen. These comics can offer African filmmakers the opportunity to delve into genres that have been underrepresented in African cinema, such as fantasy, science fiction, and historical epics.

One of the significant advantages of using African comics as source material is the authenticity they bring to the storytelling. These comics are rooted in African cultures, languages, and experiences, which can help create films that are deeply resonant with African audiences. At the same time, the universality of the themes explored in these comics—such as heroism, struggle, identity, and resilience—can appeal to global audiences as well.

Moreover, African comics often tackle contemporary social issues in a way that is both accessible and engaging. They can offer a means to explore complex themes like colonialism, gender equality, and environmental concerns through compelling narratives that are both entertaining and thought-provoking. Films based on these comics can thus serve as powerful tools for social commentary, sparking conversations and inspiring change.

African Comics with Cinematic Potential

There are numerous African comics that are ripe for adaptation into films. These comics not only have strong stories and characters but also bring unique African perspectives to genres that have been dominated by Western narratives.

1. “Kwezi” by Loyiso Mkize

“Kwezi” is a South African comic that follows the story of a young superhero named Kwezi who discovers his extraordinary powers in Johannesburg. The comic blends traditional African mythology with modern-day urban life, creating a narrative that is both fantastical and grounded in contemporary reality. The vibrant art style and relatable characters make “Kwezi” an excellent candidate for a film adaptation, offering a superhero story that is distinctly African.

2. “Beasts of Tazeti” by the Ejob Brothers

Every year, in Tazeti, each clan selects a fighter to participate in a tournament for the God Crystal, which brings prosperity to the winning clan. This year, a young, enthusiastic warrior, and the five-time champion compete. But their motives go beyond mere glory. One fights for redemption, while the other seeks to overthrow the current political system and put an end to the tournament permanently. Will she succeed in changing the course of Tazeti’s history? This Cameroonian comic was created by the Ejob brothers (Nathanael, Gaius and Benjamin) and it is available on the Zebra Comics app and website.

3. “Lake of Tears” by Etubi Onucheyo

“Lake of Tears” is a Nigerian comic that delves into the harrowing world of child trafficking. Through a combination of fantasy and real-world issues, the comic tells the story of children who must find the strength to escape their captors and reclaim their freedom. The powerful narrative and emotional depth of “Lake of Tears” would translate well to the big screen, providing a gripping and socially relevant story that could resonate with audiences worldwide.

4. “Aya of Yop City” by Marguerite Abouet and Clément Oubrerie

“Aya of Yop City” is a comic series set in the Ivory Coast during the 1970s. It follows the life of Aya, a young woman navigating the complexities of love, friendship, and family in a rapidly changing society. The comic has already been adapted into an animated film, but its rich narrative and vibrant depiction of Ivorian culture could also inspire a live-action adaptation that explores the intersection of tradition and modernity in West Africa.

5. “Sugar Daddy Desires” by Fensou Miles, Fadimatou Ali and Manesong Ken

Odugwu, a wealthy man, sets out on a journey to find love after being stood up by his date. He wonders if his success portrays him as a sugar daddy, hindering his chances of finding true love. Will his extravagant advances be enough to win over Juliette, the woman he’s interested in? Will he find the ultimate prize—true love?

The Global Appeal of African Culture in Cinema

There have been several international films that have successfully incorporated African culture, demonstrating the global appeal of African narratives. One prominent example is Marvel’s “Black Panther,” which drew heavily on African aesthetics, traditions, and languages. The film not only became a global blockbuster but also sparked a broader conversation about the representation of Africa in mainstream media.

“Black Panther” showed that there is a significant appetite for stories that celebrate African culture and heritage. By drawing from African comics, filmmakers can tap into this demand, creating films that offer authentic African narratives while also appealing to a global audience.

Added to this, the recent adaptation deals signed between African comics publishers like Comic Republic and YouNeek studios and mega film production houses like Universal and HBO are testaments to the fact that American comics have great value that should be explored by African filmmakers.

Conclusion: A Call to Action for African Filmmakers

As African cinema continues to grow and evolve, filmmakers should consider looking to African comics as a rich source of material. These comics offer a wealth of stories that are visually striking, culturally relevant, and thematically diverse. By adapting African comics into films, African filmmakers can create a new wave of cinema that is both rooted in the continent’s unique cultural heritage and resonant with audiences around the world.

Moreover, by exploring genres like fantasy and science fiction through an African lens, filmmakers can challenge the dominance of Western narratives in these spaces, offering new perspectives and expanding the scope of African cinema. The time is ripe for African cinema to embrace its own comics, transforming them into cinematic experiences that are as diverse and vibrant as the continent itself.

September 23, 2024

Working as a Translator in a Digital Comics Company: An Interview with Njoka Marvin

In the ever-evolving world of digital comics, where creativity meets technology, the role of a translator is both unique and crucial. Translating comics isn’t just about converting words from one language to another—it’s about preserving the essence of a story, the emotion behind the dialogue, and the cultural nuances that make each comic special. Today, we delve into this fascinating world through the experiences of Njoka Suyru, a professional translator and passionate comics creator at Zebra Comics. Njoka shares his journey from a young dreamer with a love for storytelling to becoming a vital force in bringing African narratives to a global audience. His story is one of passion, perseverance, and the challenges of bridging languages in the digital age. We had a chat with him and this is what he had to say.

1. Hello and thank you for accepting to talk to the Zebra Comics blog about your experiences as a translator and comics creator at Zebra Comics PLC. So, for starters, tell us, Who is Njoka Suyru?

Njoka Suyru is a full time geek, lover of comics, cartoons, films, video games. Okay, on a serious note, Njoka Suyru is a professional freelance translator, comic book/webtoon writer, and Public Relations Officer at Zebra Comics. As far as translation is concerned, I am a holder of a B.A. and M.A. in Translation.

2. How did you find yourself in the world of comics?

The short version: I got an invitation from my longtime friend and schoolmate Ejob Nathanael to join the comic book venture or initiative.

The long version, I have always had a passion for storytelling, in every medium: novels, comics, films, cartoons and videogames. I had always wanted to work in the entertainment industry. I used to draw too. But given the complicated nature of my setting, I did not pursue a career in that. Eureka moment was the discovery of Harry Potter. It unleashed the creative in me, as I found myself creating fictional worlds or concepts. Ejob Nathanael, my schoolmate who used to draw a lot like me, and who had the same aspirations, then invited me, and a host of other people to join him in creating a comic book company. We came together as a group of adventurers to see if we could transform our passion and hobbies into a business.

3. We understand that you also double as a comics creator and writer. How did you develop these skills? Did you get training for them?

I received a professional training as a translator. Like I said in the intro, I am a holder of a B.A in Trilingual Studies (English-French-Spanish) Applied to Translation, and an M.A. in Translation. I did not receive any professional training in creating and writing comics. Everything I do, I learned on the job. I try to copy the best practices from professionals with experience in the industry. I learned to write by reading tons and tons of novels. Of course, I started by copying and pasting concepts. Afterwards, I started building my own identity, to diferentiate myself from the rest. I am not yet there though. I am still a work in progress.

4. Which of your comics creations would you say are your best?

Hard to say, as I loved and enjoyed creating all of them. But if I am to pick, I’ll say Khadija, Njoku and The Pharmacist. Because I put a lot of myself and my experiences in the characters and stories.

5. How did you become a translator at Zebra Comics PLC?

Zebra Comics is a melting pots of talents. Like every founding member, I brought my individual skills and know-how to the table, to grow the business. Translation allows for exportation of content. To sell to a wider audience (Cameroon for example), we then had to translate the comics from English to French. We had started translating to Spanish, German and Chinese, but due to lack of adequate resources, we had to suspend that. We will eventually get back to those in due time.

6. What does your daily routine as a translator at Zebra Comics look like?

Well, I have a timetable of release dates. So I draw up a timetable based on the release date of the comic or chapter.

7. Is there a difference between translating comics and other kinds of documents which are not literature or creative writing?

With translating comics, we are translating just the dialogues, captions and sound effects. With literature, we translate the descriptions too. Nevertheless, the most important thing is creativity, given that we are translating creative works. And it is even trickier as we have to take into consideration the cultures and sensitivities of the markets targeted.

8. What are some of the difficulties you face on a daily basis as a translator at Zebra Comics PLC?

I won’t call them difficulties. I can translate. I am trained to do that. I would call them challenges. And the main challenge is the volume of content, being handled by two translators. Eventually, when we get more resources, especially financial, then human, the challenge would be overcome.

9. Today, AI poses as a serious competitor to human translation, especially as many digital comics companies are using AI for translators. Do you think human translators will survive this trend?

Human translators who stay up to date will survive the trend. I’ve been told machines will replace translators. Actually, translators who use AI will replace translators who do not. Given the volume of content produced, and the speed with which the content is produced, human translators working with their skills alone will not be able to meet up with the high demand. The market commands us. With AI, or Machine Translation as it is called, we are way more productive.

10. Why should any aspiring translator acquire skills in translating comics? What advice do you have for them?

Anyone who aspires to translate, whatever the field of specialisation, should consume a lot of content in that field. If you want to specialise in cartography, read a lot of cartography literature. Be an expert in cartography. If you want to translate comics, read a lof of literature. When it comes to translation, I’ll like to add that the burden of knowledge falls on the translators of literature. Someone who specialises in cartography or medical translation can focus only on their field and they’re fine. Someone who translates literature must be a Jack of all fields, or versatile, as writers tend to add elements from most or all other fields of specialisation in their works.

Njoka Suyru’s journey in the world of comics translation is a testament to the power of passion and adaptability in a rapidly changing industry. As he continues to navigate the challenges of translating creative works in multiple languages, Njoka remains committed to his craft, ensuring that the stories from Zebra Comics resonate with audiences across the globe. His insights remind us that while technology, like AI, is transforming the landscape of translation, it is the human touch—infused with creativity and cultural understanding—that truly brings a story to life. For aspiring translators, Njoka’s experience offers invaluable lessons on the importance of continuous learning and the art of storytelling in every language. You can follow Njoka Marvin on Facebook, Instagram, Twitter and LinkedIn.

August 22, 2024

The State of African Superhero Comics Today

The world of comics is ever-evolving, and one of the most exciting developments in recent years has been the rise of African superhero comics. From powerful new heroes to richly woven narratives that draw on the continent’s diverse cultures, African comics significantly impact audiences locally and globally.

The superhero genre has firmly established itself within the African comic book scene. Traditionally, Western superheroes like Superman, Spider-Man, and Batman dominated the comic book landscape. However, African creators are now bringing their unique perspectives and cultural heritage to the genre, creating superheroes that resonate deeply with African audiences.

A Cultural Revolution

African superhero comics are more than just stories about individuals with extraordinary abilities. They are cultural revolutions, representing African people’s struggles, triumphs, and aspirations. These comics often incorporate elements of African folklore, mythology, and history, providing a fresh and relatable context for readers.

Characters like Anaki created by Cameroonian illustrator and colourist, Ejob Nathanael for Zebra Comics, Kwezi, by South African artist Loyiso Mkize, and EXO: The Legend of Wale Williams, by Nigerian Roye Okupe, showcase African heritage while delivering thrilling superhero tales. These heroes reflect the complexities of modern African societies, dealing with themes of identity, tradition, and progress.

In local fan communities, African superheroes have a profound impact. They inspire many African readers because they identify with these superheroes who share their cultural heritage and physical characteristics. This representation empowers them, fostering a sense of pride, belonging, and the realization that they too can be heroes and possess unique qualities.

These comics are not only entertaining but also educational. They introduce readers to various aspects of African history and culture, sparking curiosity and a deeper understanding of their heritage. In light of the rich tapestry of African cultures, these stories serve as bridges, fostering understanding and appreciation of the diverse differences and unifying similarities that exist within the continent.Similar to how manga enthusiasts have gained insights into Japanese culture through their beloved comics, African comics offer local audiences the opportunity to explore and learn about various cultures.

This is exemplified by how a Kenyan reader, after delving into the first season of “Njoku,” may gain an understanding of the lore surrounding Mount Fako in Cameroon. Likewise, a South African reader might recognize the traditional Toghu attire by simply reading “YHWH.” These comics facilitate cultural exchange and promote a deeper connection among African nations.

African superhero comics serve as powerful tools of inspiration for young readers. They provide role models who embody courage, intelligence, and resilience, motivating the youth to aspire to greatness. This is evident through the local comic book conventions and events that have sprung up, creating vibrant communities of fans and creators.

These gatherings not only serve as a celebration of African superhero comics but also offer an invaluable platform for budding artists and writers to showcase their talent and creativity. Moreover, these events inspire young readers to embrace their African heritage through cosplay, storytelling, and various other creative endeavors, fostering a sense of pride and cultural appreciation.

Influencing Global Creators

The unique approach of African superhero comics is catching the attention of creators worldwide. African superhero comics bring fresh narratives and perspectives to the table. They challenge traditional storytelling norms and introduce diverse characters and settings that enrich the global comic book landscape. In Cameroon, a country rich in diversity with over 250 ethnic groups, each boasting unique traditions and captivating folklore, there lies an immense potential for crafting compelling stories that transcend borders and resonate with a global audience.

By integrating African cultural elements into superhero stories, these comics encourage a cross-cultural exchange of ideas. Global creators are inspired to explore and incorporate diverse cultural themes into their own work, promoting inclusivity and representation.

African comic artists and writers are pushing the boundaries of creativity. Their innovative art styles and storytelling techniques are influencing how comics are created and consumed globally.

A Few Recommendations

If you’re intrigued and want to explore the world of African superhero comics, here are a few you should definitely check out:

1. Zebra Comics
Zebra Comics is a Cameroonian comic book publisher that offers a range of African superhero comics among others that explore various aspects of African culture and mythology. Their titles are known for their rich storytelling and stunning artwork.

2. Kwezi by Loyiso Mkize
Follow the adventures of Kwezi, a young hero discovering his powers in the bustling city of Johannesburg. This series beautifully blends modern life with traditional African elements.

3. EXO: The Legend of Wale Williams by Roye Okupe
Set in a futuristic Lagos, this comic follows Wale Williams as he transforms into the armoured superhero EXO to fight against corruption and injustice.

Conclusion

The state of African superhero comics today is vibrant and full of potential. These comics are not only transforming the genre within Africa but also making waves on the global stage. So, whether you’re a longtime comic book fan or new to the genre, now is the perfect time to explore the world of African superhero comics. Check out the links above and immerse yourself in these incredible stories!

July 11, 2024

Zebra Comics: Nurturing Young Minds with Illustrated African Tales

Children’s illustrated stories are not merely books filled with colorful pictures; they are windows to a world of imagination, learning, and growth. Within the vast realm of children’s literature, African stories stand out for their rich cultural tapestry and timeless lessons. These tales, steeped in tradition and wisdom, offer young readers an opportunity to explore diverse narratives while imbibing invaluable moral values. Zebra Comics recognizes the significance of these stories and has embarked on a mission to bring them to children worldwide through its app and website.

Illustrated books for kids are an indispensable tool for early childhood development. Beyond their aesthetic appeal, they play a pivotal role in enhancing cognitive skills, vocabulary, and comprehension. Visual storytelling captivates young minds, fostering a love for reading from an early age. Moreover, illustrated stories serve as a bridge between cultures, introducing children to the customs, beliefs, and landscapes of distant lands.

African stories, in particular, offer a treasure trove of captivating narratives that resonate with children across the globe. Rooted in the continent’s rich heritage, these tales are replete with adventures, mythical creatures, and timeless wisdom. From the heartwarming exploits of Anansi the Spider to the epic journey of Sundiata Keita, African children’s stories enchant and inspire readers of all ages.

There are countless untold stories from Africa waiting to be discovered, each offering a unique blend of entertainment and moral insight. These tales, passed down through generations, carry profound lessons on courage, kindness, resilience, and the importance of community. In a world where children are inundated with digital distractions, these stories provide a refreshing alternative, nurturing empathy and critical thinking skills.

Zebra Comics is dedicated to amplifying these voices through its ZEBRA KIDS category, a curated collection of African children’s illustrated stories available on its app and website. These stories transport young readers to distant lands, inviting them to embark on thrilling adventures alongside beloved characters. From the mischievous exploits of Kepnee the Monkey to the courageous journey of Minuu the Cat, each tale celebrates the vibrant diversity of African storytelling.

Among the captivating tales already available on the Zebra Comics app and website are:

Kepnee and Nwe’e: A story of friendship and sacrifice set in the Kuvuku Forest, where Kepnee the Monkey outwits Nwe’e the Leopard during a deadly famine.
Kepnee and the Crocodile: Witness Kepnee’s cunning as he tricks a fierce crocodile into surrendering her eggs without a fight.
Kepnee and Tankah: Explore the rivalry between Kepnee the Monkey and Tankah the Elephant, culminating in a battle of wits and ingenuity.
Minuu and the Five Wild Dogs: Join Minuu the Cat as she outsmarts five wild dogs to prove her worthiness to the League of Cats.
Poupou’s Trip to Central Town: Follow Poupou the curious baby on a solo adventure through Cameroon’s bustling capital city.
Nda’a the Woodpecker: Discover the consequences of laziness as Nda’a the Woodpecker learns a valuable lesson about hard work and perseverance.
How the Cock Got Its Comb: Uncover the origin of the cock’s distinctive comb in this tale of jealousy and transformation.
Kinke and the Tiger: Experience the power of kindness as Kinke the Monkey risks his life to save a trapped tiger, only to be rescued by an unexpected hero.

Reading stories is not just a pastime; it is a fundamental aspect of childhood development. Parents worldwide are encouraged to introduce their children to the rich tapestry of African storytelling through ZEBRA KIDS. With new tales being added regularly, Zebra Comics promises to ignite the imaginations of young readers and instill in them a lifelong love for learning and exploration. Click HERE to start reading these stories NOW!

April 12, 2024

What African Comics Companies Should Learn from American Comics

The comic book industry in Africa is growing rapidly, with new publishers and creators emerging all the time. It only takes an utter lack of interest and total disconnection from anything that will bring a comic book fan away from the fact that African comics are getting more popular today. Names like Zebra Comics, Comic Republic, YouNeek Studios, Kugali Media and Etan Comics should be household names that any African comics fan should know. Some of them have gone as far as garnering eye popping adaptation deals with mega studios who operate on the international scene. This is evidence that African comics are gaining ground in a highly competitive marketplace.

It is however sad to note that despite all the success and attention which African comics enjoy today, there is still a lot that African comics companies need to learn. Lacklustre creations, poor distribution, and the absence of real marketing are some of the weaknesses that are holding African comics from growing into their full potential. In the middle of all these, it is however interesting to note that there exist examples from which African comics can learn. In the context of this article, African comics publishers can learn a lot from their American counterparts.

American comics have been around for so many decades now and they continue to be successful in any way imaginable. The medium has evolved so much that comics which are not typically of the superhero genre also see a lot of success in print, digitally and on the screen. There is therefore no doubt that American comics publishers, who are still to see this type of success, have a lot to learn from American comics.

So, what should African comics publishers learn from American comics? Here are a few things to take into consideration.

1. The Importance of Diversity

American comics have a long history of diversity, with characters from all walks of life represented in the pages of their books. This is something that African comics companies should strive for as well. By creating stories that feature characters from different backgrounds, African comics companies can help to break down stereotypes and promote inclusion.

2. The Importance of Storytelling

At the end of the day, comics are about telling stories. American comics companies have a deep understanding of storytelling, and this is something that African comics companies can learn from. By focusing on telling great stories, African comics companies can connect with readers on a deeper level.

3. The Importance of Marketing

American comics companies are very good at marketing their products. They know how to reach their target audience and get people excited about their comics. African comics companies can learn a lot from American comics companies in terms of marketing their products.

4. The Importance of Creating A Shared Universe

American comics companies have a long history of creating shared universes, where different characters and teams interact with each other. This has helped to create a sense of continuity and excitement for readers, and it is something that African comics companies could also explore.

5. The Importance of Iconic Characters

American comics have some of the most iconic characters in the world, such as Superman, Batman, and Spider-Man. These characters are beloved by fans all over the world, and they have helped to make American comics a global phenomenon. African comics companies should strive to create their own iconic characters that will resonate with readers around the world.

6. The Importance of Adapting to New Technologies

The comic book industry has always been at the forefront of technological innovation. American comics companies have been quick to embrace new technologies, such as digital comics and streaming video. African comics companies should follow their lead and embrace new technologies in order to reach new audiences.

In addition to these things, African comics companies can also learn from American comics companies in terms of production values, distribution, and business acumen. By learning from the best in the business, African comics companies can help to ensure the continued growth and success of the African comics industry.

The African comics industry is on the rise, and there is a lot of potential for growth. By learning from American comics companies, African comics companies can help to ensure the continued success of an industry that has the potential to contribute heavily to development of many countries in Africa.

August 4, 2023

The Best African Webtoons

About a decade ago, webtoons were not considered to be as valuable as traditional comics or webcomics. This was especially true for African comics as many Africans did not know about the webtoon format and consequently, there weren’t many African webtoon productions available on the market. Ten years later, the webtoon format has become so popular that many African comics lovers swear by webtoon alone. The huge success of platforms like Naver Webtoon, Bilibili Comics, Tapas, Manta Comics and INKR has helped democratize the webtoon format even more, attracting greater numbers of fans from different countries in different continents across the globe. Add the fact that webtoons are easy to read on the go with smartphones, as they are custom made to be consumed on these devices, and the fact that they are easily accessible, and you have a comics format that will drastically change the landscape of comics on the global stage in a few years to come.

In Africa, as hinted above, webtoons have become very popular. The format has been easily embraced by comics lovers on the African continent because it is easy to access and most of what is available can be consumed for free. With a smartphone and internet connection, anybody can access several webtoon platforms and enjoy hundreds or thousands of webtoons for free. These reasons, therefore, have put traditional comics from Africa in huge competition with webtoons.

This adoption of webtoon in Africa is truly changing the landscape of comics on the continent. However, a question still persists: Are there enough African webtoons out there. Well, for now, the number of traditional comics from Africa still outnumber the number of African webtoons available online. The reasons for this situation may be found in the lack of skills needed for the production of webtoons or the shortage of dedicated platforms for African webtoons. Well, whatever the reasons for this shortage are, it should however be noted that there still exist a decent amount of excellent African webtoons available for readers to enjoy. Today, Africa is blessed to have platforms like Zebra Comics and Raptures which do a great job every day to push African webtoons to markets in Africa and across the world. This has helped encourage many more comics creators to create their stories in the webtoon format. Many of these African webtoons are even published on the most popular webtoon platforms out there and viewed by many as worthy of being amongst the best.

So, which are the best African webtoons so far? Well, check out the list below to find out more.

1. KAWANA

IKEI lives the life of a billionaire kid: chic apartment, celebrity boyfriend, loaded bank account and free cruises to exotic places.

Curiously, she is doing all these while grappling with unvalidated courses at the University. The question now is: who sponsors this kind of lifestyle?

Well, many think her numerous dates finance her escapades. No! She comes from a wealthy family that can afford anything she may desire.

So why does she choose this questionable path? The answer lies in a deeply dysfunctional family.

Kawana is available to enjoy on the Zebra Comics app and website.

2. MORAAN BY AVANDU COMICS (SALIM BUSURU)

Created by Avandu Comics, this webtoon presents a situation where Poachers are a menace to African Wildlife. They hunt, sometimes butcher and eventually sell these animals, most of them endangered to the highest bidder. What if an elite unit was set up to stop them in their tracks? That’s Moraan, an elite unit sworn to protect and serve.

With Avandu Comics’ signature art style, this webtoon stands tall in a sea of African stories. It is available on Webtoon.

3. MY GRANDFATHER WAS A GOD

TOFUNMI is the granddaughter of the supreme god of the heavens, OLORUN. When OLORUN stops coming for their usual meetups, monsters begin to leak into the human world. TOFUNMI must leave everything behind to face these monsters, ghouls, and gods till she finds her beloved grandfather… protecting innocent humans along the way. UPDATED EVERY TWO TUESDAYS.

4. OLWATUUKA (Once Upon A Time)

Based off an African Folk Tale, The story follows a young boy (Kakama) who is set out to destroy a vicious demon that has terrorized the world and killed his family. Watch as the story unfolds revealing immense drama, action and comedy in the world where the youngest hero will put all to an end, or will he?

This wonderful webtoon is available to enjoy on webtoon.

5. ANAKI

Once, in the land of Tazeti, the gods lived amongst men. Due to their lust for the beautiful women created by their father Ra-mun, the gods had children in the world. These children, witches or as they were known, the Balemba, were born with special abilities never intended by Ra-mun for mankind.

He cast a barrier between realms and gods could no longer take flesh on Tazeti. Ra-mun hoped the power of the Balemba would fade with time, but they only grew stronger, their menace ever more present. Then, something changed, a new line of witches took up arms against their evil kin. And for thousands of years, they battled… In their last stand, their leader Ananzi, driven by emotion, could not finish them off. This cost her everything.

Ra-mun ordered the High Priest to create an Inquisition. This Inquisition an elite team blessed by Ra-mun himself was tasked with destroying all Balemba, both good and evil. There was to be no trace of their kind on this world. He prophesied that as much as one was left alive, the world of Tazeti will fall.

The Inquisition, lawlessly and with brute force exterminated all the witches. Save one, Ananzi. She hid herself for 100 years before a mere blunder led to her demise. But she was with child, and this child, Anaki, born in the midst of battle was hidden from the eyes of the High Priest and his Inquisition for 18 years till one day…One day, when Anaki’s power was cast in an hour of need.

Unknowing of her own power, and the threat against her kind, Anaki will have to withstand the Inquisition alone, where all the Balemba failed.

ANAKI is available on the Zebra Comics app and website.

6. SOPHIE THE GIANTSLAYER

Sophie the Giant-Slayer is simply a black and white adventure comic about a little girl fighting giants. Borrowing from Fortress of Solitude, “the comic tells the story of a female protagonist named Sophie who has received the task of slaying Earth’s biggest threat; giants. These are not your typical overgrown human-looking giants from the days your mom told you the story of “Jack and the Beanstalk” to help you sleep at night. These giants look threatening, evil and extra-terrestrial.”

You can read Sophie the Giant Slayer on Tapas.

7. RETROGRADE

One day, suddenly, everyone forgot…everything. Only a few people still remembered who they were. These people, called the Recallers, grouped themselves in a fortress at the top of a mountain called The Fako Colony. For a hundred years they lived in peace, away from a world that had become primal. Then, one day, an attack swept through the colony from the ‘Savages’, killing every living being. A group of young people led by Sagar, son of the leader of Fako, are charged with a mission to protect human knowledge and the very concept of civilization. Can he thrive in a world that seeks to destroy the very idea of humanity?

View RETROGRADE now on the ZEBRA COMICS app.

8. RED ORIGINS BY KOLANUT PRODUCTIONS

Obi with his two friends, John and Temi, are mystically transported to NeoAfrica. Upon arrival, they mistakenly break a bronze taboo and must serve out a one-year sentence in the Juju Peace Corp. Now, in the midst of a brewing war, they must undertake a dangerous quest in order to bring peace to the world. Obi, John, and Temi must travel throughout the vast continent of NeoAfrica, face each new juju and complicate their life both in the living world and the spiritual world.

Red Origins is available on webtoon.

9. HELP ME, ANCESTOR BY KUGALI

Help Me, Ancestor is an episodic series that pays homage to the histories and ancestries of African people across the Continent. It focuses on the trials and tribulations of various deceased family members and friends (both heroes and villains) as they come back to haunt, help and otherwise hinder the lives of modern-day Africans.

10. KHADIJA

She wants to become a professional footballer, but her community frowns upon it.

Khadija Mahamat will have to defy faith and tradition, in order to rise to the highest heights of football.

Her journey takes her down the path of a religious and cultural dilemma. Wadding through the murky waters of the game, and the halals and harams of her faith, she strives to sign her name in the annals of football.

Khadija is available on Zebra Comics.

These are some of the best African webtoons you can find out there today. This list is not exhaustive and so gives room for us to come back with another list of awesome African webtoons. So, while waiting for the next list, check out the webtoons listed above and enjoy.

August 2, 2023

Moments in African History that are Great for Comics Creation

For as long as storytelling has existed, history has always been a mine from where storytellers can draw inspiration for their stories. From television to film passing through literature and music, history has always been a place of choice when it comes to creation of stories and entertainment. History recounts past events and these events are sometimes so far in the past that people get intrigued when they are put on the table. Who wouldn’t want to know how his or her great great great grandmother met their great great great grandfather? Who wouldn’t be intrigued to find out how their forebears actually fought against western imperialism or how medicine was discovered and managed back in the day? Many of these things exist today, but how did they happen in the past? This quest to know the past is always intriguing and this is what gives appeal to great entertainment based on history.

Like other forms of entertainment mentioned above, comics have also explored history in a myriad of ways. American comics, Franco Belgian comics and Japanese manga have all made use of history to tell deep and entertaining stories. Even new artforms like webtoon feature stories which are based on historical events. Some of the greatest comics out there are even based on history. Great examples of comics or manga based on history include: Maus by Art Spiegelman which is a laureate of the prestigious Pulitzer Prize, They Called Us Enemy, Phantoms of the Louvre, Vagabond, American cult, 300, Vinland Saga, Asterix and the Roman Agent, Burma Chronicles, Persepolis, Tintin in Tibet, The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler, Demon Slayer: Kimetsu no Yaiba, Kingdom, and Emma. This list is the tip of the iceberg as far as comics and manga based on history are concerned. There is such a long list of them that one article will never be enough to list them all. This is a testament to the fact that history is a heavily prized spot from where great stories are mined.

In Africa, history also plays a great role in storytelling. Movies, television shows, novels and even comics have been inspired by African historical events. Africa, like many parts of the works, has a history that is so diverse that it makes for a great resource for the production of entertainment products. However, it should be noted that, compared to the west, African entertainment producers haven’t made as much use of African history in their productions. Fingers can be pointed in several directions as the reasons for this slow use of African history in entertainment. Of these issues include; the domination of western media which has set a standard for historical fiction and made many feel like African history cannot be as entertaining, the shortage of research sources from where to get authentic information on a past which was mostly passed on generation to generation orally, regulations and laws which prevent creators from exploring certain periods in African history freely and a shortage of financial resources to be able to adequately adapt African history into different entertainment media.

Despite all these shortcomings, however, African content producers like Nollywood have still gone ahead to produce entertainment products based on African history. Resources are usually in very low supply, but they have managed to use these limited supplies to create content which has been appreciated across the world.

This is very true of African comics. Many African comics creators do not usually have resources for research like their counterparts from the west, but they have made use of what they have to create some very interesting comics. Some notable African comics based on history include Malika: Warrior Queen, SHAKA – Limited Series Comic, L’odyssée De Mongou, Les Dogues Noirs De L’empire, Totem and Sector. There are many more African comics based on African history, but these comics have not started scratching the surface of the potential of what African history offers them.

The question we should ask in the face of the above, therefore, is; what are these aspects of African history that African comics creators can explore to produce awesome and groundbreaking comics for the continent and for the international market? Well, we did some research and came up with the following.

1. the pre-slave trade era

For most of us who went to school and studied history, African history usually begins from the time of the Trans-Atlantic slave trade and moves on to our modern day. In other words, the African history which was written down and not transmitted orally starts at the time when European powers came in direct contact with Africans. Everything before that era is deep darkness to many Africans and people from the rest of the world. However, before the Europeans came, African lived, formed families, traded with each other and had established political systems. These alone should point to the fact there was African history before the Europeans initiated the slave trade. This history which was championed by powerful Kingdoms, Chiefdoms and Fondoms from across the continent need to be revisited. This will inevitably make for exciting pools from where to draw inspiration for stellar storytelling. Some examples that need to be explored include the story of Mansa Musa (the richest man who ever lived), the Moors and the countless tribal conflicts and wars which took place during this time. African comics creators therefore have a lot of work to do to capture this era.

2. The Slave Trade Era

So much has been written, staged and said about this era in African history. Mostly, African novelists, poets and playwrights have written about this painful moment in African history. However, much of what we have as entertainment products based on this era still comes from the west. Hollywood has determined the way the era is presented for so long that we have the impression that that is all there is to it. African comics creators can take this opportunity to create stories which are unique. Who were the Africans involved in the slave trade? How did African families survive the loss of a dear one sold into slavery? How did African freedom fighters navigate this tough time? There is still so much to explore about this era and African comics creators can take the lead in doing so.

3. The Colonial Era

This is also another era which has been explored plentifully. However, there exist a plethora of stories which can be told about this time. Love, interracial children in this era, family bonds and sheer history of not so talked about places are areas which can be explored by African comics creators for stellar storytelling.

4. The World Wars Era

The west has explored and still continues to explore the history of this era in film, TV and novels endlessly. The proliferation of these Western productions has made it seem like the two world wars were only fought in Europe and by Americans or Europeans only. However, there is a deep history of African involvement and contribution to first world war and second world war efforts. Africans fought in the war and lost as much or even more than the west. All of these need to revisited by African comics creators so as to create stellar stories.3

5. The Independence Era

Colonialism was bad, that’s a fact, and it took so much courage and engagement for Africans to fight for their freedom from western imperialists. This fight, inevitably, was not easy. Many great figures were murdered, many more lost their most precious belongings and entire countries even went to wars and coup d’etats before independence finally came knocking on their doors. These were dark times, but also interesting times as African nations finally gained their independence. This era, also, has been explored severally in other media, but there is still space for African comics creators to create comics based on the history of this time.

6. The Post Independence Era

Independence was sweet. Many African nations now managed their affairs and were ‘free’ from western tyranny. Nevertheless, this did not usher in immediate peace and prosperity. Tyrannical leaders and governments stuck their heads out of water, civil unrest ensued, nations changed their systems of government, TV and radio came into play, liberalization followed suit and multiparty politics saw the light of day. These and many more form a plethora of historical events which happened across the content which should serve as inspiration for African comics creators to create stellar comics.

History poses as the point where the present meets and communes with the past. It has been used severally by creators and entertainment producers across the world to produce stellar stories. Even today, the bulk of history that we watch on TV, read in books and enjoy in cinema halls come from the west, making it look like Africa has no interesting history to explore. African creators, especially African comics creators, therefore need to step up and take the responsibility of digging deep into Africa history and bringing out those historical gems which will not only entertain but will educate in ways which have not even been imagined before. And they can do all these despite the myriad of difficulties which inundated the creative process.

June 21, 2023

Violence in African Comics

It should be clear by now that wondering if there is violence in comics is like wondering if superheroes ever punch villains. Comics are about storytelling, and whoever says storytelling says conflict. Conflict is an essential ingredient for great storytelling. Without conflict, it is difficult or even impossible to enjoy a story. This is because stories usually invite us to go on a journey with a character and witness how he or she succeeds in overcoming, or succumbing to conflict. And conflict can be depicted in so many ways. Fighting, crying, silence and even laughter can be used to depict conflict.

In comics, like any other storytelling medium, conflict plays a central role in engaging readers. Amongst the different ways in which conflict is depicted in comics, violence is certainly the most used. Remember those memorable fights between Batman and Joker, Spider-man and Green Goblin, Rick Grimes and hordes of zombies? Yes, they were epic. But guess what? Those fights were laden with violence that is sometimes not appropriate for younger audiences. However, that does not end there. Those curses in the Saga comic book series and the domestic violence depicted in several slice of life titles are all forms of violence. It is so present in modern day literature as a whole that it is practically impossible to read through anything without seeing some violence somewhere.

So, the question one will certainly ask in the face of this status quo is; why are comic book creators and publishers so interested in violence?

Well, as already insinuated above, violence has been used many times to illustrate conflict. In a war between two or more peoples, just like in The Witcher comics, there aren’t a multitude of ways to show how much these people hate each other than through physical violence. The same can be said for any comic book genre (sci-fi, fantasy, slice of life, romance etc). The violence may be physical (like what we see in all Marvel and DC, Japanese and Franco Belgian comics and/or manga), emotional or domestic, but it is always there. Also, many comics are known for their thrilling action sequences and larger-than-life battles between good and evil which make for great entertainment. Violence, therefore, can be highly entertaining.

The real issue here is how much violence creators and publishers expose their readers to. If we had to organize an award for the most violent comics in the world today, titles like Crossed, Berserk, The Walking Dead, Kick-Ass, The Laughing Vampire, God is dead, Punisher Max, Fetus Collection, Sin City, Judge Dredd, The Kurosagi Corpse Delivery Service, Evil Ernie Vs Superheroes, Spawn, Homunculus and Invincible will certainly go home with the highest number of awards. These titles clearly take the violence game in comics a little too far and so younger audiences should clearly ignore these if they ever come across them.

Let’s be fair, many comic book publishers take great care to ensure the safety of their readers by limiting how much graphic content they allow in each issue. For example, most mainstream superhero titles contain minimal amounts of blood or gore with no explicit language or nudity included at all. In addition to this self-regulation from within the industry, parents can also help protect children by monitoring what comics they read and ensuring appropriate age restrictions are followed when purchasing material online or at local stores. So, yes, there is violence in those books with pictures and speech bubbles but anyone can be spared any of that if they follow the restrictive signs already put in place by publishers and book store owners.

In African comics, the use of violence is very present. Just like in the productions of their Western and Eastern counterparts, African comics creators have utilized violence to develop plot and to create highly entertaining products. Also, when one looks at the African continent today, there is no shortage of inspiration when it comes to violence. The different armed conflicts and even domestic conflicts on the continent today are fertile grounds from where to draw inspiration. Good examples can be seen in the African comics titles, Moi, Antibalaka, Le cauchemar d’Obi, T’zee, Barikisu and Wrong Dial. These African comics treat violence which is smeared deeply in politics, painting an accurate picture of what usually transpires on the African continent. At the same time, there are African comics which use violence as a tool for good. Most superhero comics, crime comics and even slice of life comics depict violence, but this violence is used solely for the purposes of bringing evil forces to book. Good examples here include Anaki, Jemiro, Guardian Prime Genesis, Boxsa, Lake of Tears, Jember, Kwezi, Strike Guard, Retrograde and Kush.

The good thing, as far as African comics are concerned, is that the use of violence hasn’t yet gotten to nefarious extents. Violence in African comics is generally just a device used to tell beautiful stories and to criticize the not-so-good things that happen around us. It is mild and is mostly used to entertain audiences. This is particularly applaudable, given that a great majority of comic book readers are kids and young adults whose minds are not yet ready to consume content which is violent or explicit in nature.

At its core, comic books provide a safe space where fans can explore different aspects of human nature without actually experiencing them firsthand – including acts such as violence which exist both inside and outside our fictional universes alike. This violence, if not properly portrayed, can be damaging to anyone. However, the good news is that as long as we continue to monitor what we consume responsibly, there should be absolutely nothing to fear when enjoying this unique artform.

May 12, 2023

What Is It Like To Work For An African Comic Book Company? An Interview With Achidi Ajaga

Go to the streets of any city in Africa and ask random people in what industries they will like to pursue a career. I bet you, not many of them will mention a desire to work for a comic book production company. This is not necessarily because comic book publishing companies do not exist in Africa or that it is impossible to pursue a fulfilling and successful career in this sector. The real issue actually finds its root in the fact that there aren’t many of such companies in Africa and how they function is mostly obscure business.

In this article, we seek to demystify the sector by throwing some light on the daily activities of someone who works in the sector, so as to show that it is a vibrant sector and anybody can pursue a successful career here if they really want to.

Below is therefore a discussion we had with Achidi Ajaga, colourist at Zebra Comics PLC, on what it means to work for a comic book creation and publishing company like Zebra Comics PLC. Enjoy!

Zebra Comics Blog: Hello, Achidi. Thank you for accepting to talk with us and share your experiences working for a comic book company. Now, the first thing we would like to know is; Who is Achidi Ajaga?

Achidi Ajaga: Thank you very much. Achidi Ajaga is a colourist at Zebra Comics PLC and holder of an Msc in Medical Physics from the University of Buea, Cameroon.

Zebra Comics Blog: How did you get into comics?

Achidi Ajaga: Actually, my dive into comics was certified at Zebra Comics PLC. However, long before I understood what comics meant and was all about,I had already started drawing. As early as my infant years, I had already fallen in love with drawing and illustration and I could always be seen drawing in my exercise books at home and in school. With time, my interest and skills in drawing grew and I ultimately became a comic book colourist at Zebra Comics PLC.

Zebra Comics Blog: How did you know about Zebra Comics PLC?

Achidi Ajaga: Well, I actually got to know about Zebra Comics PLC from another artist who is a close friend. This was around the time when Zebra Comics launched a recruitment for an artist to work in their creative studio. When I saw the opportunity, I was amazed that in Cameroon, there exist creative companies that deal in something I was passionate about. I therefore applied for a position at the company and here we are today.

Zebra Comics Blog: What is your role at Zebra Comics PLC?

Achidi Ajaga: At Zebra Comics PLC, I work as a colourist. My everyday job is to bring the illustrations done by the penciller and inker to life. I decide on colours that work well with the story and make them pop for every reader. I ensure that the colours bring out the mood that the story should have and thereby assure enjoyability for the consumer.

Zebra Comics Blog: What does your working day at Zebra Comics PLC look like?

Achidi Ajaga: A normal day of work at Zebra Comics consists of daily tasks. To ensure that all staff members, I included, are productive, tasks are given and follow up is implemented to make sure that these tasks are accomplished. So, everyday, I am called upon to colour or ink a certain number of pages. I make sure that I do these tasks everyday so as to achieve an objective that will take the company forward.

Zebra Comics Blog: Over all, how does it feel working for a comic book company in Cameroon? How do your family, friends and loved ones view this?

Achidi Ajaga: I will say working at Zebra Comics PLC is fulfilling. I use the word fulfilling because not everyone has the opportunity or privilege to enjoy what they do as work. When you enjoy your daily work, it usually doesn’t feel like work. So, creating these stories, bringing them to life and the general environment just makes creativity flow seamlessly and provides for a magical environment where you can work without feeling like it is work. This magical environment is also appreciated by my friends who are so excited because I work for one of the few or only comic book publishing companies that recruit on a full time basis in Africa. We all know of Marvel and DC comics in the United States, but there wasn’t any competitor in Africa until recently. And for the icing on the cake, my parents always knew that I am a creative person who loved to draw, and so they are very happy that I am able to pursue a career in something that I actually love to do. It is amazing!

Zebra Comics Blog: Any advice for young people who wish to work with a comics book company like Zebra Comics PLC?

Achidi Ajaga: My advice to anybody who is willing to pursue a career in a comic book company like Zebra Comics PLC is that they should know that it is very possible. The possibilities for any artist to pursue a career in this sector are huge nowadays. They just need to grow in their craft, keep on getting better and always put their work out there for people to see. They do not necessarily need to know too much from the get go, they just need to put their work out there for the world to see. Also, be willing and be ready to learn, because that is the only way you will grow as an artist. This is a sector where innovation is as common as the air we breathe, so you need to always be ready to learn new things.

Achidi Ajaga is an artist who has worked on several comic book hits from Zebra Comics like Kawana, Wrong Dial and Khadija. You can follow him on instagram.

May 9, 2023

Author: admin