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  • 3 Shocking Metrics That Prove Fans Are Thirsty for African Comics (and Throwing Money at Them!)

    3 Shocking Metrics That Prove Fans Are Thirsty for African Comics (and Throwing Money at Them!)

    Move over, Hollywood! Africa’s comic book scene is exploding, and fans are proving their devotion with cold, hard cash. The global comic book landscape has witnessed transformative shifts over the years, with diverse genres and art styles captivating audiences worldwide. While American comics and Manga have dominated the scene for decades, a rising star is making waves—African comics. Forget the naysayers who claim African comics lack a market – these jaw-dropping metrics tell a different story:

    1. Crowd-funding

    The financial metrics surrounding African comics paint a compelling picture of fan enthusiasm and support. Crowdfunding platforms have become a litmus test for gauging audience interest, and African comics are passing with flying colours.

    Printed Copy of Anaki Vol 1 and Anaki Vol 2

    Remember YouNeek Studios’  Kickstarter campaign for E.X.O. – Wrath of AVON? This Nigerian sci-fi epic raised over $8,000 with over 198 backers from across the world. And they’re not alone. Zebra Comics, a Cameroonian comic book publisher has had four successful Kickstarter campaigns with their Afrofuturistic title “Anaki”.  Their last hit its target in just 24 hours! These aren’t just passion projects; they’re testaments to fans’ willingness to invest directly in the stories they crave.

    2. Online sales

    In today’s digital age, accessibility plays a pivotal role in determining a comic’s reach and impact. One of the most telling metrics of African comics’ burgeoning popularity lies in the exponential increase in digital sales and downloads across various platforms. Platforms like Zebra Comics have capitalized on the digital revolution, offering readers a seamless and immersive experience through dedicated apps and websites.

    Flier showing how to get VIP ACCESS TO ZEBRA COMICS

    Gone are the days of dusty comic shops. African comics generate revenue through different models on online platforms. Some, like Zebra Comics, offer subscription plans through which readers can access a wide catalogue of content. Others use the coin model, sales of soft copies and much more. With user bases extending to thousands and hundreds of thousands, some of these platforms generate money never seen before in the African comic book sector.

    This shift to digital shows not only convenience but a growing tech-savvy fanbase eager to consume comics on their smartphones and tablets.

    3. A Global Stamp of Approval

    The burgeoning interest of foreign partners and investors in African comics serves as a compelling metric that underscores the industry’s global resonance and potential. As African comics gain traction on the international stage, foreign entities, ranging from publishing houses to entertainment conglomerates, are increasingly recognizing the untapped opportunities and unique narratives the continent offers. Disney’s recent anthology series Kizazi Moto: Generation Fire is proof of growing interest in Africa-inspired content.

    Kizazi Moto on the Zebra Comics Blog

    This heightened interest can be attributed to several factors. Firstly, the authenticity and richness of African stories resonate with global audiences, offering a fresh perspective that stands apart from mainstream Western narratives. The cultural nuances, diverse characters, and intricate plotlines showcased in African comics, such as those published by Zebra Comics, captivate readers worldwide, fostering a deeper appreciation for the continent’s rich tapestry of traditions, history, and folklore.

    Dark Horse Comics has signed a 10-book deal with Youneek Studios for an animated series with African mythology heroes. It has been announced that Universal Content Production (UCP), an American television production studio within the Universal Studio Group, will develop several television shows based on characters from Comic Republic’s “Vanguards”. These are just a few of the many handshakes happening behind the scenes. And there’s more on the way.

    Additionally, strategic partnerships between African comic publishers and foreign entities have facilitated cross-cultural exchanges, fostering collaborative projects that blend the best of both worlds. These alliances empower African creators with resources, expertise, and platforms to amplify their reach, while foreign partners benefit from the unique insights, creativity, and market opportunities the continent offers.

    Want to be part of the movement? Here’s how:

    • Dive into the world of online comic platforms that contain and showcase African comics and discover a treasure trove of African stories. Subscribe and enjoy forever!
    • Tell your friends, family, and the world about the incredible comics coming out of Africa. They will thank you for it.

    • If you’re seeking new narratives for animation and film, collaborate with African comic creators, through whom you can obtain unexploited stories.

    The future of African comics is bright, and it’s powered by the passion of its fans. So join the movement, grab your phone or e-reader, and get ready to be blown away by the stories Africa has to tell. You can start here.

  • Embracing the Vibrant World of Comics: Highlights from Lagos ComicCon 2023

    Embracing the Vibrant World of Comics: Highlights from Lagos ComicCon 2023

    Comic conventions, those bustling hubs of creativity, have always been a staple in the calendars of enthusiasts worldwide. From San Diego to Tokyo, these events celebrate the diverse universe of comics, bringing together fans, creators, and publishers under one roof. And guess what? Africa has joined this global fiesta, showcasing its rich tapestry of creativity. Among the most prominent on the continent is the Lagos ComicCon, an annual extravaganza held in Nigeria. This year, on the 23rd of September, Lagos ComicCon 2023 dazzled attendees with its vibrant energy and enthusiastic participants.

    African Comics Take Center Stage

    In the heart of Lagos, the ComicCon unfolded with a unique blend of colour, imagination, and culture. The event was a testament to the growing influence of African comics. Zebra Comics, a digital comic book publisher originating from Cameroon in 2016, stood out as a beacon of African storytelling. With their mobile app and website, Zebra Comics has been weaving narratives based on African cultures and everyday realities. What sets them apart is their remarkable consistency, releasing new episodes daily, captivating audiences with their fresh and engaging titles such as Wrong Dial, Kawana, Love At First Fight and The Artist. Another industry player who graced the event was Comic Republic which has a wide variety of African comics on their website ranging from everyday superheroes to sorcerers operating in dark realms. Also present was the enigmatic YouNeek Studios who are known for their flagship title Malika™: The Warrior Queen. Another noticeable attendee was Spoof Animation, easily recognizable in their red pullovers, recently released Ajaka: Lost in Rome on YouTube. This epic animated short film tells the story of a powerful ruler who finds himself in Rome fighting for his freedom.

    Zebra Comics at Lagos ComicCon

    Masterclass at the 2023 Lagos Comiccon

    Zebra Comics made its mark at the Lagos ComicCon for the fourth consecutive year. Through their Chief Technology Officer, Mr Fensou Miles, Zebra Comics participated in a lively panel discussion, delving deep into the intricacies of the comic book industry.  They looked into the challenges major African comic book publishers have and are facing when it comes to generating revenue from the industry. Their expertise shone brightly during a masterclass presented by the Chief Operations Officer and Head of Creative Writing, Dr Ejob Gaius, on “How to Write a Comic Book Script,” inspiring aspiring writers and artists in the audience.

    But that’s not all. Zebra Comics seized the opportunity to connect with their readers, engaging in candid conversations with fans who have been avidly following their comics through the app and website. These interactions proved invaluable, providing insights that will undoubtedly shape their future creations.

    In an exciting announcement, Zebra Comics revealed plans to open their platform to third-party creators. This move aims to empower budding artists, enabling them to publish their work on the Zebra Comics app and website. By fostering a community of storytellers, Zebra Comics is nurturing a thriving ecosystem for African comic enthusiasts.

    Beyond Comics: A Kaleidoscope of Activities

    Lagos ComicCon 2023 was not just about comics; it embraced various geek culture elements. Attendees were treated to exclusive movie excerpts, offering a tantalising glimpse into the world of cinema. Worthy of note was the official reveal of Mikolo, a feature-length family-friendly film produced by Anthill Studios. The event resonated with the echoes of exhilarating video game battles, showcasing the gaming prowess of enthusiasts.

    A highlight of the convention was the cosplay competition, where attendees transformed into their favourite characters from comics, movies, and games such as Mortal Kombat and FIFA23. The creativity displayed was awe-inspiring, as participants meticulously crafted their costumes, bringing beloved characters to life. From Marvel superheroes to anime icons, the cosplayers added a vibrant and colourful dimension to the event.

    A Growing Industry

    The atmosphere at Lagos ComicCon 2023 was nothing short of electric. Enthusiastic cheers filled the air as fans immersed themselves in the various activities. Laughter and friendly banter were commonplace, creating a sense of camaraderie among attendees. The Landmark Event Center buzzed with excitement, showcasing the passion and dedication of the participants.

    As the event came to a close, one thing became abundantly clear: the geek culture in Africa is not just alive; it’s thriving. What was once a budding passion has now blossomed into a full-fledged industry. The success of Lagos ComicCon 2023 underscores the immense potential of African comics and the collective enthusiasm of its creators and fans.

    With each passing year, the bar is set higher, and the expectations for the next edition of Lagos ComicCon soar. The event has become a melting pot of creativity, a celebration of diverse voices, and a testament to the power of storytelling.

    In a world where imagination knows no bounds, Lagos ComicCon stands as a testament to the boundless creativity that Africa has to offer. As we eagerly anticipate the next chapter, one thing is certain: the future of African comics has never looked brighter.

    Lagos ComicCon, Zebra Comics and other actors in the African comic book industry will continue to inspire and unite comic enthusiasts, ensuring that the vibrant legacy of African comics lives on.

    See you in Lagos next year!

  • Modern Trends that can Influence Modern African Comics Creation

    Modern Trends that can Influence Modern African Comics Creation

    The African comics industry is undergoing a renaissance, with a new generation of creators producing high-quality comics that tell stories that are relevant to African and international audiences. In an era when change is as rapid as the speed of light, there is bound to be new things that will influence the way comics creators create comics today. Technology has made access to information so easy that the proliferation of new ideas has become easy. With the influence of social media and the virality of video nowadays, trends pop up by the second, and these inevitably affect the comics creation process. There are a myriad of modern trends that influence comics creation such as the rise of digital comics, the growing popularity of African comics, the increasing diversity of African comics, and the influence of other cultures, amongst others. Let’s look into how these trends actually affect comics creation.

    1.The rise of digital comics

    Zebra Comic app on African comics on the zebra comics blog

    Digital comics are becoming more and more popular around the world, and Africa is no exception. This is due in part to the increasing availability of smartphones and tablets, which make it easy to read comics on the go. Additionally, digital comics are often more affordable than traditional print comics, making them more accessible to a wider audience.

    African comic book creators are increasingly taking advantage of the rise of digital comics. For example, the Cameroonian comic book publisher, Zebra Comics PLC uses digital tools to create their long list of popular comic book series, which they publish on their digital platforms (app and website). This heavy use of digital tools has allowed the company to reach a global audience.

    2. The growing popularity of African comics

    Kwezi popular African comics on the zebra comics blog

    African comics are becoming increasingly popular both within Africa and internationally. This is due in part to the efforts of African comic book creators who are producing high-quality comics that tell stories that are relevant to African audiences. Additionally, the rise of social media and online platforms has made it easier for African comic book creators to reach a global audience.

    One example of the growing popularity of African comics is the success of the South African comic book series “Kwezi.” The series, which is created by Loyiso Mkize, has become one of the most popular comics in Africa.

    3. The increasing diversity of African comics

    Diversity in African comics on the zebra comics blog

    African comics are becoming more and more diverse in terms of their genres, styles, and themes. This is due in part to the growing number of African comic book creators who are coming from different backgrounds and experiences. Additionally, African comic book creators are increasingly exploring new and innovative ways to tell stories.

    4. The influence of other cultures

    manga and african comics on the zebra comics blog

    African comics are also being influenced by other cultures, such as American comics, Japanese manga, and Korean manhwa. This is due in part to the increasing globalization of the comics industry. Additionally, African comic book creators are increasingly looking to other cultures for inspiration.

    5. The influence of other media

    Aurion-game amd african comics on the zebra comics blog

    African comics are also being influenced by other media, such as movies, television, and video games. This is due in part to the increasing crossover between these different media. Additionally, creators are increasingly looking to other media for inspiration. A good example is the graphic novel “AURION: LEGACY OF THE KORI ODAN” which is an adaptation of the video game of the same name.

    Conclusion

    African comics are gaining popularity by the day and this popularity, in great measure, is a fruit of the aforementioned trends. No one can deny the fact that these trends are having a positive impact on the African comics industry. They are helping to make African comics more accessible to a wider audience and they are encouraging African comic book creators to explore new and innovative ways to tell stories. As a result, we can expect to see even more exciting African comics in the future.

  • How to Succeed with Comic Book Business in Africa

    How to Succeed with Comic Book Business in Africa

    Setting up, managing and scaling any business is a tough venture, irrespective of the type of business involved or the place where it is carried out. This is more so the case for the business of comics which is still in its embryonic stage in Africa. But let’s be clear – comics have been around on the African continent for a very long time. Creators and publishers have been putting out interesting creations from the independence era till today. The problem, however, is that comics have not really been big business, earning publishers and creators millions of dollars on the continent. It has been mostly put out as a product of experimentation or for cultural affirmation, rather than serious business. This article therefore seeks to provide valuable tips on how to succeed in this sector which has found it difficult to become a thriving one as it is the case in other continents.

    But before we dive head on into the nitty gritties of what any comic book entrepreneur should do to succeed with this business in Africa, it is important to note that the comic book market is a thriving one in other continents like North America, Europe and Asia. According to Fortune Business Insights, the global comic book market size is projected to grow from $16.05 billion in 2023 to $22.37 billion by 2030, at a CAGR of 4.85% during the forecast period. The bulk of this market will be composed of comics from North America, Europe and Asia. Africa is rising and comics from the continent are gradually gaining recognition and market share internationally. However, there are still problems which continue to plague the sector which prevent it from experiencing the kind of success which analysts predict on the international stage. Issues like lack of funding for production and marketing, distribution hassles and even monetization of creations are still problems which prevent African comics businesses from seeing great success.

    So, what should African comics businesses do to become successful? Well, we did some research and came up with the following tips that comic book entrepreneurs should look into to ensure that their business becomes successful.

    1. Carefully Design your Business Model

    businessmodel-and African comics on the zebra comics blog

    Basically, a business model describes how a business will make money from the products or services which they sell. It may sound surprising, but many comics businesses, or those who attempt to sell comics, just believe that once their product is on a social media platform or on any ecommerce website, they are in business. The truth, however, is that comics publishers, like any other businesses out there, need to decide on the best business model to adopt to ensure that their businesses thrive. Some publishers may decide to print their comics and distribute them in conventional stores and bookshops, some will produce comics in digital format only and sell directly to consumers on third party platforms, some will call for submissions from independent creators and sell the finished product through partner businesses, some will make use of crowdfunding platforms like kickstarter.com to reach their audiences and fund their businesses, while others will create their own digital platforms and comics and then charge consumers a subscription fee to consume their comics. Irrespective of the way comic book publishers decide to make money from their comics, they need to evaluate their offer and resources very well, so as to employ the best business model. This will inevitably create better avenues for success because through their business model, they will understand market dynamics better and thereby serve consumers in a way that will bring them high returns. In another article, we will talk more about business models in the business of comics.

    2. Provide High Value with World Class Comics

    zebra comics and African comics on the zebra comics blog

    When everything is said and done, comics lovers pay for the content that creators create and publishers publish. They want highly entertaining content which will help solve their boredom and self-affirmation issues. The best comics in the world usually have the most intriguing stories, settings and characters that you find around. African comics businesses need to pay more attention to the quality of the stories they actually put on the market. It even goes without saying nowadays that Africa is a gold mine for untold stories around the continent’s unique cultures and traditions. Creators and publishers should dig deep into these cultures and create unique and higher entertaining comics that will inevitably succeed on national and international markets.

    3. Partnerships with Valuable Partners

    Youneek-Dark-Horse-and African comics on the zebra comics blog

    Comic book business is particularly a high one in Africa. With print comics, there are heavy costs required for printing books, and with digital comics, there are heavy costs required for creating distribution platforms for these comics and paying staff who manage them. With these issues, most comic book businesses will not thrive without valuable partners who will help them grow their business with less stress. Comic book creation agencies, distribution platforms, advertising agencies and even animation and video game studios are possible partners who can help comics businesses in Africa to thrive. Partnerships are very important in this space because comic book businesses in Africa do not usually have the resources they need to succeed like their counterparts from other continents.

    4. Market! Market! Market!

    Zebra Comics at Lagos Comic Con and African comics on the Zebra Comics blog

    For some time now, traditional comics publishers in Africa have usually behaved as if marketing their books made them mundane or not good enough. Most of the time, these businesses even lack dedicated marketing departments and personnel who are tasked with marketing their comics and bringing them much needed clients and revenue, and thereby grow their businesses. Today, only the digital comics companies invest time, resources and effort to push their products into the market. The point in this case is that comics businesses in Africa need to be intentional about marketing their businesses as much as they can. This will help enormously in making African comics businesses popular and assure their success.

    Business and entrepreneurship has never been an easy thing to do. From finding capital, to producing the right product, to scaling it to become successful, successful businesses require a lot of input for them to become successful. This is true for comic book publishing businesses, especially those present in Africa who do not usually have the resources and the skills needed to thrive like those in other continents. The tips mentioned in this article therefore serve as a guide for African comics businesses and entrepreneurs to follow to ensure that their businesses become profitable in the long run.

  • The Best Cameroonian Comics of the Last Decade

    The Best Cameroonian Comics of the Last Decade

    If you do not know yet, know now that Cameroon is one of the few countries in the world whose official languages are English and French. What that means is that, when it comes to comics, apart from drawing close to manga which everyone loves, Cameroonians love both American comics and Franco Belgian BD.

    Ok, let’s give more perspective to that piece of information above. Generally, English speaking countries in Africa tend to gravitate towards media and entertainment which comes from English speaking nations like The United States of America and the United Kingdom. And, in the same way, French speaking countries lean more towards media which comes from French speaking countries like France and Belgium. Now, Japanese manga is the exception to all this because it is loved by everyone everywhere. Nevertheless, the point we are trying to make here is that Cameroon has a dual nature thanks to the use of both French and English as its official languages. This makes the country to be more open to content which comes from diverse horizons, thereby inspiring creators to spew out content which is as diverse as its linguistic identity.

    As far as comics are concerned, Cameroon has one of the most dynamic markets on the African continent. There are great creators emerging everyday and there are even greater publishers (like Zebra Comics PLC, 3ag editions, Waanda Comics and Editions Akoma Mba) which put forth revolutionary work on a constant basis. This has especially been the case in recent years when African storytelling has been witnessing a constant growth and recognition from the rest of the world. The value of African philosophies, the beauty of African cultures and traditions, and the uniqueness of African perspectives about the future are all very present in comics which come out of Cameroon, making them truly special.

    In a previous article, we revisited the history of comics in this central African nation, and clearly pointed out some great works which already existed before the 2010s. So, in this write up, we will focus on works which were published in the last decade (2013 to 2023). This timeline is particularly important because this period, in the history of Cameroonian comics, has witnessed the highest number of comics productions from the country. Print and digital comics have all seen the light of day during this decade and many of these books have met user expectations in terms of story, illustrations, colours and overall production.

    So, which are the best Cameroonian comics of the last decade? Check out our list below. Note that this list contains comics which were created by authors who live in Cameroon. The comics on this list appear in no particular order.

    A self published comic book authored by Elyon’s, this excellent piece recounts the life of an African lady and her experiences as an immigrant in Europe. Take a tablespoon of bad luck, a pinch of misunderstanding, and a sprinkling of intense drought! Let it simmer, and you’ve got La Vie d’Ebène Duta, the daily life of a young black girl far from her homeland. The story, scripted and drawn by Elyon’s, is delicious on several levels. There’s no discourse on a fantasised Africa, nor yet another (re)visit to clichés about immigration or all the misperceptions attached to black identity. This is a must read comic which explores very important themes which are relevant to issues plaguing our societies today.

    2. ALIYA

    Aliya is a comic book created and written by An Nina, illustrated by EN Ejob and Alone Legend and published by Zebra Comics PLC. This fantasy comic was one of the three first creations and publications of Zebra Comics PLC which helped to put the publisher on the map. Aliya is the story of a young lady in corporate Africa – A young translator with a mysterious past, haunted by forces unseen. This comic is available on amazon.com.

    3. CATY (Cellule anti-terroriste de Yaoundé)

    CATY-African-comics-on-the-Zebra-Comics-Blog

    Heavily influenced by the American TV series, 24, this comic book tells a similar action packed story, but changes characters, setting and stakes. Set in Yaounde, Cameroon, this comic tells the story of Special Agent Jacky Wabo of the Yaoundé Anti-Terrorist Unit who is tasked with apprehending Essono, a notorious psychopathic terrorist, and possibly saving Bobo, if he is still alive… This action packed comic was published by Editions Akoma Mba and Waanda comics. CATY was written and illustrated by Georges Pondy.

    4. ANDROID NIGHT

    Android-night-African-comics-on-the-zebra-comics-blog

    In the heart of Yaoundé, Cameroon, Mengo and Akim are out for a night in town. While there, Mengo meets a young woman by the name of Lynshie. She’s sexy, shy and her lips have the spicy flavor of his favorite cocktail, “Android Night”. Attracted by her charm, Lynshie invites Mengo into her car and they head off to his apartment in Bastos for sex. Meanwhile, Gonzo, another friend, enters the bar and joins Akim in getting to know three girls. Yaoundé is sweet and warm when you’re a fan of conclusive evenings. When Mengo finally arrives at Lynshie’s, things don’t go as planned. Mengo starts shooting a live video on the Internet when suddenly four girls in gangster outfits burst into the room. Mengo is confused and doesn’t understand what’s going on.  What was supposed to be a hot, drunken evening for Mengo is transformed into a nightmare. Android Night puts forth the argument that in Yaoundé, you can go out as a predator and end the night as the prey. Android Night was written by Darius Dada and illustrated by Cedric Minlo.

    5. TOTEM

    Totem-African-comics-on-the-zebra-comics-blog

    Amongst the first three comics created and published by Zebra Comics PLC, this comic recounts the story of an albino boy of struggles to survive in a pre-slavery era when his kind was looked upon as a curse. This fantasy story is inspired heavily by African cultures, myths and traditions, but it also packs a lot of action and magic. This is an epic adventure that any lover of Lord of the Ring, Game of Thrones and The Witcher series will absolutely love. Totem was created by Franklin Agogho and illustrated by EN Ejob.

    6. DJO’O BAR

    Djo’o Bar is a comic book series set entirely in Africa, specifically in Yaoundé, Cameroon. However, the public likely to be interested in the series is not limited to the African readership, as the characters are human archetypes, with all that is funny, unfortunate, brave, weak or irreverent about them. “Volume 1 of the series introduces the main characters: Prési the talking monkey, Hilary, Fifi, Djo’o and his bar, Maman Nicole, and Doctor Indomitable. The action revolves around Prési, the clever monkey who is popular in the Djo’o Bar neighborhood, and also Fifi, who has to be cured of an interminable case of diarrhea. All the characters combine their efforts to cure Fifi. They are helped by Chloé, a French researcher whom the characters distrust, before adopting her as a friend. The journey required to cure Fifi is an opportunity to criticize the cumbersome Cameroonian administration, a clone of the French administration (only more cumbersome). This funny comic book series was created by Hughes Bertrand Biboum and published by Toom Editions.

    7. OUPS!

    Oups-African-comics-on-the-zebra-comics-blog

    This is a simple yet interesting story, combined with a little flavor of Cameroon, which will certainly make you love this extraordinary country. Between daily setbacks, youth life and youth survival, the hostel of young scholars where this story is set is a veritable field that brings together all sorts of interceptions, conflicts and, above all, the difficulties encountered by our young people. This comic can be steamy and serious at the same time as it treats themes such as love, family, sex, corruption and poverty. Oups! Was created by George Pondy.

    8. HACKER

    Hacker is a comic that borrows heavily from the manga storytelling style. This story is set in Cameroon, at a time when society’s ills are at their worst. TEMDJIEU Frédéric Evrad, a young boy orphaned by a tragedy in Kumba, finds himself in Douala, where he must start a new life. Overcome by grief and despair, in a nation descending into chaos, he swears by only one thing: to work for change in this country. And so he begins a normal day-to-day life of odd jobs, he combines it with a dangerous activity that he pursues only at night – hacking, until the day everything turns upside down. This comic was created by Ludovic Tankeu and published by 3ag Edition.

    9. TUMBU

    Tumbu-by-Zebra-Comics

    This comic forms part of the trio that made up the first ever “Zebra Comics 3 in 1 magazine”. Side by side Aliya, and Totem from Zebra Comics, this comic came in to bring lightheartedness and fun to the others which already treat very serious themes. Tumbu is a satire which recounts the day to day ills which plague a typical Cameroonian society through the eyes of a young boy calledTumbu. As his name suggests, Tumbu (which means maggot in Cameroonian Pidgin) exposes all those who do crazy things like a maggot in a wound. This hilarious comic was created by EN Ejob and published by Zebra Comics PLC.

    10. ANAKI

    In the era of afrofuturism, Anaki stands out as the first afrofuturistic comic created and published in Cameroon. In this epic and action packed story, The union between randy gods and human women gives rise to the Balemba-kids with special gifts. The last of them, Anaki, struggles to survive in the face of the deadly Inquisition tasked with wiping out all evidence of the gods’ descendants. This comic presents beautiful art, great dialogue and memorable characters. Anaki was created by EN Ejob. It is available on the Zebra Comics app and website.

    Another comic which is highly influenced by Japanese manga, this magazine packs several stories created by writers and illustrators from the art group called Blacktrek. In its third edition, this magazine contains stories from talented creators like Martini Ngola, Yannick Obada and Objel Otou. Notable stories within this magazine include Helasteen, Kwap Be Zamba, Deratiseurs de Creatures Surnaturelles (DCS) and Deconfine. These stories treat themes which range from slavery, war and the future, to the covid pandemic and its effects.

    12. AURION: Heritage of the KORI-ODAN

    On the planet Aurioma, an energy called the Aurion only responds to those seeking answers to specific questions. The Aurion connects them to their ancestors. In the city of Zema, the king and queen, ENZO and ERINE KORI-ODAN, are crowned on their wedding day. Unfortunately, this happy day will be the beginning of their trials and their journey to find the true meaning of heritage. But above all, to find the true meaning of the KORI-ODAN heritage.

    This is an African comic book adapted from the video game of the same name. Aurion is a comic-book-style collection of perfect anatomy and special-effects action. It was created and written by Olivier Madiba and illustrated by Georges Pondy.

    13. NJOKU

    Njoku

    On Mount Fako, somewhere in Buea, Cameroon, Efasa-Moto, the mountain God, rules. He is lord over the sugar cane plantations and elephants that flourish on these slopes. Humans can enjoy the sugar cane and the beauty of the mountain as much as they want. However, they are forbidden from venturing into areas which are reserved for the gods. Unfortunately, Axel Takam and his friends, hungry for adventure and oblivious of these rules, take a trip up the mountain without authorization from competent authorities and end up desecrating the holy lands reserved for the gods. The consequence; Alex Takam is obliged to choose between doing the bidding of the gods for mankind or saving himself and letting mankind perish. You’ll find this and more in the African fantasy title, NJOKU. This comic/Webtoon innovates on the superhero genre and comes loaded with a deep and entertaining story. It was created and written by NJOKA SUYRU, illustrated by ALONE LEGEND, coloured by JUDITH EBOGO and lettered by EN EJOB. NJOKU was winner of the Digital comics Prize awarded by Institut Francais Cameroon in 2021.

    IKEI lives the life of a billionaire kid: chic apartment, celebrity boyfriend, loaded bank account and free cruises to exotic places. Curiously, she is doing all these while grappling with unvalidated courses at the University. The question now is: who sponsors this kind of lifestyle? Well, many think her numerous dates finance her escapades. No! She comes from a wealthy family that can afford anything she may desire. So, why does she choose this questionable path? The answer lies in a deeply dysfunctional family. This story was written by Franklin Agogho and illustrated by Beti Ophelie. It is available on the Zebra Comics app and website.

    So, there you have it, fourteen high quality stories that will keep you entertained and provide you with a good idea of what creativity in comics from Cameroon looks like. There are certainly many more comics which deserve to be part of this list. Tell us about any other titles which deserve to be on this list and we will do our best to bring them to the limelight.

  • Making Comics for Print and Webtoon: Bridging the Digital and Traditional Divide

    Making Comics for Print and Webtoon: Bridging the Digital and Traditional Divide

    The Dual Nature of Webtoons

    1. Do Webtoons Ever Get Printed?

    Webtoons, a digital innovation that originated in South Korea, are inherently designed for online consumption. However, the transition from digital to print is not uncommon. While webtoons are optimized for vertical scrolling and vibrant colours, some creators choose to adapt their digital content for print. This transformation requires careful consideration of layout adjustments, panel arrangement, and colour optimization to ensure the visual narrative translates effectively to the printed page.

    2. Webtoon Creators and Compensation

    In the world of webtoons, creators have the potential to earn revenue through various avenues. Revenue streams include ad revenue generated by views, premium content purchases, merchandise sales, and crowdfunding. Webtoon platforms often provide compensation based on the popularity and engagement of the content. As webtoon creators gain a dedicated following, they can also explore collaborations, commissions, and partnerships, further expanding their income sources.

    3. Ownership in the Webtoon Realm

    Creators’ rights and ownership remain pivotal in the webtoon landscape. Most webtoon platforms acknowledge the creators as rightful owners of their content. However, understanding the terms of service and user agreements of each platform is crucial to safeguard intellectual property rights. As the digital medium empowers creators to share their stories with a global audience, it’s imperative to choose platforms that respect and protect creators’ rights.

    Webtoons vs. Page-Based Comics

    webtoon on the Zebra Comics blog

    The distinction between webtoons and page-based comics extends beyond format. While webtoons are designed for a seamless vertical reading experience, page-based comics adhere to a traditional layout with panels arranged horizontally on pages. Webtoons utilize scrolling, allowing readers to absorb the narrative effortlessly, while page-based comics rely on page turns to reveal the story progression. Acknowledging these differences is crucial when adapting content for print or digital consumption.

    Crafting a Unique Visual Identity

    1. Tailoring Your Approach for Webtoons

    Creating a webtoon involves adapting traditional comic storytelling techniques to the digital format. Key considerations include panel transitions that suit vertical scrolling, captivating visuals that command attention in a smaller digital window, and utilizing colors that enhance the reader’s experience. Webtoons grant creators the freedom to experiment with unconventional panel layouts, pacing, and visual effects that captivate and immerse the audience.

    2. Embracing Tradition with Innovation

    When crafting comics for print, the tactile experience plays a pivotal role. Exploring varied paper textures, optimizing page layouts, and leveraging the contrast between black and white or full-colour visuals contribute to the uniqueness of print comics. The physicality of a printed comic invites readers to engage with the story in a different manner, fostering a connection between the reader and the medium.

    Navigating Both Worlds: A Confluence of Creativity

    As the comic landscape expands to embrace both digital and print mediums, creators find themselves at a juncture where innovation and tradition intersect. By embracing the opportunities presented by webtoons and traditional print comics, creators can craft narratives tha t resonate with diverse audiences. The key lies in understanding the nuances of each platform, adapting storytelling techniques, and tailoring the visual experience to suit the chosen medium.

    The Zebra Comics Platform

    Some Zebra Comics Characters on the Zebra Comics blog

    Zebra Comics is a dynamic platform that showcases a diverse array of African comics. It serves as a hub for digital content, offering creators the opportunity to reach a broader audience. Zebra Comics also acknowledges the significance of the digital landscape, ensuring creators can choose the medium that best suits their artistic vision.

    In conclusion, the evolution of comics into the realms of webtoons and traditional print brings forth a dynamic interplay between digital innovation and timeless craftsmanship. Whether creators opt for the vertical canvas of webtoons or the tactile pages of print comics, the essence of storytelling remains unchanged. As creators explore the possibilities of both worlds, they contribute to a vibrant comic landscape that continues to captivate readers across continents.

    Stay tuned to Zebra Comics, where the diverse spectrum of African comics thrives, representing a celebration of creativity and storytelling excellence.

  • The Contribution of Artificial Intelligence (AI) to the Creation of Comics

    The Contribution of Artificial Intelligence (AI) to the Creation of Comics

    A few years ago, the only digital tools which comics creators had access to were graphic design software like Adobe Photoshop, lettering software like Comic life, video streaming platforms like YouTube and search engines like Google where they could search for references and tutorials which could help them perfect their art. These tools, even though very basic today, were very important in the creation of comics digitally. Creators could easily illustrate and reproduce their works in a short time and get entire projects done in timeframes that were impossible to accomplish with traditional methods. Nevertheless, creators still had to possess a high level of skill and actually put in the work to create the comics. With artificial intelligence, this all changes as it ushers in a possibility of just imagining something and then getting it done with just a click of a button.

    Artificial intelligence is defined as the simulation of human intelligence processes by machines, especially computer systems. Specific applications of AI include expert systems, natural language processing, speech recognition and machine vision. Amongst other things, artificial intelligence is used in everyday life for Voice Assistance, Personalized Marketing, Navigation and Travel, Self-driving Vehicles and Security and Surveillance.

    Artificial intelligence (AI) is rapidly changing the world, and the comic book industry is no exception. AI is being used to create comics in a variety of ways, from generating storylines and characters to creating illustrations.

    One of the most promising applications of AI in comics is the creation of storylines and characters. AI can be used to analyze large datasets of existing comics to identify patterns and trends. This information can then be used to generate new storylines and characters that are more likely to appeal to readers.

    For example, AI was used to create the comic book series “Cyberpunk: Peach John”. This series was created by the Japanese publishing house Shinchosha, and it is believed to be the world’s first complete AI-generated manga work. The series tells the story of a young woman who lives in a dystopian future city. The story was generated by AI by analyzing a large dataset of existing manga works.

    AI is also being used to create illustrations for comics. AI can be used to generate realistic images of characters, backgrounds, and objects. This can be a valuable tool for comic book creators who want to create high-quality illustrations without having to spend a lot of time and effort.

    For example, the company Graphiti Labs has developed an AI-powered tool called Deep Dream that can be used to create realistic images of characters and objects. Deep Dream was used to create the illustrations for the comic book series “The Adventures of Obadiah the Bold”. This series tells the story of a young Nigerian boy who travels back in time to the 19th century. The illustrations in the series were created by using Deep Dream to generate realistic images of characters, backgrounds, and objects from the 19th century.

    AI is still in its early stages of development, but it has the potential to revolutionize the comic book industry. AI can be used to create comics that are more engaging, more realistic, and more accessible to a wider audience.

    Here are some other ways that AI is being used in the creation of comics:

    AI can be used to automate tasks such as lettering and coloring, freeing up human creators to focus on more creative aspects of the process.

    AI can be used to generate suggestions for plot lines, character development, and dialogue.

    AI can be used to translate comics into different languages.

    AI can be used to create interactive comics that allow readers to make choices that affect the story.

    There are still many frowns in the comic book industry as far as the usage of AI in the creation of comics is concerned. Many argue that using AI is cheating and does not make the user a true artist. Others state that AI-created comics do not look natural and so cannot express human imagination and art. Well, whatever side of the divide you fall on, it is certain that the use of AI in the comic book industry is still in its early stages, but it is clear that it has the potential to make a significant impact. As AI technology continues to develop, it is likely that we will see even more innovative and creative uses of AI in comics in the coming years.

  • Graphic novels vs Episodic comics: Which is better?

    Graphic novels vs Episodic comics: Which is better?

    Comic books are a popular form of entertainment that has been around for decades. They are usually composed of sequential art and text that tell stories of various genres, such as superheroes, science fiction, fantasy, horror, and more. There are different variations based on style that stem from different parts of the world. Recently, there has been a particular surge in African comics. But comic books are not a homogeneous medium. There are different ways of presenting comic book stories, and two of the most common ones are graphic novels and episodic comics. This is true from all sides of the globe, including African comics.

    Graphic novels are comic books that are published as a single, complete story, usually in a longer format than regular comic books. They can be standalone works or part of a series, but they have a clear beginning, middle, and end. Graphic novels often have higher production values, such as better paper quality, colour printing, and hardcover binding. Some examples of graphic novels are Watchmen, Mulatako, La Vie d’Ebène Duta, and The Sandman.

    Mulatako by Reine on the Zebra Comics blog

    Episodic comics are comic books that are published in shorter installments, usually monthly or weekly. They are part of an ongoing series that may or may not have a definite conclusion. Episodic comics often follow a serialized format, with cliffhangers and subplots that span multiple issues. They are usually printed on cheaper paper, in black and white or limited color, and stapled together. Some examples of episodic comics are The Walking Dead, A Reverie With Nana, Kawana, and Saga.

    Both graphic novels and episodic comics have their advantages and disadvantages, for comic book lovers. In this article, we will explore the similarities and differences between these two mediums and seek to decide which is better.

    Similarities

    A collection of Comic books on the Zebra Comics blog

    One of the main similarities between graphic novels and episodic comics is that they both use the same language of comics: panels, balloons, captions, sound effects, etc. They both rely on the combination of words and images to create meaning and convey emotions. They both use the same techniques of storytelling, such as narration, dialogue, characterization, setting, mood, theme, etc. They both belong to the same tradition of comic book history and culture, and they both draw inspiration from various sources of literature, art, cinema, and more.

    Another similarity between graphic novels and episodic comics is that they both offer a wide range of genres and styles for readers to choose from. Whether you prefer action-packed adventures, psychological dramas, humorous parodies, or anything in between, you can find graphic novels and episodic comics that suit your taste. You can also find graphic novels and episodic comics that cater to different age groups, from children to adults. You can also find graphic novels and episodic comics that reflect different perspectives and experiences, from diverse authors and artists.

    Differences

    One of the main differences between graphic novels and episodic comics is the length and structure of their stories. Graphic novels tend to have longer and more complex stories than episodic comics. They often deal with themes that require more depth and nuance than episodic comics. They also have more freedom to experiment with the form and layout of their pages than episodic comics. Graphic novels can be read as standalone works or as part of a larger series, but they always have a clear ending that wraps up the story.

    Episodic comics tend to have shorter and simpler stories than graphic novels. They often deal with themes that are more immediate and relevant than graphic novels. They also have more constraints on the form and layout of their pages than graphic novels. Episodic comics are meant to be read as part of an ongoing series that may or may not have a clear ending. They often rely on continuity and references to previous issues to maintain reader interest.

    Another difference between graphic novels and episodic comics is the availability and accessibility of their stories. Graphic novels are usually published as single volumes that can be easily found in bookstores or online. They are also more likely to be translated into different languages and distributed internationally than episodic comics. Graphic novels can be read at any time and at any pace by the reader.

    Episodic comics are usually published as individual issues that can be harder to find in stores or online. They are also less likely to be translated into different languages and distributed internationally than graphic novels. Episodic comics have to be read in a specific order and at a specific frequency by the reader.

    Which is better?

    Blue question mark with a pink bakcground

    The answer to this question depends on the preferences and expectations of each reader. Some readers may prefer graphic novels because they offer longer and more complete stories that can be enjoyed at their own leisure. Some readers may prefer episodic comics because they offer shorter and more exciting stories that can be followed along with other fans. Some readers may enjoy both graphic novels and episodic comics because they offer different experiences and opportunities for comic book lovers. Additionally, with the growth of technology, webcomics have become a new player in the industry. One which African comic book creators such as Zebra Comics are embracing.

    Ultimately, there is no definitive answer as to which is better between graphic novels and episodic comics. They are both valid forms of comic book storytelling that have their own strengths and weaknesses. They are both worth reading and appreciating by comic book lovers.

  • Comics and Novels Based Video Games Released in 2023

    Comics and Novels Based Video Games Released in 2023

    From the day the word “Geek” was created to this day, fantasy, science fiction, and superhero comics and novels have, and will always have, a special place in this world. These products of pop culture have put forth content that fans have not only enjoyed in their original format, but also in various other formats like movies, TV shows, animation and video games. Talking about video games, it is certainly no news that comics and novels have been a big inspiration for many of the most beloved video games out there. From Spiderman, passing through Batman, to The Witcher, comics and novels have been important as far as inspiration for top games is concerned.

    In a previous article, we looked at the top video games based on popular comics characters out there. These have come and fans have enjoyed them, but pop culture continues to grow and so many more video game projects based on comics and novels are bound to see the light of day.

    In this light, therefore, the year 2023 is shaping up to be a great year for book fans, with a number of highly anticipated games based on their favorite characters and franchises set to release. Here are a few of the most anticipated comic book based video games coming in 2023:

    1. MARVEL’S SPIDER-MAN 2

    Spiderman 2 game and african comics on the zebra comics blog

    The sequel to the critically acclaimed 2018 game, Marvel’s Spider-Man 2 will see Peter Parker and Miles Morales team up to take on Venom and the Sinister Six. The game is being developed by Insomniac Games, and will be released for PlayStation 5.

    2. HOGWARTS LEGACY

    Hogwarts Legacy game and african comics on the zebra comics blog

    Set in the wizarding world of Harry Potter, Hogwarts Legacy is an open-world action RPG that will allow players to create their own witch or wizard and attend Hogwarts School of Witchcraft and Wizardry. The game is being developed by Avalanche Software, and will be released for PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S, and PC.

    3. RESIDENT EVIL 4 REMAKE

    Resident Evil 4 Remake Game and African Comics on the Zebra Comics Blog

    Another game that has gained popularity due to its association with recollections from the past and feelings of nostalgia. Resident Evil 4 Remake is a recreation of the video game Resident Evil 4 from 2005. The game is a survival horror title that Capcom created and released. The game will be released on March 24, 2023. The PlayStation 5, Windows, and Xbox X/S would all support it.

    4. ALAN WAKE

    Alan wake 2 game and african comics on the zebra comics blog

    Inspired by Stephen King’s character, David Lynch, this is a sequel to “Alan Wake” released in 2010. This remake will be released in 2023 on PS5, Windows, and Xbox X/S. It is a survival horror game created by Remedy Entertainment and published by Epic Games.

    5. SUICIDE SQUAD KILL THE JUSTICE LEAGUE

    Suicide Squad Kill the justice league game and african comics on the zebra comics blog

    This game is incredibly popular, and not just fans of DC or Superhero Comics. Even casual gamers are crazy about it. It is the first game in the “Batman: Arkham” series to have no Batman. This game series has received positive reviews from critics and players in general, which has generated attention. Currently available on PS4 and Xbox One, the game will be made available for the PS5, Xbox X/S, and Windows soon.

    Games and comics/novels have always enjoyed a wonderful relationship over the years. A game like Spiderman on Playstation has been rated as one of the best products the video game industry has seen. There will be many more video games based on comics coming in the years ahead. However, as far as 2023 is concerned, these are just a few of the many comic book based video games to be released within the 2023 window. With so many great games to choose from, comic book fans, without a doubt, are sure to have a lot to look forward to this year.

  • The Best Webtoon to Animation Adaptations

    The Best Webtoon to Animation Adaptations

    About a decade ago, if you typed the word “Webtoon” into any search engine, it probably wouldn’t have provided you with any results which could raise an eye. In other words, until the year 2018, webtoons were not very popular. Today, the story has changed completely. The comic format has moved on to be a global phenomenon, entertaining fans in different parts of the globe. It is now very common for comics fans to hear that they are reading a webtoon even in the most remote areas of the world, thanks to its accessibility.

    With this increasing popularity  in recent years, therefore, there has been growing interest from other segments of the entertainment industry. Film, animation and even video games have been created which are based on popular webtoons. Most prominent, though, are the webtoon to animation adaptations whose numbers have been growing incessantly. Some of these animations based on webtoons have even been published on the greatest video streaming platforms like Netflix. Some of these adaptations have even been met with critical acclaim, making them a staple in today’s entertainment world.

    Before we look at the best webtoon to animation adaptations, let’s define what makes a good webtoon to animation adaptation.

    Firstly, the adaptation should be faithful to the source material. This means that the characters, the story, and the tone of the webtoon should be preserved in the adaptation. Secondly, the animation should be high quality. The animation should be fluid and dynamic, and it should bring the webtoon to life. Thirdly, the story should be engaging. The adaptation should be interesting to watch, and it should keep viewers hooked from beginning to end.

    So, which are some of these webtoon animated adaptations that are garnering so much attention? Here are some of them below:

    1. TOWER OF GOD

    Tower of God Webtoon and african comics on the zebra comics blog

    Tower of God is a South Korean manhwa released as a webtoon written and illustrated by S.I.U. It has been serialized in Naver Corporation’s webtoon platform Naver Webtoon since June 2010, with the individual chapters collected and published by Young Com into thirteen volumes as of July 2023. Tower of God received official English translations by Line Webtoon beginning in July 2014.

    In this webtoon, there is a tower that summons chosen people called “Regulars” with the promise of granting their deepest desires. Whether it be wealth, fame, authority, or something that surpasses them all—everything awaits those who reach the top. Twenty-Fifth Bam is a boy who has only known a dark cave, a dirty cloth, and an unreachable light his entire life. So when a girl named Rachel comes to him through the light, his entire world changes. Becoming close friends with Rachel, he learns various things about the outside world from her. But when Rachel says she must leave him to climb the Tower, his world shatters around him. Vowing to follow after her no matter what it takes, he sets his sight on the tower, and a miracle occurs. Thus begins the journey of Bam, a young boy who was not chosen by the Tower but opened its gates by himself. They call his kind “Irregulars”—beings that have shaken the very foundation of the Tower each time they set foot inside it.

    It has received several mobile game adaptations and merchandise. In Japan, the web manhwa received an anime television series adaptation by Telecom Animation Film that first premiered on Naver Series On in South Korea, and aired in Japan immediately afterward. It originally aired from April to June 2020. Crunchyroll licensed and simulcasted the Japanese broadcast version of the anime for its streaming service. In August 2022, a second season was announced.

    2. THE GOD OF HIGH SCHOOL

    The god of high school webtoon and African comics on the zebra comics blog

    The God of High School is a South Korean manhwa released as a webtoon written and illustrated by Yongje Park. It has been serialized in Naver Corporation’s webtoon platform Naver Webtoon from April 2011 to December 2022, with the individual chapters collected and published by Imageframe under their Root label into four volumes as of January 2023. The God of High School received official English translations by Line Webtoon beginning in July 2014.

    This action webtoon follows a high school student, Jin Mori, and his friends as they compete in an epic tournament in which they borrow the power directly from the gods. But not only that, along the way they uncover a mysterious organization who will grant any wish to the tournament’s winner.

    It has received a mobile game and an original net animation short attached to the aforementioned game’s original soundtrack. An anime television series adaptation produced by MAPPA aired from July to September 2020.

    3. NOBLESSE

    Noblesse webtoon and african comics on the zebra comics blog

    Noblesse is a South Korean manhwa released as a webtoon written by Son Je-ho and illustrated by Lee Kwangsu. Noblesse was first posted on Naver Corporation’s webtoon platform Naver Webtoon in December 2007, and was concluded in January 2019; it was among the first webtoons to receive an official English translation at the launch of Line Webtoon in July 2014.

    In this webtoon, a powerful noble, Cadis Etrama Di Raizel (referred to as Rai), has been asleep for 820 years with no knowledge of mankind’s advancement and scientific successes. At the start of the webtoon, Rai wakes up in an abandoned building in South Korea, and starts to get used to the modern world. He goes to a school, where he reunites with his loyal servant Frankenstein. With Frankenstein’s help, Rai enrolls into high school and inadvertently befriends athletic teenager Shinwoo, computer geek Ikhan, and Shinwoo’s crush Yuna, and a few others. Noblesse follows the group’s often dangerous adventures against a secret organization while uncovering Rai’s past.

    It has been adapted into an aeni in 2015 and an original net animation (ONA) in 2016, and an anime television series by Production I.G aired from October to December 2020 on Crunchyroll.

    4. LOOKISM

    Lookism webtoon and african comics on the zebra comics blog

    Lookism Is a Manhwa created in 2014 by former Ulzaang and author Taejoon Park. It was officially released in 2017 in English and other languages on the Line Webtoon App. Set in the outskirts of Seoul, Lookism is about a boy named Daniel Park (Park Hyungseok) who is bullied because of his looks. He decides to transfer schools, only to wake up in a new body. Throughout the story he witnesses multiple cases of ‘Lookism’, a form of discrimination based on a person’s attractiveness. As Daniel navigates this new life, he tries to uncover the mystery behind his second body. An animated adaptation by Studio Mir was released globally on Netflix in December 2022.

    5. SOLO LEVELING

    Solo Leveling webtoon and african comics on the zebra comics blog

    Solo Leveling is a South Korean web novel written by Chugong. It presents a world where hunters, human warriors who possess magical abilities, must battle deadly monsters to protect mankind from certain annihilation. In this context, a notoriously weak hunter named Sung Jinwoo finds himself in a seemingly endless struggle for survival.

    It was serialized in Kakao’s digital comic and fiction platform KakaoPage beginning on July 25, 2016, and was later published in full by D&C Media under their Papyrus label on November 4, 2016. The novel has been licensed in English by Yen Press. A webtoon adaptation of Solo Leveling was first serialized in KakaoPage on March 4, 2018; it was illustrated by Jang Sung-rak (aka Dubu), the CEO of Redice Studio, who died on July 23, 2022, after suffering from a cerebral hemorrhage. The webtoon’s first season concluded on March 19, 2020, and its second season began on August 1, 2020, concluding in December 2021 with its 179th chapter. Its individual chapters have been collected and published by D&C Media into seven volumes as of February 2023. The webtoon has been licensed in English by Yen Press. A role-playing video game is in development at Netmarble. An anime television series adaptation by A-1 Pictures is set to premiere in Q1 2024.

    6. KILLING STALKING

    Killing Stalking Webtoon and african comics on the zebra comics blog

    Killing Stalking is a South Korean manhwa written and illustrated by Koogi. It was published online in Korean and English by Lezhin Comics and won the ₩100,000,000 Grand Prize Award at the Second Lezhin World Comics Contest.

    The story follows Bum, a young mentally ill man with a difficult past. After becoming infatuated with Oh Sangwoo, a peer from his time in the military who saved him from a rape attempt, he decides to enter Sangwoo’s home while he is out of his house. Bum finds a tied up, bruised woman in Sangwoo’s basement and before he is able to free her, he is discovered by Sangwoo, who is revealed to be a serial killer. Sangwoo then breaks Bum’s ankles and despite Bum’s previous love for him, Sangwoo puts Bum into a highly abusive and manipulative relationship until the very end.

    The series has been licensed in English in print format by Seven Seas Entertainment.

    Webtoons are a popular form of media, and they have a large and dedicated audience. Adapting a webtoon to animation can help to introduce the webtoon to a wider audience, and it can also help to generate new fans for the source material. Additionally, animation can bring a webtoon to life in a way that static images cannot. The animation can help to capture the action and excitement of the webtoon, and it can also help to bring the characters to life.

    Overall, webtoon to animation adaptations are a great way to introduce webtoons to a wider audience. They can be faithful to the source material, they can have stunning animation, and they can tell engaging stories. Animation, therefore, is of capital importance to webtoon creators everywhere, especially African creators like Zebra Comics PLC, as it can help to grow the industry in ways that other methods cannot.

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