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  • The Best Cameroonian Comics of the Last Decade

    The Best Cameroonian Comics of the Last Decade

    If you do not know yet, know now that Cameroon is one of the few countries in the world whose official languages are English and French. What that means is that, when it comes to comics, apart from drawing close to manga which everyone loves, Cameroonians love both American comics and Franco Belgian BD.

    Ok, let’s give more perspective to that piece of information above. Generally, English speaking countries in Africa tend to gravitate towards media and entertainment which comes from English speaking nations like The United States of America and the United Kingdom. And, in the same way, French speaking countries lean more towards media which comes from French speaking countries like France and Belgium. Now, Japanese manga is the exception to all this because it is loved by everyone everywhere. Nevertheless, the point we are trying to make here is that Cameroon has a dual nature thanks to the use of both French and English as its official languages. This makes the country to be more open to content which comes from diverse horizons, thereby inspiring creators to spew out content which is as diverse as its linguistic identity.

    As far as comics are concerned, Cameroon has one of the most dynamic markets on the African continent. There are great creators emerging everyday and there are even greater publishers (like Zebra Comics PLC, 3ag editions, Waanda Comics and Editions Akoma Mba) which put forth revolutionary work on a constant basis. This has especially been the case in recent years when African storytelling has been witnessing a constant growth and recognition from the rest of the world. The value of African philosophies, the beauty of African cultures and traditions, and the uniqueness of African perspectives about the future are all very present in comics which come out of Cameroon, making them truly special.

    In a previous article, we revisited the history of comics in this central African nation, and clearly pointed out some great works which already existed before the 2010s. So, in this write up, we will focus on works which were published in the last decade (2013 to 2023). This timeline is particularly important because this period, in the history of Cameroonian comics, has witnessed the highest number of comics productions from the country. Print and digital comics have all seen the light of day during this decade and many of these books have met user expectations in terms of story, illustrations, colours and overall production.

    So, which are the best Cameroonian comics of the last decade? Check out our list below. Note that this list contains comics which were created by authors who live in Cameroon. The comics on this list appear in no particular order.

    1. LA VIE D’EBENE DUTA

    A self published comic book authored by Elyon’s, this excellent piece recounts the life of an African lady and her experiences as an immigrant in Europe. Take a tablespoon of bad luck, a pinch of misunderstanding, and a sprinkling of intense drought! Let it simmer, and you’ve got La Vie d’Ebène Duta, the daily life of a young black girl far from her homeland. The story, scripted and drawn by Elyon’s, is delicious on several levels. There’s no discourse on a fantasised Africa, nor yet another (re)visit to clichés about immigration or all the misperceptions attached to black identity. This is a must read comic which explores very important themes which are relevant to issues plaguing our societies today.

    2. ALIYA

    Aliya is a comic book created and written by An Nina, illustrated by EN Ejob and Alone Legend and published by Zebra Comics PLC. This fantasy comic was one of the three first creations and publications of Zebra Comics PLC which helped to put the publisher on the map. Aliya is the story of a young lady in corporate Africa – A young translator with a mysterious past, haunted by forces unseen. This comic is available on amazon.com.

    3. CATY (Cellule anti-terroriste de Yaoundé)

    CATY-African-comics-on-the-Zebra-Comics-Blog

    Heavily influenced by the American TV series, 24, this comic book tells a similar action packed story, but changes characters, setting and stakes. Set in Yaounde, Cameroon, this comic tells the story of Special Agent Jacky Wabo of the Yaoundé Anti-Terrorist Unit who is tasked with apprehending Essono, a notorious psychopathic terrorist, and possibly saving Bobo, if he is still alive… This action packed comic was published by Editions Akoma Mba and Waanda comics. CATY was written and illustrated by Georges Pondy.

    4. ANDROID NIGHT

    Android-night-African-comics-on-the-zebra-comics-blog

    In the heart of Yaoundé, Cameroon, Mengo and Akim are out for a night in town. While there, Mengo meets a young woman by the name of Lynshie. She’s sexy, shy and her lips have the spicy flavor of his favorite cocktail, “Android Night”. Attracted by her charm, Lynshie invites Mengo into her car and they head off to his apartment in Bastos for sex. Meanwhile, Gonzo, another friend, enters the bar and joins Akim in getting to know three girls. Yaoundé is sweet and warm when you’re a fan of conclusive evenings. When Mengo finally arrives at Lynshie’s, things don’t go as planned. Mengo starts shooting a live video on the Internet when suddenly four girls in gangster outfits burst into the room. Mengo is confused and doesn’t understand what’s going on.  What was supposed to be a hot, drunken evening for Mengo is transformed into a nightmare. Android Night puts forth the argument that in Yaoundé, you can go out as a predator and end the night as the prey. Android Night was written by Darius Dada and illustrated by Cedric Minlo.

    5. TOTEM

    Totem-African-comics-on-the-zebra-comics-blog

    Amongst the first three comics created and published by Zebra Comics PLC, this comic recounts the story of an albino boy of struggles to survive in a pre-slavery era when his kind was looked upon as a curse. This fantasy story is inspired heavily by African cultures, myths and traditions, but it also packs a lot of action and magic. This is an epic adventure that any lover of Lord of the Ring, Game of Thrones and The Witcher series will absolutely love. Totem was created by Franklin Agogho and illustrated by EN Ejob.

    6. DJO’O BAR

    Djo’o Bar is a comic book series set entirely in Africa, specifically in Yaoundé, Cameroon. However, the public likely to be interested in the series is not limited to the African readership, as the characters are human archetypes, with all that is funny, unfortunate, brave, weak or irreverent about them. “Volume 1 of the series introduces the main characters: Prési the talking monkey, Hilary, Fifi, Djo’o and his bar, Maman Nicole, and Doctor Indomitable. The action revolves around Prési, the clever monkey who is popular in the Djo’o Bar neighborhood, and also Fifi, who has to be cured of an interminable case of diarrhea. All the characters combine their efforts to cure Fifi. They are helped by Chloé, a French researcher whom the characters distrust, before adopting her as a friend. The journey required to cure Fifi is an opportunity to criticize the cumbersome Cameroonian administration, a clone of the French administration (only more cumbersome). This funny comic book series was created by Hughes Bertrand Biboum and published by Toom Editions.

    7. OUPS!

    Oups-African-comics-on-the-zebra-comics-blog

    This is a simple yet interesting story, combined with a little flavor of Cameroon, which will certainly make you love this extraordinary country. Between daily setbacks, youth life and youth survival, the hostel of young scholars where this story is set is a veritable field that brings together all sorts of interceptions, conflicts and, above all, the difficulties encountered by our young people. This comic can be steamy and serious at the same time as it treats themes such as love, family, sex, corruption and poverty. Oups! Was created by George Pondy.

    8. HACKER

    Hacker is a comic that borrows heavily from the manga storytelling style. This story is set in Cameroon, at a time when society’s ills are at their worst. TEMDJIEU Frédéric Evrad, a young boy orphaned by a tragedy in Kumba, finds himself in Douala, where he must start a new life. Overcome by grief and despair, in a nation descending into chaos, he swears by only one thing: to work for change in this country. And so he begins a normal day-to-day life of odd jobs, he combines it with a dangerous activity that he pursues only at night – hacking, until the day everything turns upside down. This comic was created by Ludovic Tankeu and published by 3ag Edition.

    9. TUMBU

    Tumbu-by-Zebra-Comics

    This comic forms part of the trio that made up the first ever “Zebra Comics 3 in 1 magazine”. Side by side Aliya, and Totem from Zebra Comics, this comic came in to bring lightheartedness and fun to the others which already treat very serious themes. Tumbu is a satire which recounts the day to day ills which plague a typical Cameroonian society through the eyes of a young boy calledTumbu. As his name suggests, Tumbu (which means maggot in Cameroonian Pidgin) exposes all those who do crazy things like a maggot in a wound. This hilarious comic was created by EN Ejob and published by Zebra Comics PLC.

    10. ANAKI

    In the era of afrofuturism, Anaki stands out as the first afrofuturistic comic created and published in Cameroon. In this epic and action packed story, The union between randy gods and human women gives rise to the Balemba-kids with special gifts. The last of them, Anaki, struggles to survive in the face of the deadly Inquisition tasked with wiping out all evidence of the gods’ descendants. This comic presents beautiful art, great dialogue and memorable characters. Anaki was created by EN Ejob. It is available on the Zebra Comics app and website.

    11. BLACKTREK MAGAZINE

    Another comic which is highly influenced by Japanese manga, this magazine packs several stories created by writers and illustrators from the art group called Blacktrek. In its third edition, this magazine contains stories from talented creators like Martini Ngola, Yannick Obada and Objel Otou. Notable stories within this magazine include Helasteen, Kwap Be Zamba, Deratiseurs de Creatures Surnaturelles (DCS) and Deconfine. These stories treat themes which range from slavery, war and the future, to the covid pandemic and its effects.

    12. AURION: Heritage of the KORI-ODAN

    On the planet Aurioma, an energy called the Aurion only responds to those seeking answers to specific questions. The Aurion connects them to their ancestors. In the city of Zema, the king and queen, ENZO and ERINE KORI-ODAN, are crowned on their wedding day. Unfortunately, this happy day will be the beginning of their trials and their journey to find the true meaning of heritage. But above all, to find the true meaning of the KORI-ODAN heritage.

    This is an African comic book adapted from the video game of the same name. Aurion is a comic-book-style collection of perfect anatomy and special-effects action. It was created and written by Olivier Madiba and illustrated by Georges Pondy.

    13. NJOKU

    Njoku

    On Mount Fako, somewhere in Buea, Cameroon, Efasa-Moto, the mountain God, rules. He is lord over the sugar cane plantations and elephants that flourish on these slopes. Humans can enjoy the sugar cane and the beauty of the mountain as much as they want. However, they are forbidden from venturing into areas which are reserved for the gods. Unfortunately, Axel Takam and his friends, hungry for adventure and oblivious of these rules, take a trip up the mountain without authorization from competent authorities and end up desecrating the holy lands reserved for the gods. The consequence; Alex Takam is obliged to choose between doing the bidding of the gods for mankind or saving himself and letting mankind perish. You’ll find this and more in the African fantasy title, NJOKU. This comic/Webtoon innovates on the superhero genre and comes loaded with a deep and entertaining story. It was created and written by NJOKA SUYRU, illustrated by ALONE LEGEND, coloured by JUDITH EBOGO and lettered by EN EJOB. NJOKU was winner of the Digital comics Prize awarded by Institut Francais Cameroon in 2021.

    14. KAWANA

    IKEI lives the life of a billionaire kid: chic apartment, celebrity boyfriend, loaded bank account and free cruises to exotic places. Curiously, she is doing all these while grappling with unvalidated courses at the University. The question now is: who sponsors this kind of lifestyle? Well, many think her numerous dates finance her escapades. No! She comes from a wealthy family that can afford anything she may desire. So, why does she choose this questionable path? The answer lies in a deeply dysfunctional family. This story was written by Franklin Agogho and illustrated by Beti Ophelie. It is available on the Zebra Comics app and website.

    So, there you have it, fourteen high quality stories that will keep you entertained and provide you with a good idea of what creativity in comics from Cameroon looks like. There are certainly many more comics which deserve to be part of this list. Tell us about any other titles which deserve to be on this list and we will do our best to bring them to the limelight.

  • Making Comics for Print and Webtoon: Bridging the Digital and Traditional Divide

    Making Comics for Print and Webtoon: Bridging the Digital and Traditional Divide

    The Dual Nature of Webtoons

    1. Do Webtoons Ever Get Printed?

    Webtoons, a digital innovation that originated in South Korea, are inherently designed for online consumption. However, the transition from digital to print is not uncommon. While webtoons are optimized for vertical scrolling and vibrant colours, some creators choose to adapt their digital content for print. This transformation requires careful consideration of layout adjustments, panel arrangement, and colour optimization to ensure the visual narrative translates effectively to the printed page.

    2. Webtoon Creators and Compensation

    In the world of webtoons, creators have the potential to earn revenue through various avenues. Revenue streams include ad revenue generated by views, premium content purchases, merchandise sales, and crowdfunding. Webtoon platforms often provide compensation based on the popularity and engagement of the content. As webtoon creators gain a dedicated following, they can also explore collaborations, commissions, and partnerships, further expanding their income sources.

    3. Ownership in the Webtoon Realm

    Creators’ rights and ownership remain pivotal in the webtoon landscape. Most webtoon platforms acknowledge the creators as rightful owners of their content. However, understanding the terms of service and user agreements of each platform is crucial to safeguard intellectual property rights. As the digital medium empowers creators to share their stories with a global audience, it’s imperative to choose platforms that respect and protect creators’ rights.

    Webtoons vs. Page-Based Comics

    webtoon on the Zebra Comics blog

    The distinction between webtoons and page-based comics extends beyond format. While webtoons are designed for a seamless vertical reading experience, page-based comics adhere to a traditional layout with panels arranged horizontally on pages. Webtoons utilize scrolling, allowing readers to absorb the narrative effortlessly, while page-based comics rely on page turns to reveal the story progression. Acknowledging these differences is crucial when adapting content for print or digital consumption.

    Crafting a Unique Visual Identity

    1. Tailoring Your Approach for Webtoons

    Creating a webtoon involves adapting traditional comic storytelling techniques to the digital format. Key considerations include panel transitions that suit vertical scrolling, captivating visuals that command attention in a smaller digital window, and utilizing colors that enhance the reader’s experience. Webtoons grant creators the freedom to experiment with unconventional panel layouts, pacing, and visual effects that captivate and immerse the audience.

    2. Embracing Tradition with Innovation

    When crafting comics for print, the tactile experience plays a pivotal role. Exploring varied paper textures, optimizing page layouts, and leveraging the contrast between black and white or full-colour visuals contribute to the uniqueness of print comics. The physicality of a printed comic invites readers to engage with the story in a different manner, fostering a connection between the reader and the medium.

    Navigating Both Worlds: A Confluence of Creativity

    As the comic landscape expands to embrace both digital and print mediums, creators find themselves at a juncture where innovation and tradition intersect. By embracing the opportunities presented by webtoons and traditional print comics, creators can craft narratives tha t resonate with diverse audiences. The key lies in understanding the nuances of each platform, adapting storytelling techniques, and tailoring the visual experience to suit the chosen medium.

    The Zebra Comics Platform

    Some Zebra Comics Characters on the Zebra Comics blog

    Zebra Comics is a dynamic platform that showcases a diverse array of African comics. It serves as a hub for digital content, offering creators the opportunity to reach a broader audience. Zebra Comics also acknowledges the significance of the digital landscape, ensuring creators can choose the medium that best suits their artistic vision.

    In conclusion, the evolution of comics into the realms of webtoons and traditional print brings forth a dynamic interplay between digital innovation and timeless craftsmanship. Whether creators opt for the vertical canvas of webtoons or the tactile pages of print comics, the essence of storytelling remains unchanged. As creators explore the possibilities of both worlds, they contribute to a vibrant comic landscape that continues to captivate readers across continents.

    Stay tuned to Zebra Comics, where the diverse spectrum of African comics thrives, representing a celebration of creativity and storytelling excellence.

  • The Contribution of Artificial Intelligence (AI) to the Creation of Comics

    The Contribution of Artificial Intelligence (AI) to the Creation of Comics

    A few years ago, the only digital tools which comics creators had access to were graphic design software like Adobe Photoshop, lettering software like Comic life, video streaming platforms like YouTube and search engines like Google where they could search for references and tutorials which could help them perfect their art. These tools, even though very basic today, were very important in the creation of comics digitally. Creators could easily illustrate and reproduce their works in a short time and get entire projects done in timeframes that were impossible to accomplish with traditional methods. Nevertheless, creators still had to possess a high level of skill and actually put in the work to create the comics. With artificial intelligence, this all changes as it ushers in a possibility of just imagining something and then getting it done with just a click of a button.

    Artificial intelligence is defined as the simulation of human intelligence processes by machines, especially computer systems. Specific applications of AI include expert systems, natural language processing, speech recognition and machine vision. Amongst other things, artificial intelligence is used in everyday life for Voice Assistance, Personalized Marketing, Navigation and Travel, Self-driving Vehicles and Security and Surveillance.

    Artificial intelligence (AI) is rapidly changing the world, and the comic book industry is no exception. AI is being used to create comics in a variety of ways, from generating storylines and characters to creating illustrations.

    One of the most promising applications of AI in comics is the creation of storylines and characters. AI can be used to analyze large datasets of existing comics to identify patterns and trends. This information can then be used to generate new storylines and characters that are more likely to appeal to readers.

    For example, AI was used to create the comic book series “Cyberpunk: Peach John”. This series was created by the Japanese publishing house Shinchosha, and it is believed to be the world’s first complete AI-generated manga work. The series tells the story of a young woman who lives in a dystopian future city. The story was generated by AI by analyzing a large dataset of existing manga works.

    AI is also being used to create illustrations for comics. AI can be used to generate realistic images of characters, backgrounds, and objects. This can be a valuable tool for comic book creators who want to create high-quality illustrations without having to spend a lot of time and effort.

    For example, the company Graphiti Labs has developed an AI-powered tool called Deep Dream that can be used to create realistic images of characters and objects. Deep Dream was used to create the illustrations for the comic book series “The Adventures of Obadiah the Bold”. This series tells the story of a young Nigerian boy who travels back in time to the 19th century. The illustrations in the series were created by using Deep Dream to generate realistic images of characters, backgrounds, and objects from the 19th century.

    AI is still in its early stages of development, but it has the potential to revolutionize the comic book industry. AI can be used to create comics that are more engaging, more realistic, and more accessible to a wider audience.

    Here are some other ways that AI is being used in the creation of comics:

    AI can be used to automate tasks such as lettering and coloring, freeing up human creators to focus on more creative aspects of the process.

    AI can be used to generate suggestions for plot lines, character development, and dialogue.

    AI can be used to translate comics into different languages.

    AI can be used to create interactive comics that allow readers to make choices that affect the story.

    There are still many frowns in the comic book industry as far as the usage of AI in the creation of comics is concerned. Many argue that using AI is cheating and does not make the user a true artist. Others state that AI-created comics do not look natural and so cannot express human imagination and art. Well, whatever side of the divide you fall on, it is certain that the use of AI in the comic book industry is still in its early stages, but it is clear that it has the potential to make a significant impact. As AI technology continues to develop, it is likely that we will see even more innovative and creative uses of AI in comics in the coming years.

  • Graphic novels vs Episodic comics: Which is better?

    Graphic novels vs Episodic comics: Which is better?

    Comic books are a popular form of entertainment that has been around for decades. They are usually composed of sequential art and text that tell stories of various genres, such as superheroes, science fiction, fantasy, horror, and more. There are different variations based on style that stem from different parts of the world. Recently, there has been a particular surge in African comics. But comic books are not a homogeneous medium. There are different ways of presenting comic book stories, and two of the most common ones are graphic novels and episodic comics. This is true from all sides of the globe, including African comics.

    Graphic novels are comic books that are published as a single, complete story, usually in a longer format than regular comic books. They can be standalone works or part of a series, but they have a clear beginning, middle, and end. Graphic novels often have higher production values, such as better paper quality, colour printing, and hardcover binding. Some examples of graphic novels are Watchmen, Mulatako, La Vie d’Ebène Duta, and The Sandman.

    Mulatako by Reine on the Zebra Comics blog

    Episodic comics are comic books that are published in shorter installments, usually monthly or weekly. They are part of an ongoing series that may or may not have a definite conclusion. Episodic comics often follow a serialized format, with cliffhangers and subplots that span multiple issues. They are usually printed on cheaper paper, in black and white or limited color, and stapled together. Some examples of episodic comics are The Walking Dead, A Reverie With Nana, Kawana, and Saga.

    Both graphic novels and episodic comics have their advantages and disadvantages, for comic book lovers. In this article, we will explore the similarities and differences between these two mediums and seek to decide which is better.

    Similarities

    A collection of Comic books on the Zebra Comics blog

    One of the main similarities between graphic novels and episodic comics is that they both use the same language of comics: panels, balloons, captions, sound effects, etc. They both rely on the combination of words and images to create meaning and convey emotions. They both use the same techniques of storytelling, such as narration, dialogue, characterization, setting, mood, theme, etc. They both belong to the same tradition of comic book history and culture, and they both draw inspiration from various sources of literature, art, cinema, and more.

    Another similarity between graphic novels and episodic comics is that they both offer a wide range of genres and styles for readers to choose from. Whether you prefer action-packed adventures, psychological dramas, humorous parodies, or anything in between, you can find graphic novels and episodic comics that suit your taste. You can also find graphic novels and episodic comics that cater to different age groups, from children to adults. You can also find graphic novels and episodic comics that reflect different perspectives and experiences, from diverse authors and artists.

    Differences

    One of the main differences between graphic novels and episodic comics is the length and structure of their stories. Graphic novels tend to have longer and more complex stories than episodic comics. They often deal with themes that require more depth and nuance than episodic comics. They also have more freedom to experiment with the form and layout of their pages than episodic comics. Graphic novels can be read as standalone works or as part of a larger series, but they always have a clear ending that wraps up the story.

    Episodic comics tend to have shorter and simpler stories than graphic novels. They often deal with themes that are more immediate and relevant than graphic novels. They also have more constraints on the form and layout of their pages than graphic novels. Episodic comics are meant to be read as part of an ongoing series that may or may not have a clear ending. They often rely on continuity and references to previous issues to maintain reader interest.

    Another difference between graphic novels and episodic comics is the availability and accessibility of their stories. Graphic novels are usually published as single volumes that can be easily found in bookstores or online. They are also more likely to be translated into different languages and distributed internationally than episodic comics. Graphic novels can be read at any time and at any pace by the reader.

    Episodic comics are usually published as individual issues that can be harder to find in stores or online. They are also less likely to be translated into different languages and distributed internationally than graphic novels. Episodic comics have to be read in a specific order and at a specific frequency by the reader.

    Which is better?

    Blue question mark with a pink bakcground

    The answer to this question depends on the preferences and expectations of each reader. Some readers may prefer graphic novels because they offer longer and more complete stories that can be enjoyed at their own leisure. Some readers may prefer episodic comics because they offer shorter and more exciting stories that can be followed along with other fans. Some readers may enjoy both graphic novels and episodic comics because they offer different experiences and opportunities for comic book lovers. Additionally, with the growth of technology, webcomics have become a new player in the industry. One which African comic book creators such as Zebra Comics are embracing.

    Ultimately, there is no definitive answer as to which is better between graphic novels and episodic comics. They are both valid forms of comic book storytelling that have their own strengths and weaknesses. They are both worth reading and appreciating by comic book lovers.

  • Comics and Novels Based Video Games Released in 2023

    Comics and Novels Based Video Games Released in 2023

    From the day the word “Geek” was created to this day, fantasy, science fiction, and superhero comics and novels have, and will always have, a special place in this world. These products of pop culture have put forth content that fans have not only enjoyed in their original format, but also in various other formats like movies, TV shows, animation and video games. Talking about video games, it is certainly no news that comics and novels have been a big inspiration for many of the most beloved video games out there. From Spiderman, passing through Batman, to The Witcher, comics and novels have been important as far as inspiration for top games is concerned.

    In a previous article, we looked at the top video games based on popular comics characters out there. These have come and fans have enjoyed them, but pop culture continues to grow and so many more video game projects based on comics and novels are bound to see the light of day.

    In this light, therefore, the year 2023 is shaping up to be a great year for book fans, with a number of highly anticipated games based on their favorite characters and franchises set to release. Here are a few of the most anticipated comic book based video games coming in 2023:

    1. MARVEL’S SPIDER-MAN 2

    Spiderman 2 game and african comics on the zebra comics blog

    The sequel to the critically acclaimed 2018 game, Marvel’s Spider-Man 2 will see Peter Parker and Miles Morales team up to take on Venom and the Sinister Six. The game is being developed by Insomniac Games, and will be released for PlayStation 5.

    2. HOGWARTS LEGACY

    Hogwarts Legacy game and african comics on the zebra comics blog

    Set in the wizarding world of Harry Potter, Hogwarts Legacy is an open-world action RPG that will allow players to create their own witch or wizard and attend Hogwarts School of Witchcraft and Wizardry. The game is being developed by Avalanche Software, and will be released for PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S, and PC.

    3. RESIDENT EVIL 4 REMAKE

    Resident Evil 4 Remake Game and African Comics on the Zebra Comics Blog

    Another game that has gained popularity due to its association with recollections from the past and feelings of nostalgia. Resident Evil 4 Remake is a recreation of the video game Resident Evil 4 from 2005. The game is a survival horror title that Capcom created and released. The game will be released on March 24, 2023. The PlayStation 5, Windows, and Xbox X/S would all support it.

    4. ALAN WAKE

    Alan wake 2 game and african comics on the zebra comics blog

    Inspired by Stephen King’s character, David Lynch, this is a sequel to “Alan Wake” released in 2010. This remake will be released in 2023 on PS5, Windows, and Xbox X/S. It is a survival horror game created by Remedy Entertainment and published by Epic Games.

    5. SUICIDE SQUAD KILL THE JUSTICE LEAGUE

    Suicide Squad Kill the justice league game and african comics on the zebra comics blog

    This game is incredibly popular, and not just fans of DC or Superhero Comics. Even casual gamers are crazy about it. It is the first game in the “Batman: Arkham” series to have no Batman. This game series has received positive reviews from critics and players in general, which has generated attention. Currently available on PS4 and Xbox One, the game will be made available for the PS5, Xbox X/S, and Windows soon.

    Games and comics/novels have always enjoyed a wonderful relationship over the years. A game like Spiderman on Playstation has been rated as one of the best products the video game industry has seen. There will be many more video games based on comics coming in the years ahead. However, as far as 2023 is concerned, these are just a few of the many comic book based video games to be released within the 2023 window. With so many great games to choose from, comic book fans, without a doubt, are sure to have a lot to look forward to this year.

  • The Best Webtoon to Animation Adaptations

    The Best Webtoon to Animation Adaptations

    About a decade ago, if you typed the word “Webtoon” into any search engine, it probably wouldn’t have provided you with any results which could raise an eye. In other words, until the year 2018, webtoons were not very popular. Today, the story has changed completely. The comic format has moved on to be a global phenomenon, entertaining fans in different parts of the globe. It is now very common for comics fans to hear that they are reading a webtoon even in the most remote areas of the world, thanks to its accessibility.

    With this increasing popularity  in recent years, therefore, there has been growing interest from other segments of the entertainment industry. Film, animation and even video games have been created which are based on popular webtoons. Most prominent, though, are the webtoon to animation adaptations whose numbers have been growing incessantly. Some of these animations based on webtoons have even been published on the greatest video streaming platforms like Netflix. Some of these adaptations have even been met with critical acclaim, making them a staple in today’s entertainment world.

    Before we look at the best webtoon to animation adaptations, let’s define what makes a good webtoon to animation adaptation.

    Firstly, the adaptation should be faithful to the source material. This means that the characters, the story, and the tone of the webtoon should be preserved in the adaptation. Secondly, the animation should be high quality. The animation should be fluid and dynamic, and it should bring the webtoon to life. Thirdly, the story should be engaging. The adaptation should be interesting to watch, and it should keep viewers hooked from beginning to end.

    So, which are some of these webtoon animated adaptations that are garnering so much attention? Here are some of them below:

    1. TOWER OF GOD

    Tower of God Webtoon and african comics on the zebra comics blog

    Tower of God is a South Korean manhwa released as a webtoon written and illustrated by S.I.U. It has been serialized in Naver Corporation’s webtoon platform Naver Webtoon since June 2010, with the individual chapters collected and published by Young Com into thirteen volumes as of July 2023. Tower of God received official English translations by Line Webtoon beginning in July 2014.

    In this webtoon, there is a tower that summons chosen people called “Regulars” with the promise of granting their deepest desires. Whether it be wealth, fame, authority, or something that surpasses them all—everything awaits those who reach the top. Twenty-Fifth Bam is a boy who has only known a dark cave, a dirty cloth, and an unreachable light his entire life. So when a girl named Rachel comes to him through the light, his entire world changes. Becoming close friends with Rachel, he learns various things about the outside world from her. But when Rachel says she must leave him to climb the Tower, his world shatters around him. Vowing to follow after her no matter what it takes, he sets his sight on the tower, and a miracle occurs. Thus begins the journey of Bam, a young boy who was not chosen by the Tower but opened its gates by himself. They call his kind “Irregulars”—beings that have shaken the very foundation of the Tower each time they set foot inside it.

    It has received several mobile game adaptations and merchandise. In Japan, the web manhwa received an anime television series adaptation by Telecom Animation Film that first premiered on Naver Series On in South Korea, and aired in Japan immediately afterward. It originally aired from April to June 2020. Crunchyroll licensed and simulcasted the Japanese broadcast version of the anime for its streaming service. In August 2022, a second season was announced.

    2. THE GOD OF HIGH SCHOOL

    The god of high school webtoon and African comics on the zebra comics blog

    The God of High School is a South Korean manhwa released as a webtoon written and illustrated by Yongje Park. It has been serialized in Naver Corporation’s webtoon platform Naver Webtoon from April 2011 to December 2022, with the individual chapters collected and published by Imageframe under their Root label into four volumes as of January 2023. The God of High School received official English translations by Line Webtoon beginning in July 2014.

    This action webtoon follows a high school student, Jin Mori, and his friends as they compete in an epic tournament in which they borrow the power directly from the gods. But not only that, along the way they uncover a mysterious organization who will grant any wish to the tournament’s winner.

    It has received a mobile game and an original net animation short attached to the aforementioned game’s original soundtrack. An anime television series adaptation produced by MAPPA aired from July to September 2020.

    3. NOBLESSE

    Noblesse webtoon and african comics on the zebra comics blog

    Noblesse is a South Korean manhwa released as a webtoon written by Son Je-ho and illustrated by Lee Kwangsu. Noblesse was first posted on Naver Corporation’s webtoon platform Naver Webtoon in December 2007, and was concluded in January 2019; it was among the first webtoons to receive an official English translation at the launch of Line Webtoon in July 2014.

    In this webtoon, a powerful noble, Cadis Etrama Di Raizel (referred to as Rai), has been asleep for 820 years with no knowledge of mankind’s advancement and scientific successes. At the start of the webtoon, Rai wakes up in an abandoned building in South Korea, and starts to get used to the modern world. He goes to a school, where he reunites with his loyal servant Frankenstein. With Frankenstein’s help, Rai enrolls into high school and inadvertently befriends athletic teenager Shinwoo, computer geek Ikhan, and Shinwoo’s crush Yuna, and a few others. Noblesse follows the group’s often dangerous adventures against a secret organization while uncovering Rai’s past.

    It has been adapted into an aeni in 2015 and an original net animation (ONA) in 2016, and an anime television series by Production I.G aired from October to December 2020 on Crunchyroll.

    4. LOOKISM

    Lookism webtoon and african comics on the zebra comics blog

    Lookism Is a Manhwa created in 2014 by former Ulzaang and author Taejoon Park. It was officially released in 2017 in English and other languages on the Line Webtoon App. Set in the outskirts of Seoul, Lookism is about a boy named Daniel Park (Park Hyungseok) who is bullied because of his looks. He decides to transfer schools, only to wake up in a new body. Throughout the story he witnesses multiple cases of ‘Lookism’, a form of discrimination based on a person’s attractiveness. As Daniel navigates this new life, he tries to uncover the mystery behind his second body. An animated adaptation by Studio Mir was released globally on Netflix in December 2022.

    5. SOLO LEVELING

    Solo Leveling webtoon and african comics on the zebra comics blog

    Solo Leveling is a South Korean web novel written by Chugong. It presents a world where hunters, human warriors who possess magical abilities, must battle deadly monsters to protect mankind from certain annihilation. In this context, a notoriously weak hunter named Sung Jinwoo finds himself in a seemingly endless struggle for survival.

    It was serialized in Kakao’s digital comic and fiction platform KakaoPage beginning on July 25, 2016, and was later published in full by D&C Media under their Papyrus label on November 4, 2016. The novel has been licensed in English by Yen Press. A webtoon adaptation of Solo Leveling was first serialized in KakaoPage on March 4, 2018; it was illustrated by Jang Sung-rak (aka Dubu), the CEO of Redice Studio, who died on July 23, 2022, after suffering from a cerebral hemorrhage. The webtoon’s first season concluded on March 19, 2020, and its second season began on August 1, 2020, concluding in December 2021 with its 179th chapter. Its individual chapters have been collected and published by D&C Media into seven volumes as of February 2023. The webtoon has been licensed in English by Yen Press. A role-playing video game is in development at Netmarble. An anime television series adaptation by A-1 Pictures is set to premiere in Q1 2024.

    6. KILLING STALKING

    Killing Stalking Webtoon and african comics on the zebra comics blog

    Killing Stalking is a South Korean manhwa written and illustrated by Koogi. It was published online in Korean and English by Lezhin Comics and won the ₩100,000,000 Grand Prize Award at the Second Lezhin World Comics Contest.

    The story follows Bum, a young mentally ill man with a difficult past. After becoming infatuated with Oh Sangwoo, a peer from his time in the military who saved him from a rape attempt, he decides to enter Sangwoo’s home while he is out of his house. Bum finds a tied up, bruised woman in Sangwoo’s basement and before he is able to free her, he is discovered by Sangwoo, who is revealed to be a serial killer. Sangwoo then breaks Bum’s ankles and despite Bum’s previous love for him, Sangwoo puts Bum into a highly abusive and manipulative relationship until the very end.

    The series has been licensed in English in print format by Seven Seas Entertainment.

    Webtoons are a popular form of media, and they have a large and dedicated audience. Adapting a webtoon to animation can help to introduce the webtoon to a wider audience, and it can also help to generate new fans for the source material. Additionally, animation can bring a webtoon to life in a way that static images cannot. The animation can help to capture the action and excitement of the webtoon, and it can also help to bring the characters to life.

    Overall, webtoon to animation adaptations are a great way to introduce webtoons to a wider audience. They can be faithful to the source material, they can have stunning animation, and they can tell engaging stories. Animation, therefore, is of capital importance to webtoon creators everywhere, especially African creators like Zebra Comics PLC, as it can help to grow the industry in ways that other methods cannot.

  • Working as a UX Designer in an African Comics Company: An Interview with Ejob Benjamin

    Working as a UX Designer in an African Comics Company: An Interview with Ejob Benjamin

    The Zebra Comics app and website have been out in the wild for almost one year now and there has been huge interest around these platforms. As a new digital comics/ webtoon platform in a sea of comics platforms, our app and website stand out because they offer authentique stories based on untold African cultures and traditions. Telling authentic African stories to national and international audiences which changes the worldview of Africa has always been Zebra Comics PLC’s main mission. The real challenge has been to reach these audiences across the world with these stories, even though resources have always been very limited. To solve this problem, digital distribution was identified as a viable solution. This then led to the creation of a mobile application and website through which comics fans can access and read their best African comics wherever they are.

    Out of the box, this sounds like a beautiful idea, but implementing it has not been a bed of roses. Creating the right quantity and quality of content has always been an issue, but creating the technology to adequately distribute this content has been a real headache too. The comics content may be excellent, but if the technology which enables users to access these comics does not work well, then the whole experience will be a negative one.

    To ensure that the Zebra Comics app and website look, feel and work magnificently, the right people and processes needed to be implemented for great results. With hundreds of thousands of users already, one can say that the apps and website were well designed to meet consumer needs.

    So, how was the technology side of things managed to give us what we have today? Well, let’s hear from Ejob Benjamin who is a UX Designer and Technology Officer at Zebra Comics PLC. He worked very closely on the Zebra Comics app and website and this is what he has to say.

    Zebra Comics Blog: Who is Ejob Benjamin?

    Ejob Benjamin: In simple terms, I’m a techie. But to be elaborate, I work as a technology officer at Zebra Comics PLC and I love everything tech.

    Zebra Comics Blog: What does the job of a UX Designer look like on a daily basis?

    Ejob Benjamin: Well, my daily tasks are varied. Amongst them are conducting user research, creating wireframes and prototypes, collaboration with engineers, iterating designs based on feedback, and ensuring the overall user experience meets business goals. In simple English, I create all the designs for the Zebra Comics app and website, work closely with developers to ensure that they bring my vision to life in the most accurate manner, gather feedback from users of these platforms and ensure that the development team implements them for superior customer satisfaction.

    ux design on the zebra comics blog

    Zebra Comics Blog: What do you do concretely at Zebra Comics PLC?

    Ejob Benjamin: As a product designer I strike the balance between user satisfaction and business goals by combining concept, aesthetics, functionality and feasibility, to ensure that the Zebra Comics products meet both the user needs and market demands. So, every time you open the Zebra Comics app or visit our website and you end up enjoying how a feature looks and feels on it, know that you are enjoying my work.

    Zebra Comics Blog: How much work has been invested in building the Zebra Comics digital platforms so far?

    Ejob Benjamin: When we look at the zebra platforms, from design, to functionality, to content, it’s only obvious that ‘so much’ in terms of time and manpower, to say the least, had to come together from a range of fields to make it happen. So, an unquantifiable amount has been put in to create the app and website you find today.

    Zebra Comics Blog: How will you say the Zebra Comics app is different from other comics apps in terms of UX design?

    Ejob Benjamin: Keyword – simplicity. We focused on making it easy for users to understand and navigate through the app. And designed a clean and somewhat minimalistic app that would combine the bright colors of the Zebra Comics African Art style to give an enjoyable user experience for users.

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    Zebra Comics Blog: Without spoiling anything, what should Zebra Comics fans expect to see on the app in terms of UX design in the coming months?

    Ejob Benjamin: We pay close attention to user feedback and reiterate on concepts and functionality so as to reduce user pain points such as loading times. So the fans should expect their experience in the Zebra app to be smoother and better.

    Zebra Comics Blog: Any advice for young people who want to venture into the field of UX Design?

    Ejob Benjamin: UX design is continually evolving and is a multidisciplinary field. Network and connect with other designers, stay updated with trends, practice, practice and practice.

    So, be rest assured that the Zebra Comics app and website was built with so much consideration for user satisfaction in mind. If you have not yet downloaded the app or visited the website, you can do so by clicking HERE.

    Enjoy!

  • The Fate of Print Comics in the Face of the Digital Boom

    The Fate of Print Comics in the Face of the Digital Boom

    Comics are a form of sequential art that combine images and text to tell stories. They have a long and rich history that spans different cultures, genres, and media. In this article, we will explore the origins and evolution of comics as an entertainment medium, the rise and impact of digital or webcomics, and the challenges and opportunities that print comics face in the digital age.

    The Advent and Success of Comics

    Comics as a print medium have existed in the United States since 1842, when The Adventures of Mr. Obadiah Oldbuck by Rodolphe Töpffer was published in hardcover, making it the first known prototype American comic book. However, the medium was initially developed through comic strips in daily newspapers, which became popular in the late 19th and early 20th centuries. Comic strips featured characters such as The Yellow Kid, Little Nemo, Krazy Kat, Popeye, and Mickey Mouse, who became national celebrities and were subject to cross-media adaptation.

    The first comic book that contained original material was Famous Funnies, which debuted in 1934. The true breakthrough of the comic book industry came in 1938 when Superman appeared in Action Comics #1, published by National Allied Publications (a predecessor of DC Comics). Superman launched the Golden Age of Comic Books, a period that saw the emergence of many superheroes such as Batman, Wonder Woman, Captain America, and Spider-Man. Superheroes dominated the comic book market during World War II, but after the war, other genres such as romance, horror, western, and science fiction also gained popularity.

    Comic books faced a backlash in the early 1950s when they were accused of corrupting youth and promoting violence, crime, and immorality. A Senate subcommittee investigated the comic book industry and a psychiatrist named Fredric Wertham published a book called Seduction of the Innocent, which claimed that comic books were harmful to children’s mental health. In response to this criticism, comic book publishers formed the Comics Code Authority (CCA), a self-regulatory body that imposed strict guidelines on the content of comic books. The CCA effectively censored many comic books and eliminated some genres altogether.

    The Silver Age of Comic Books began in 1956 when DC Comics revived its superhero line with new versions of The Flash, Green Lantern, and others. Marvel Comics also introduced new and popular superheroes such as Fantastic Four, X-Men, Hulk, Iron Man, Thor, and Avengers. The Silver Age lasted until the early 1970s when social issues such as civil rights, feminism, environmentalism, and anti-war movements influenced the stories and characters of comic books. The Bronze Age of Comic Books (from 1970 to 1985) also saw the rise of underground comics, which addressed more adult themes and followed a new distribution model.

    The Modern Age of Comic Books began in the mid-1980s and continues to this day. This period is characterized by more diverse and complex stories and characters, as well as more artistic experimentation and innovation. Writers and artists such as Alan Moore, Frank Miller, Neil Gaiman, Grant Morrison, Brian Michael Bendis, Scott Snyder, Fiona Staples, and many others have redefined classic characters and created new ones. Some landmark publications such as Watchmen, The Dark Knight Returns, Sandman, Maus, The Walking Dead, Saga, and others have expanded the medium’s potential and appeal.

    The New Trend of Digital Comics

    Digital comics are comics that are released digitally, as opposed to in print. They can take various forms such as mobile comics, webcomics, or e-comics. Digital comics have become more prevalent with the growing use of smartphones, tablets, and desktop screen reading. Digital comics offer several advantages over print comics: they are more accessible, affordable, convenient, interactive, diverse, and environmentally friendly. They also allow more creative freedom for creators who can bypass editorial or publishing constraints.

    Webcomics are a subset of digital comics that are published on websites or online platforms. They can be free or paid, serialized or standalone, professional or amateur. Webcomics have a history that dates back to the mid-1980s, but they became more popular in the late 1990s and early 2000s with sites such as Keenspot, Penny Arcade, SMBC Comics, Hark! A Vagrant, Oglaf, Gunnerkrigg Court, and many others. Webcomics cover a wide range of genres and styles, and some have been adapted into other media such as books, games, movies, and TV shows.

    Digital comics have also reached African audiences and creators, who have embraced the medium as a way to express their stories and culture. There are several African digital comics publishers that produce original and diverse content for local and global markets. Some of them are:

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    1. Zebra Comics: Zebra Comics is a Cameroonian comic book publishing enterprise that publishes African stories in general, and Cameroonian stories in particular. Their goal is to export African stories and cultures to the world using the comic book medium. They publish new episodes of old and new comics daily on their website and mobile application. You can find some of their stories such as Kawana, Jemiro, Njoku, Mancraft, My Breakup Ended The World, Love At First Fight and many others.
    2. Comic Republic: A Nigerian publisher that creates superhero comics with African themes and values. Some of their titles include Avonome, Guardian Prime, Ireti Bidemi, and Visionary. Their comics are available for free on their website.
    3. Raptures: Also a Nigerian publisher that produces comics based on Mobile Comics of Black American, African & Arabian Origin. Some of the titles you’ll find on their platform are Jerusalem on High, Queen Iden, The Vengeance of Ekpo, The Chronicles of Sa-Ra and many more.
    4. Vortex Comics: Another Nigerian publisher that focuses on sci-fi, fantasy, and horror comics inspired by African mythology and folklore. Some of their titles include OJuju, Spirit Wars, and Orisha R. Their comics are also available for free on their website.
    5. Peda Entertainment: Peda Entertainment is a multi-media servicing company based in Lagos, Nigeria set out to create and publish African-inspired fantasy, sci-fi, action and drama. Some of their titles include Tek Kids, Olaju, Chayoma and Showdown. You can purchase print or digital versions of their comics on their website.
    6. Etan Comics: An Ethiopian-American publisher that creates comics based on Ethiopian history and mythology. Some of their titles include Jember, Hawi, and Zufan. Their comics can be purchased in print or digital format on their website.

    These are just some examples of the vibrant and growing African digital comics scene, which has a lot of potential to reach wider audiences and create more opportunities for African creators.

    How Digital Comics Affect Print Comics

    The rise of digital comics has inevitably affected the sales and consumption of print comics, both positively and negatively. On one hand, digital comics have increased the accessibility and visibility of comics as a medium, especially for new or casual readers who may not have access to or interest in physical comic book stores. Digital comics have also introduced more diversity and innovation to the medium, as well as more options for creators to distribute their work independently or through platforms such as Comixology, Zebra Comics, Webtoon, Tapas, or Manta. Digital comics have also created new revenue streams for publishers and creators through subscriptions, ads, merchandising, crowdfunding, or licensing.

    On the other hand, digital comics have also posed some challenges and threats to the print comic industry. Digital comics have reduced the demand for print comics, especially among younger generations who prefer digital media over physical media. Digital comics have also increased the competition and fragmentation of the comic market, as well as the piracy and illegal distribution of comic content. Digital comics have also raised some issues regarding the preservation, ownership, quality, and authenticity of comic content.

    The future of print comics in the face of the digital boom is uncertain, but not necessarily bleak. Print comics still have some advantages over digital comics, such as the collectibility, tangibility, nostalgia, and prestige of physical books. Print comics also have a loyal fan base that values the experience of visiting comic book stores, browsing shelves, interacting with staff and fellow readers, and supporting local businesses. Print comics also have a cultural and historical significance that cannot be easily replaced by digital media.

    The relationship between print comics and digital comics is not necessarily antagonistic or mutually exclusive. Rather, it can be complementary or symbiotic, as both formats can coexist and benefit from each other. For example, print comics can use digital platforms to promote their titles, reach new audiences, or offer bonus content. Digital comics can use print formats to expand their distribution channels, increase their legitimacy, or offer physical rewards. Both formats can also collaborate or cross-pollinate to create hybrid or transmedia products that enhance the comic experience.

    Conclusion

    Comics are a dynamic and diverse medium that has evolved over time to adapt to changing technologies, markets, and audiences. Digital comics are the latest manifestation of this evolution, which offer new possibilities and challenges for the medium. Print comics are still an important part of the comic culture and industry, but they need to find ways to coexist with digital comics in order to survive and thrive in the digital age.

  • What African Comics Companies Should Learn from American Comics

    What African Comics Companies Should Learn from American Comics

    The comic book industry in Africa is growing rapidly, with new publishers and creators emerging all the time. It only takes an utter lack of interest and total disconnection from anything that will bring a comic book fan away from the fact that African comics are getting more popular today. Names like Zebra Comics, Comic Republic, YouNeek Studios, Kugali Media and Etan Comics should be household names that any African comics fan should know. Some of them have gone as far as garnering eye popping adaptation deals with mega studios who operate on the international scene. This is evidence that African comics are gaining ground in a highly competitive marketplace.

    It is however sad to note that despite all the success and attention which African comics enjoy today, there is still a lot that African comics companies need to learn. Lacklustre creations, poor distribution, and the absence of real marketing are some of the weaknesses that are holding African comics from growing into their full potential. In the middle of all these, it is however interesting to note that there exist examples from which African comics can learn. In the context of this article, African comics publishers can learn a lot from their American counterparts.

    American comics have been around for so many decades now and they continue to be successful in any way imaginable. The medium has evolved so much that comics which are not typically of the superhero genre also see a lot of success in print, digitally and on the screen. There is therefore no doubt that American comics publishers, who are still to see this type of success, have a lot to learn from American comics.

    So, what should African comics publishers learn from American comics? Here are a few things to take into consideration.

    1. The Importance of Diversity

    American comics have a long history of diversity, with characters from all walks of life represented in the pages of their books. This is something that African comics companies should strive for as well. By creating stories that feature characters from different backgrounds, African comics companies can help to break down stereotypes and promote inclusion.

    2. The Importance of Storytelling

    American comics and African comics on the zebra comics blog

    At the end of the day, comics are about telling stories. American comics companies have a deep understanding of storytelling, and this is something that African comics companies can learn from. By focusing on telling great stories, African comics companies can connect with readers on a deeper level.

    3. The Importance of Marketing

    American comics companies are very good at marketing their products. They know how to reach their target audience and get people excited about their comics. African comics companies can learn a lot from American comics companies in terms of marketing their products.

    4. The Importance of Creating A Shared Universe

    Shared Universes in Amnerican comics and African comics on the zebra comics blog

    American comics companies have a long history of creating shared universes, where different characters and teams interact with each other. This has helped to create a sense of continuity and excitement for readers, and it is something that African comics companies could also explore.

    5. The Importance of Iconic Characters

    Iconic characters in American comics and African comics on the zebra comics blog

    American comics have some of the most iconic characters in the world, such as Superman, Batman, and Spider-Man. These characters are beloved by fans all over the world, and they have helped to make American comics a global phenomenon. African comics companies should strive to create their own iconic characters that will resonate with readers around the world.

    6. The Importance of Adapting to New Technologies

    The comic book industry has always been at the forefront of technological innovation. American comics companies have been quick to embrace new technologies, such as digital comics and streaming video. African comics companies should follow their lead and embrace new technologies in order to reach new audiences.

    In addition to these things, African comics companies can also learn from American comics companies in terms of production values, distribution, and business acumen. By learning from the best in the business, African comics companies can help to ensure the continued growth and success of the African comics industry.

    The African comics industry is on the rise, and there is a lot of potential for growth. By learning from American comics companies, African comics companies can help to ensure the continued success of an industry that has the potential to contribute heavily to development of many countries in Africa.

  • The Best African Webtoons

    The Best African Webtoons

    About a decade ago, webtoons were not considered to be as valuable as traditional comics or webcomics. This was especially true for African comics as many Africans did not know about the webtoon format and consequently, there weren’t many African webtoon productions available on the market. Ten years later, the webtoon format has become so popular that many African comics lovers swear by webtoon alone. The huge success of platforms like Naver Webtoon, Bilibili Comics, Tapas, Manta Comics and INKR has helped democratize the webtoon format even more, attracting greater numbers of fans from different countries in different continents across the globe. Add the fact that webtoons are easy to read on the go with smartphones, as they are custom made to be consumed on these devices, and the fact that they are easily accessible, and you have a comics format that will drastically change the landscape of comics on the global stage in a few years to come.

    In Africa, as hinted above, webtoons have become very popular. The format has been easily embraced by comics lovers on the African continent because it is easy to access and most of what is available can be consumed for free. With a smartphone and internet connection, anybody can access several webtoon platforms and enjoy hundreds or thousands of webtoons for free. These reasons, therefore, have put traditional comics from Africa in huge competition with webtoons.

    This adoption of webtoon in Africa is truly changing the landscape of comics on the continent. However, a question still persists: Are there enough African webtoons out there. Well, for now, the number of traditional comics from Africa still outnumber the number of African webtoons available online. The reasons for this situation may be found in the lack of skills needed for the production of webtoons or the shortage of dedicated platforms for African webtoons. Well, whatever the reasons for this shortage are, it should however be noted that there still exist a decent amount of excellent African webtoons available for readers to enjoy. Today, Africa is blessed to have platforms like Zebra Comics and Raptures which do a great job every day to push African webtoons to markets in Africa and across the world. This has helped encourage many more comics creators to create their stories in the webtoon format. Many of these African webtoons are even published on the most popular webtoon platforms out there and viewed by many as worthy of being amongst the best.

    So, which are the best African webtoons so far? Well, check out the list below to find out more.

    1. KAWANA

    Kawana African Comics on the Zebra Comics Blog

    IKEI lives the life of a billionaire kid: chic apartment, celebrity boyfriend, loaded bank account and free cruises to exotic places.

    Curiously, she is doing all these while grappling with unvalidated courses at the University. The question now is: who sponsors this kind of lifestyle?

    Well, many think her numerous dates finance her escapades. No! She comes from a wealthy family that can afford anything she may desire.

    So why does she choose this questionable path? The answer lies in a deeply dysfunctional family.

    Kawana is available to enjoy on the Zebra Comics app and website.

    2. MORAAN BY AVANDU COMICS (SALIM BUSURU)

    Moraan African comics on the zebra comics blog

    Created by Avandu Comics, this webtoon presents a situation where Poachers are a menace to African Wildlife. They hunt, sometimes butcher and eventually sell these animals, most of them endangered to the highest bidder. What if an elite unit was set up to stop them in their tracks? That’s Moraan, an elite unit sworn to protect and serve.

    With Avandu Comics’ signature art style, this webtoon stands tall in a sea of African stories. It is available on Webtoon.

    3. MY GRANDFATHER WAS A GOD

    My-Grandfather-Was-a-God-African comics on the zebra comics blog

    TOFUNMI is the granddaughter of the supreme god of the heavens, OLORUN. When OLORUN stops coming for their usual meetups, monsters begin to leak into the human world. TOFUNMI must leave everything behind to face these monsters, ghouls, and gods till she finds her beloved grandfather… protecting innocent humans along the way. UPDATED EVERY TWO TUESDAYS.

    4. OLWATUUKA (Once Upon A Time)

    Olwatuuka African comics on the zebra comics blog

    Based off an African Folk Tale, The story follows a young boy (Kakama) who is set out to destroy a vicious demon that has terrorized the world and killed his family. Watch as the story unfolds revealing immense drama, action and comedy in the world where the youngest hero will put all to an end, or will he?

    This wonderful webtoon is available to enjoy on webtoon.

    5. ANAKI

    Anaki African comics on the zebra comics blog

    Once, in the land of Tazeti, the gods lived amongst men. Due to their lust for the beautiful women created by their father Ra-mun, the gods had children in the world. These children, witches or as they were known, the Balemba, were born with special abilities never intended by Ra-mun for mankind.

    He cast a barrier between realms and gods could no longer take flesh on Tazeti. Ra-mun hoped the power of the Balemba would fade with time, but they only grew stronger, their menace ever more present. Then, something changed, a new line of witches took up arms against their evil kin. And for thousands of years, they battled… In their last stand, their leader Ananzi, driven by emotion, could not finish them off. This cost her everything.

    Ra-mun ordered the High Priest to create an Inquisition. This Inquisition an elite team blessed by Ra-mun himself was tasked with destroying all Balemba, both good and evil. There was to be no trace of their kind on this world. He prophesied that as much as one was left alive, the world of Tazeti will fall.

    The Inquisition, lawlessly and with brute force exterminated all the witches. Save one, Ananzi. She hid herself for 100 years before a mere blunder led to her demise. But she was with child, and this child, Anaki, born in the midst of battle was hidden from the eyes of the High Priest and his Inquisition for 18 years till one day…One day, when Anaki’s power was cast in an hour of need.

    Unknowing of her own power, and the threat against her kind, Anaki will have to withstand the Inquisition alone, where all the Balemba failed.

    ANAKI is available on the Zebra Comics app and website.

    6. SOPHIE THE GIANTSLAYER

    Sophie the Giant Slayer African comics on the zebra comics blog

    Sophie the Giant-Slayer is simply a black and white adventure comic about a little girl fighting giants. Borrowing from Fortress of Solitude, “the comic tells the story of a female protagonist named Sophie who has received the task of slaying Earth’s biggest threat; giants. These are not your typical overgrown human-looking giants from the days your mom told you the story of “Jack and the Beanstalk” to help you sleep at night. These giants look threatening, evil and extra-terrestrial.”

    You can read Sophie the Giant Slayer on Tapas.

    7. RETROGRADE

    Retrograde African comics on the zebra comics blog

    One day, suddenly, everyone forgot…everything. Only a few people still remembered who they were. These people, called the Recallers, grouped themselves in a fortress at the top of a mountain called The Fako Colony. For a hundred years they lived in peace, away from a world that had become primal. Then, one day, an attack swept through the colony from the ‘Savages’, killing every living being. A group of young people led by Sagar, son of the leader of Fako, are charged with a mission to protect human knowledge and the very concept of civilization. Can he thrive in a world that seeks to destroy the very idea of humanity?

    View RETROGRADE now on the ZEBRA COMICS app.

    8. RED ORIGINS BY KOLANUT PRODUCTIONS

    Red Origins African comics on the zebra comics blog

    Obi with his two friends, John and Temi, are mystically transported to NeoAfrica. Upon arrival, they mistakenly break a bronze taboo and must serve out a one-year sentence in the Juju Peace Corp. Now, in the midst of a brewing war, they must undertake a dangerous quest in order to bring peace to the world. Obi, John, and Temi must travel throughout the vast continent of NeoAfrica, face each new juju and complicate their life both in the living world and the spiritual world.

    Red Origins is available on webtoon.

    9. HELP ME, ANCESTOR BY KUGALI

    Help Me Ancestor African comics on the zebra comics blog

    Help Me, Ancestor is an episodic series that pays homage to the histories and ancestries of African people across the Continent. It focuses on the trials and tribulations of various deceased family members and friends (both heroes and villains) as they come back to haunt, help and otherwise hinder the lives of modern-day Africans.

    10. KHADIJA

    Khadija African comics on the zebra comics blog

    She wants to become a professional footballer, but her community frowns upon it.

    Khadija Mahamat will have to defy faith and tradition, in order to rise to the highest heights of football.

    Her journey takes her down the path of a religious and cultural dilemma. Wadding through the murky waters of the game, and the halals and harams of her faith, she strives to sign her name in the annals of football.

    Khadija is available on Zebra Comics.

    These are some of the best African webtoons you can find out there today. This list is not exhaustive and so gives room for us to come back with another list of awesome African webtoons. So, while waiting for the next list, check out the webtoons listed above and enjoy.

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