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  • Comics and Novels Based Video Games Released in 2023

    Comics and Novels Based Video Games Released in 2023

    From the day the word “Geek” was created to this day, fantasy, science fiction, and superhero comics and novels have, and will always have, a special place in this world. These products of pop culture have put forth content that fans have not only enjoyed in their original format, but also in various other formats like movies, TV shows, animation and video games. Talking about video games, it is certainly no news that comics and novels have been a big inspiration for many of the most beloved video games out there. From Spiderman, passing through Batman, to The Witcher, comics and novels have been important as far as inspiration for top games is concerned.

    In a previous article, we looked at the top video games based on popular comics characters out there. These have come and fans have enjoyed them, but pop culture continues to grow and so many more video game projects based on comics and novels are bound to see the light of day.

    In this light, therefore, the year 2023 is shaping up to be a great year for book fans, with a number of highly anticipated games based on their favorite characters and franchises set to release. Here are a few of the most anticipated comic book based video games coming in 2023:

    1. MARVEL’S SPIDER-MAN 2

    Spiderman 2 game and african comics on the zebra comics blog

    The sequel to the critically acclaimed 2018 game, Marvel’s Spider-Man 2 will see Peter Parker and Miles Morales team up to take on Venom and the Sinister Six. The game is being developed by Insomniac Games, and will be released for PlayStation 5.

    2. HOGWARTS LEGACY

    Hogwarts Legacy game and african comics on the zebra comics blog

    Set in the wizarding world of Harry Potter, Hogwarts Legacy is an open-world action RPG that will allow players to create their own witch or wizard and attend Hogwarts School of Witchcraft and Wizardry. The game is being developed by Avalanche Software, and will be released for PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S, and PC.

    3. RESIDENT EVIL 4 REMAKE

    Resident Evil 4 Remake Game and African Comics on the Zebra Comics Blog

    Another game that has gained popularity due to its association with recollections from the past and feelings of nostalgia. Resident Evil 4 Remake is a recreation of the video game Resident Evil 4 from 2005. The game is a survival horror title that Capcom created and released. The game will be released on March 24, 2023. The PlayStation 5, Windows, and Xbox X/S would all support it.

    4. ALAN WAKE

    Alan wake 2 game and african comics on the zebra comics blog

    Inspired by Stephen King’s character, David Lynch, this is a sequel to “Alan Wake” released in 2010. This remake will be released in 2023 on PS5, Windows, and Xbox X/S. It is a survival horror game created by Remedy Entertainment and published by Epic Games.

    5. SUICIDE SQUAD KILL THE JUSTICE LEAGUE

    Suicide Squad Kill the justice league game and african comics on the zebra comics blog

    This game is incredibly popular, and not just fans of DC or Superhero Comics. Even casual gamers are crazy about it. It is the first game in the “Batman: Arkham” series to have no Batman. This game series has received positive reviews from critics and players in general, which has generated attention. Currently available on PS4 and Xbox One, the game will be made available for the PS5, Xbox X/S, and Windows soon.

    Games and comics/novels have always enjoyed a wonderful relationship over the years. A game like Spiderman on Playstation has been rated as one of the best products the video game industry has seen. There will be many more video games based on comics coming in the years ahead. However, as far as 2023 is concerned, these are just a few of the many comic book based video games to be released within the 2023 window. With so many great games to choose from, comic book fans, without a doubt, are sure to have a lot to look forward to this year.

  • The Best Webtoon to Animation Adaptations

    The Best Webtoon to Animation Adaptations

    About a decade ago, if you typed the word “Webtoon” into any search engine, it probably wouldn’t have provided you with any results which could raise an eye. In other words, until the year 2018, webtoons were not very popular. Today, the story has changed completely. The comic format has moved on to be a global phenomenon, entertaining fans in different parts of the globe. It is now very common for comics fans to hear that they are reading a webtoon even in the most remote areas of the world, thanks to its accessibility.

    With this increasing popularity  in recent years, therefore, there has been growing interest from other segments of the entertainment industry. Film, animation and even video games have been created which are based on popular webtoons. Most prominent, though, are the webtoon to animation adaptations whose numbers have been growing incessantly. Some of these animations based on webtoons have even been published on the greatest video streaming platforms like Netflix. Some of these adaptations have even been met with critical acclaim, making them a staple in today’s entertainment world.

    Before we look at the best webtoon to animation adaptations, let’s define what makes a good webtoon to animation adaptation.

    Firstly, the adaptation should be faithful to the source material. This means that the characters, the story, and the tone of the webtoon should be preserved in the adaptation. Secondly, the animation should be high quality. The animation should be fluid and dynamic, and it should bring the webtoon to life. Thirdly, the story should be engaging. The adaptation should be interesting to watch, and it should keep viewers hooked from beginning to end.

    So, which are some of these webtoon animated adaptations that are garnering so much attention? Here are some of them below:

    1. TOWER OF GOD

    Tower of God Webtoon and african comics on the zebra comics blog

    Tower of God is a South Korean manhwa released as a webtoon written and illustrated by S.I.U. It has been serialized in Naver Corporation’s webtoon platform Naver Webtoon since June 2010, with the individual chapters collected and published by Young Com into thirteen volumes as of July 2023. Tower of God received official English translations by Line Webtoon beginning in July 2014.

    In this webtoon, there is a tower that summons chosen people called “Regulars” with the promise of granting their deepest desires. Whether it be wealth, fame, authority, or something that surpasses them all—everything awaits those who reach the top. Twenty-Fifth Bam is a boy who has only known a dark cave, a dirty cloth, and an unreachable light his entire life. So when a girl named Rachel comes to him through the light, his entire world changes. Becoming close friends with Rachel, he learns various things about the outside world from her. But when Rachel says she must leave him to climb the Tower, his world shatters around him. Vowing to follow after her no matter what it takes, he sets his sight on the tower, and a miracle occurs. Thus begins the journey of Bam, a young boy who was not chosen by the Tower but opened its gates by himself. They call his kind “Irregulars”—beings that have shaken the very foundation of the Tower each time they set foot inside it.

    It has received several mobile game adaptations and merchandise. In Japan, the web manhwa received an anime television series adaptation by Telecom Animation Film that first premiered on Naver Series On in South Korea, and aired in Japan immediately afterward. It originally aired from April to June 2020. Crunchyroll licensed and simulcasted the Japanese broadcast version of the anime for its streaming service. In August 2022, a second season was announced.

    2. THE GOD OF HIGH SCHOOL

    The god of high school webtoon and African comics on the zebra comics blog

    The God of High School is a South Korean manhwa released as a webtoon written and illustrated by Yongje Park. It has been serialized in Naver Corporation’s webtoon platform Naver Webtoon from April 2011 to December 2022, with the individual chapters collected and published by Imageframe under their Root label into four volumes as of January 2023. The God of High School received official English translations by Line Webtoon beginning in July 2014.

    This action webtoon follows a high school student, Jin Mori, and his friends as they compete in an epic tournament in which they borrow the power directly from the gods. But not only that, along the way they uncover a mysterious organization who will grant any wish to the tournament’s winner.

    It has received a mobile game and an original net animation short attached to the aforementioned game’s original soundtrack. An anime television series adaptation produced by MAPPA aired from July to September 2020.

    3. NOBLESSE

    Noblesse webtoon and african comics on the zebra comics blog

    Noblesse is a South Korean manhwa released as a webtoon written by Son Je-ho and illustrated by Lee Kwangsu. Noblesse was first posted on Naver Corporation’s webtoon platform Naver Webtoon in December 2007, and was concluded in January 2019; it was among the first webtoons to receive an official English translation at the launch of Line Webtoon in July 2014.

    In this webtoon, a powerful noble, Cadis Etrama Di Raizel (referred to as Rai), has been asleep for 820 years with no knowledge of mankind’s advancement and scientific successes. At the start of the webtoon, Rai wakes up in an abandoned building in South Korea, and starts to get used to the modern world. He goes to a school, where he reunites with his loyal servant Frankenstein. With Frankenstein’s help, Rai enrolls into high school and inadvertently befriends athletic teenager Shinwoo, computer geek Ikhan, and Shinwoo’s crush Yuna, and a few others. Noblesse follows the group’s often dangerous adventures against a secret organization while uncovering Rai’s past.

    It has been adapted into an aeni in 2015 and an original net animation (ONA) in 2016, and an anime television series by Production I.G aired from October to December 2020 on Crunchyroll.

    4. LOOKISM

    Lookism webtoon and african comics on the zebra comics blog

    Lookism Is a Manhwa created in 2014 by former Ulzaang and author Taejoon Park. It was officially released in 2017 in English and other languages on the Line Webtoon App. Set in the outskirts of Seoul, Lookism is about a boy named Daniel Park (Park Hyungseok) who is bullied because of his looks. He decides to transfer schools, only to wake up in a new body. Throughout the story he witnesses multiple cases of ‘Lookism’, a form of discrimination based on a person’s attractiveness. As Daniel navigates this new life, he tries to uncover the mystery behind his second body. An animated adaptation by Studio Mir was released globally on Netflix in December 2022.

    5. SOLO LEVELING

    Solo Leveling webtoon and african comics on the zebra comics blog

    Solo Leveling is a South Korean web novel written by Chugong. It presents a world where hunters, human warriors who possess magical abilities, must battle deadly monsters to protect mankind from certain annihilation. In this context, a notoriously weak hunter named Sung Jinwoo finds himself in a seemingly endless struggle for survival.

    It was serialized in Kakao’s digital comic and fiction platform KakaoPage beginning on July 25, 2016, and was later published in full by D&C Media under their Papyrus label on November 4, 2016. The novel has been licensed in English by Yen Press. A webtoon adaptation of Solo Leveling was first serialized in KakaoPage on March 4, 2018; it was illustrated by Jang Sung-rak (aka Dubu), the CEO of Redice Studio, who died on July 23, 2022, after suffering from a cerebral hemorrhage. The webtoon’s first season concluded on March 19, 2020, and its second season began on August 1, 2020, concluding in December 2021 with its 179th chapter. Its individual chapters have been collected and published by D&C Media into seven volumes as of February 2023. The webtoon has been licensed in English by Yen Press. A role-playing video game is in development at Netmarble. An anime television series adaptation by A-1 Pictures is set to premiere in Q1 2024.

    6. KILLING STALKING

    Killing Stalking Webtoon and african comics on the zebra comics blog

    Killing Stalking is a South Korean manhwa written and illustrated by Koogi. It was published online in Korean and English by Lezhin Comics and won the ₩100,000,000 Grand Prize Award at the Second Lezhin World Comics Contest.

    The story follows Bum, a young mentally ill man with a difficult past. After becoming infatuated with Oh Sangwoo, a peer from his time in the military who saved him from a rape attempt, he decides to enter Sangwoo’s home while he is out of his house. Bum finds a tied up, bruised woman in Sangwoo’s basement and before he is able to free her, he is discovered by Sangwoo, who is revealed to be a serial killer. Sangwoo then breaks Bum’s ankles and despite Bum’s previous love for him, Sangwoo puts Bum into a highly abusive and manipulative relationship until the very end.

    The series has been licensed in English in print format by Seven Seas Entertainment.

    Webtoons are a popular form of media, and they have a large and dedicated audience. Adapting a webtoon to animation can help to introduce the webtoon to a wider audience, and it can also help to generate new fans for the source material. Additionally, animation can bring a webtoon to life in a way that static images cannot. The animation can help to capture the action and excitement of the webtoon, and it can also help to bring the characters to life.

    Overall, webtoon to animation adaptations are a great way to introduce webtoons to a wider audience. They can be faithful to the source material, they can have stunning animation, and they can tell engaging stories. Animation, therefore, is of capital importance to webtoon creators everywhere, especially African creators like Zebra Comics PLC, as it can help to grow the industry in ways that other methods cannot.

  • Working as a UX Designer in an African Comics Company: An Interview with Ejob Benjamin

    Working as a UX Designer in an African Comics Company: An Interview with Ejob Benjamin

    The Zebra Comics app and website have been out in the wild for almost one year now and there has been huge interest around these platforms. As a new digital comics/ webtoon platform in a sea of comics platforms, our app and website stand out because they offer authentique stories based on untold African cultures and traditions. Telling authentic African stories to national and international audiences which changes the worldview of Africa has always been Zebra Comics PLC’s main mission. The real challenge has been to reach these audiences across the world with these stories, even though resources have always been very limited. To solve this problem, digital distribution was identified as a viable solution. This then led to the creation of a mobile application and website through which comics fans can access and read their best African comics wherever they are.

    Out of the box, this sounds like a beautiful idea, but implementing it has not been a bed of roses. Creating the right quantity and quality of content has always been an issue, but creating the technology to adequately distribute this content has been a real headache too. The comics content may be excellent, but if the technology which enables users to access these comics does not work well, then the whole experience will be a negative one.

    To ensure that the Zebra Comics app and website look, feel and work magnificently, the right people and processes needed to be implemented for great results. With hundreds of thousands of users already, one can say that the apps and website were well designed to meet consumer needs.

    So, how was the technology side of things managed to give us what we have today? Well, let’s hear from Ejob Benjamin who is a UX Designer and Technology Officer at Zebra Comics PLC. He worked very closely on the Zebra Comics app and website and this is what he has to say.

    Zebra Comics Blog: Who is Ejob Benjamin?

    Ejob Benjamin: In simple terms, I’m a techie. But to be elaborate, I work as a technology officer at Zebra Comics PLC and I love everything tech.

    Zebra Comics Blog: What does the job of a UX Designer look like on a daily basis?

    Ejob Benjamin: Well, my daily tasks are varied. Amongst them are conducting user research, creating wireframes and prototypes, collaboration with engineers, iterating designs based on feedback, and ensuring the overall user experience meets business goals. In simple English, I create all the designs for the Zebra Comics app and website, work closely with developers to ensure that they bring my vision to life in the most accurate manner, gather feedback from users of these platforms and ensure that the development team implements them for superior customer satisfaction.

    ux design on the zebra comics blog

    Zebra Comics Blog: What do you do concretely at Zebra Comics PLC?

    Ejob Benjamin: As a product designer I strike the balance between user satisfaction and business goals by combining concept, aesthetics, functionality and feasibility, to ensure that the Zebra Comics products meet both the user needs and market demands. So, every time you open the Zebra Comics app or visit our website and you end up enjoying how a feature looks and feels on it, know that you are enjoying my work.

    Zebra Comics Blog: How much work has been invested in building the Zebra Comics digital platforms so far?

    Ejob Benjamin: When we look at the zebra platforms, from design, to functionality, to content, it’s only obvious that ‘so much’ in terms of time and manpower, to say the least, had to come together from a range of fields to make it happen. So, an unquantifiable amount has been put in to create the app and website you find today.

    Zebra Comics Blog: How will you say the Zebra Comics app is different from other comics apps in terms of UX design?

    Ejob Benjamin: Keyword – simplicity. We focused on making it easy for users to understand and navigate through the app. And designed a clean and somewhat minimalistic app that would combine the bright colors of the Zebra Comics African Art style to give an enjoyable user experience for users.

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    Zebra Comics Blog: Without spoiling anything, what should Zebra Comics fans expect to see on the app in terms of UX design in the coming months?

    Ejob Benjamin: We pay close attention to user feedback and reiterate on concepts and functionality so as to reduce user pain points such as loading times. So the fans should expect their experience in the Zebra app to be smoother and better.

    Zebra Comics Blog: Any advice for young people who want to venture into the field of UX Design?

    Ejob Benjamin: UX design is continually evolving and is a multidisciplinary field. Network and connect with other designers, stay updated with trends, practice, practice and practice.

    So, be rest assured that the Zebra Comics app and website was built with so much consideration for user satisfaction in mind. If you have not yet downloaded the app or visited the website, you can do so by clicking HERE.

    Enjoy!

  • The Fate of Print Comics in the Face of the Digital Boom

    The Fate of Print Comics in the Face of the Digital Boom

    Comics are a form of sequential art that combine images and text to tell stories. They have a long and rich history that spans different cultures, genres, and media. In this article, we will explore the origins and evolution of comics as an entertainment medium, the rise and impact of digital or webcomics, and the challenges and opportunities that print comics face in the digital age.

    The Advent and Success of Comics

    Comics as a print medium have existed in the United States since 1842, when The Adventures of Mr. Obadiah Oldbuck by Rodolphe Töpffer was published in hardcover, making it the first known prototype American comic book. However, the medium was initially developed through comic strips in daily newspapers, which became popular in the late 19th and early 20th centuries. Comic strips featured characters such as The Yellow Kid, Little Nemo, Krazy Kat, Popeye, and Mickey Mouse, who became national celebrities and were subject to cross-media adaptation.

    The first comic book that contained original material was Famous Funnies, which debuted in 1934. The true breakthrough of the comic book industry came in 1938 when Superman appeared in Action Comics #1, published by National Allied Publications (a predecessor of DC Comics). Superman launched the Golden Age of Comic Books, a period that saw the emergence of many superheroes such as Batman, Wonder Woman, Captain America, and Spider-Man. Superheroes dominated the comic book market during World War II, but after the war, other genres such as romance, horror, western, and science fiction also gained popularity.

    Comic books faced a backlash in the early 1950s when they were accused of corrupting youth and promoting violence, crime, and immorality. A Senate subcommittee investigated the comic book industry and a psychiatrist named Fredric Wertham published a book called Seduction of the Innocent, which claimed that comic books were harmful to children’s mental health. In response to this criticism, comic book publishers formed the Comics Code Authority (CCA), a self-regulatory body that imposed strict guidelines on the content of comic books. The CCA effectively censored many comic books and eliminated some genres altogether.

    The Silver Age of Comic Books began in 1956 when DC Comics revived its superhero line with new versions of The Flash, Green Lantern, and others. Marvel Comics also introduced new and popular superheroes such as Fantastic Four, X-Men, Hulk, Iron Man, Thor, and Avengers. The Silver Age lasted until the early 1970s when social issues such as civil rights, feminism, environmentalism, and anti-war movements influenced the stories and characters of comic books. The Bronze Age of Comic Books (from 1970 to 1985) also saw the rise of underground comics, which addressed more adult themes and followed a new distribution model.

    The Modern Age of Comic Books began in the mid-1980s and continues to this day. This period is characterized by more diverse and complex stories and characters, as well as more artistic experimentation and innovation. Writers and artists such as Alan Moore, Frank Miller, Neil Gaiman, Grant Morrison, Brian Michael Bendis, Scott Snyder, Fiona Staples, and many others have redefined classic characters and created new ones. Some landmark publications such as Watchmen, The Dark Knight Returns, Sandman, Maus, The Walking Dead, Saga, and others have expanded the medium’s potential and appeal.

    The New Trend of Digital Comics

    Digital comics are comics that are released digitally, as opposed to in print. They can take various forms such as mobile comics, webcomics, or e-comics. Digital comics have become more prevalent with the growing use of smartphones, tablets, and desktop screen reading. Digital comics offer several advantages over print comics: they are more accessible, affordable, convenient, interactive, diverse, and environmentally friendly. They also allow more creative freedom for creators who can bypass editorial or publishing constraints.

    Webcomics are a subset of digital comics that are published on websites or online platforms. They can be free or paid, serialized or standalone, professional or amateur. Webcomics have a history that dates back to the mid-1980s, but they became more popular in the late 1990s and early 2000s with sites such as Keenspot, Penny Arcade, SMBC Comics, Hark! A Vagrant, Oglaf, Gunnerkrigg Court, and many others. Webcomics cover a wide range of genres and styles, and some have been adapted into other media such as books, games, movies, and TV shows.

    Digital comics have also reached African audiences and creators, who have embraced the medium as a way to express their stories and culture. There are several African digital comics publishers that produce original and diverse content for local and global markets. Some of them are:

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    1. Zebra Comics: Zebra Comics is a Cameroonian comic book publishing enterprise that publishes African stories in general, and Cameroonian stories in particular. Their goal is to export African stories and cultures to the world using the comic book medium. They publish new episodes of old and new comics daily on their website and mobile application. You can find some of their stories such as Kawana, Jemiro, Njoku, Mancraft, My Breakup Ended The World, Love At First Fight and many others.
    2. Comic Republic: A Nigerian publisher that creates superhero comics with African themes and values. Some of their titles include Avonome, Guardian Prime, Ireti Bidemi, and Visionary. Their comics are available for free on their website.
    3. Raptures: Also a Nigerian publisher that produces comics based on Mobile Comics of Black American, African & Arabian Origin. Some of the titles you’ll find on their platform are Jerusalem on High, Queen Iden, The Vengeance of Ekpo, The Chronicles of Sa-Ra and many more.
    4. Vortex Comics: Another Nigerian publisher that focuses on sci-fi, fantasy, and horror comics inspired by African mythology and folklore. Some of their titles include OJuju, Spirit Wars, and Orisha R. Their comics are also available for free on their website.
    5. Peda Entertainment: Peda Entertainment is a multi-media servicing company based in Lagos, Nigeria set out to create and publish African-inspired fantasy, sci-fi, action and drama. Some of their titles include Tek Kids, Olaju, Chayoma and Showdown. You can purchase print or digital versions of their comics on their website.
    6. Etan Comics: An Ethiopian-American publisher that creates comics based on Ethiopian history and mythology. Some of their titles include Jember, Hawi, and Zufan. Their comics can be purchased in print or digital format on their website.

    These are just some examples of the vibrant and growing African digital comics scene, which has a lot of potential to reach wider audiences and create more opportunities for African creators.

    How Digital Comics Affect Print Comics

    The rise of digital comics has inevitably affected the sales and consumption of print comics, both positively and negatively. On one hand, digital comics have increased the accessibility and visibility of comics as a medium, especially for new or casual readers who may not have access to or interest in physical comic book stores. Digital comics have also introduced more diversity and innovation to the medium, as well as more options for creators to distribute their work independently or through platforms such as Comixology, Zebra Comics, Webtoon, Tapas, or Manta. Digital comics have also created new revenue streams for publishers and creators through subscriptions, ads, merchandising, crowdfunding, or licensing.

    On the other hand, digital comics have also posed some challenges and threats to the print comic industry. Digital comics have reduced the demand for print comics, especially among younger generations who prefer digital media over physical media. Digital comics have also increased the competition and fragmentation of the comic market, as well as the piracy and illegal distribution of comic content. Digital comics have also raised some issues regarding the preservation, ownership, quality, and authenticity of comic content.

    The future of print comics in the face of the digital boom is uncertain, but not necessarily bleak. Print comics still have some advantages over digital comics, such as the collectibility, tangibility, nostalgia, and prestige of physical books. Print comics also have a loyal fan base that values the experience of visiting comic book stores, browsing shelves, interacting with staff and fellow readers, and supporting local businesses. Print comics also have a cultural and historical significance that cannot be easily replaced by digital media.

    The relationship between print comics and digital comics is not necessarily antagonistic or mutually exclusive. Rather, it can be complementary or symbiotic, as both formats can coexist and benefit from each other. For example, print comics can use digital platforms to promote their titles, reach new audiences, or offer bonus content. Digital comics can use print formats to expand their distribution channels, increase their legitimacy, or offer physical rewards. Both formats can also collaborate or cross-pollinate to create hybrid or transmedia products that enhance the comic experience.

    Conclusion

    Comics are a dynamic and diverse medium that has evolved over time to adapt to changing technologies, markets, and audiences. Digital comics are the latest manifestation of this evolution, which offer new possibilities and challenges for the medium. Print comics are still an important part of the comic culture and industry, but they need to find ways to coexist with digital comics in order to survive and thrive in the digital age.

  • What African Comics Companies Should Learn from American Comics

    What African Comics Companies Should Learn from American Comics

    The comic book industry in Africa is growing rapidly, with new publishers and creators emerging all the time. It only takes an utter lack of interest and total disconnection from anything that will bring a comic book fan away from the fact that African comics are getting more popular today. Names like Zebra Comics, Comic Republic, YouNeek Studios, Kugali Media and Etan Comics should be household names that any African comics fan should know. Some of them have gone as far as garnering eye popping adaptation deals with mega studios who operate on the international scene. This is evidence that African comics are gaining ground in a highly competitive marketplace.

    It is however sad to note that despite all the success and attention which African comics enjoy today, there is still a lot that African comics companies need to learn. Lacklustre creations, poor distribution, and the absence of real marketing are some of the weaknesses that are holding African comics from growing into their full potential. In the middle of all these, it is however interesting to note that there exist examples from which African comics can learn. In the context of this article, African comics publishers can learn a lot from their American counterparts.

    American comics have been around for so many decades now and they continue to be successful in any way imaginable. The medium has evolved so much that comics which are not typically of the superhero genre also see a lot of success in print, digitally and on the screen. There is therefore no doubt that American comics publishers, who are still to see this type of success, have a lot to learn from American comics.

    So, what should African comics publishers learn from American comics? Here are a few things to take into consideration.

    1. The Importance of Diversity

    American comics have a long history of diversity, with characters from all walks of life represented in the pages of their books. This is something that African comics companies should strive for as well. By creating stories that feature characters from different backgrounds, African comics companies can help to break down stereotypes and promote inclusion.

    2. The Importance of Storytelling

    American comics and African comics on the zebra comics blog

    At the end of the day, comics are about telling stories. American comics companies have a deep understanding of storytelling, and this is something that African comics companies can learn from. By focusing on telling great stories, African comics companies can connect with readers on a deeper level.

    3. The Importance of Marketing

    American comics companies are very good at marketing their products. They know how to reach their target audience and get people excited about their comics. African comics companies can learn a lot from American comics companies in terms of marketing their products.

    4. The Importance of Creating A Shared Universe

    Shared Universes in Amnerican comics and African comics on the zebra comics blog

    American comics companies have a long history of creating shared universes, where different characters and teams interact with each other. This has helped to create a sense of continuity and excitement for readers, and it is something that African comics companies could also explore.

    5. The Importance of Iconic Characters

    Iconic characters in American comics and African comics on the zebra comics blog

    American comics have some of the most iconic characters in the world, such as Superman, Batman, and Spider-Man. These characters are beloved by fans all over the world, and they have helped to make American comics a global phenomenon. African comics companies should strive to create their own iconic characters that will resonate with readers around the world.

    6. The Importance of Adapting to New Technologies

    The comic book industry has always been at the forefront of technological innovation. American comics companies have been quick to embrace new technologies, such as digital comics and streaming video. African comics companies should follow their lead and embrace new technologies in order to reach new audiences.

    In addition to these things, African comics companies can also learn from American comics companies in terms of production values, distribution, and business acumen. By learning from the best in the business, African comics companies can help to ensure the continued growth and success of the African comics industry.

    The African comics industry is on the rise, and there is a lot of potential for growth. By learning from American comics companies, African comics companies can help to ensure the continued success of an industry that has the potential to contribute heavily to development of many countries in Africa.

  • The Best African Webtoons

    The Best African Webtoons

    About a decade ago, webtoons were not considered to be as valuable as traditional comics or webcomics. This was especially true for African comics as many Africans did not know about the webtoon format and consequently, there weren’t many African webtoon productions available on the market. Ten years later, the webtoon format has become so popular that many African comics lovers swear by webtoon alone. The huge success of platforms like Naver Webtoon, Bilibili Comics, Tapas, Manta Comics and INKR has helped democratize the webtoon format even more, attracting greater numbers of fans from different countries in different continents across the globe. Add the fact that webtoons are easy to read on the go with smartphones, as they are custom made to be consumed on these devices, and the fact that they are easily accessible, and you have a comics format that will drastically change the landscape of comics on the global stage in a few years to come.

    In Africa, as hinted above, webtoons have become very popular. The format has been easily embraced by comics lovers on the African continent because it is easy to access and most of what is available can be consumed for free. With a smartphone and internet connection, anybody can access several webtoon platforms and enjoy hundreds or thousands of webtoons for free. These reasons, therefore, have put traditional comics from Africa in huge competition with webtoons.

    This adoption of webtoon in Africa is truly changing the landscape of comics on the continent. However, a question still persists: Are there enough African webtoons out there. Well, for now, the number of traditional comics from Africa still outnumber the number of African webtoons available online. The reasons for this situation may be found in the lack of skills needed for the production of webtoons or the shortage of dedicated platforms for African webtoons. Well, whatever the reasons for this shortage are, it should however be noted that there still exist a decent amount of excellent African webtoons available for readers to enjoy. Today, Africa is blessed to have platforms like Zebra Comics and Raptures which do a great job every day to push African webtoons to markets in Africa and across the world. This has helped encourage many more comics creators to create their stories in the webtoon format. Many of these African webtoons are even published on the most popular webtoon platforms out there and viewed by many as worthy of being amongst the best.

    So, which are the best African webtoons so far? Well, check out the list below to find out more.

    1. KAWANA

    Kawana African Comics on the Zebra Comics Blog

    IKEI lives the life of a billionaire kid: chic apartment, celebrity boyfriend, loaded bank account and free cruises to exotic places.

    Curiously, she is doing all these while grappling with unvalidated courses at the University. The question now is: who sponsors this kind of lifestyle?

    Well, many think her numerous dates finance her escapades. No! She comes from a wealthy family that can afford anything she may desire.

    So why does she choose this questionable path? The answer lies in a deeply dysfunctional family.

    Kawana is available to enjoy on the Zebra Comics app and website.

    Moraan African comics on the zebra comics blog

    Created by Avandu Comics, this webtoon presents a situation where Poachers are a menace to African Wildlife. They hunt, sometimes butcher and eventually sell these animals, most of them endangered to the highest bidder. What if an elite unit was set up to stop them in their tracks? That’s Moraan, an elite unit sworn to protect and serve.

    With Avandu Comics’ signature art style, this webtoon stands tall in a sea of African stories. It is available on Webtoon.

    My-Grandfather-Was-a-God-African comics on the zebra comics blog

    TOFUNMI is the granddaughter of the supreme god of the heavens, OLORUN. When OLORUN stops coming for their usual meetups, monsters begin to leak into the human world. TOFUNMI must leave everything behind to face these monsters, ghouls, and gods till she finds her beloved grandfather… protecting innocent humans along the way. UPDATED EVERY TWO TUESDAYS.

    4. OLWATUUKA (Once Upon A Time)

    Olwatuuka African comics on the zebra comics blog

    Based off an African Folk Tale, The story follows a young boy (Kakama) who is set out to destroy a vicious demon that has terrorized the world and killed his family. Watch as the story unfolds revealing immense drama, action and comedy in the world where the youngest hero will put all to an end, or will he?

    This wonderful webtoon is available to enjoy on webtoon.

    5. ANAKI

    Anaki African comics on the zebra comics blog

    Once, in the land of Tazeti, the gods lived amongst men. Due to their lust for the beautiful women created by their father Ra-mun, the gods had children in the world. These children, witches or as they were known, the Balemba, were born with special abilities never intended by Ra-mun for mankind.

    He cast a barrier between realms and gods could no longer take flesh on Tazeti. Ra-mun hoped the power of the Balemba would fade with time, but they only grew stronger, their menace ever more present. Then, something changed, a new line of witches took up arms against their evil kin. And for thousands of years, they battled… In their last stand, their leader Ananzi, driven by emotion, could not finish them off. This cost her everything.

    Ra-mun ordered the High Priest to create an Inquisition. This Inquisition an elite team blessed by Ra-mun himself was tasked with destroying all Balemba, both good and evil. There was to be no trace of their kind on this world. He prophesied that as much as one was left alive, the world of Tazeti will fall.

    The Inquisition, lawlessly and with brute force exterminated all the witches. Save one, Ananzi. She hid herself for 100 years before a mere blunder led to her demise. But she was with child, and this child, Anaki, born in the midst of battle was hidden from the eyes of the High Priest and his Inquisition for 18 years till one day…One day, when Anaki’s power was cast in an hour of need.

    Unknowing of her own power, and the threat against her kind, Anaki will have to withstand the Inquisition alone, where all the Balemba failed.

    ANAKI is available on the Zebra Comics app and website.

    Sophie the Giant Slayer African comics on the zebra comics blog

    Sophie the Giant-Slayer is simply a black and white adventure comic about a little girl fighting giants. Borrowing from Fortress of Solitude, “the comic tells the story of a female protagonist named Sophie who has received the task of slaying Earth’s biggest threat; giants. These are not your typical overgrown human-looking giants from the days your mom told you the story of “Jack and the Beanstalk” to help you sleep at night. These giants look threatening, evil and extra-terrestrial.”

    You can read Sophie the Giant Slayer on Tapas.

    Retrograde African comics on the zebra comics blog

    One day, suddenly, everyone forgot…everything. Only a few people still remembered who they were. These people, called the Recallers, grouped themselves in a fortress at the top of a mountain called The Fako Colony. For a hundred years they lived in peace, away from a world that had become primal. Then, one day, an attack swept through the colony from the ‘Savages’, killing every living being. A group of young people led by Sagar, son of the leader of Fako, are charged with a mission to protect human knowledge and the very concept of civilization. Can he thrive in a world that seeks to destroy the very idea of humanity?

    View RETROGRADE now on the ZEBRA COMICS app.

    Red Origins African comics on the zebra comics blog

    Obi with his two friends, John and Temi, are mystically transported to NeoAfrica. Upon arrival, they mistakenly break a bronze taboo and must serve out a one-year sentence in the Juju Peace Corp. Now, in the midst of a brewing war, they must undertake a dangerous quest in order to bring peace to the world. Obi, John, and Temi must travel throughout the vast continent of NeoAfrica, face each new juju and complicate their life both in the living world and the spiritual world.

    Red Origins is available on webtoon.

    Help Me Ancestor African comics on the zebra comics blog

    Help Me, Ancestor is an episodic series that pays homage to the histories and ancestries of African people across the Continent. It focuses on the trials and tribulations of various deceased family members and friends (both heroes and villains) as they come back to haunt, help and otherwise hinder the lives of modern-day Africans.

    10. KHADIJA

    Khadija African comics on the zebra comics blog

    She wants to become a professional footballer, but her community frowns upon it.

    Khadija Mahamat will have to defy faith and tradition, in order to rise to the highest heights of football.

    Her journey takes her down the path of a religious and cultural dilemma. Wadding through the murky waters of the game, and the halals and harams of her faith, she strives to sign her name in the annals of football.

    Khadija is available on Zebra Comics.

    These are some of the best African webtoons you can find out there today. This list is not exhaustive and so gives room for us to come back with another list of awesome African webtoons. So, while waiting for the next list, check out the webtoons listed above and enjoy.

  • New Comics on the Zebra Comics App and Website in July 2023

    New Comics on the Zebra Comics App and Website in July 2023

    Consistency has been a strong feature on the Zebra Comics app and website since they were launched in September 2022. Every month since its launch, new content has been uploaded on the platform for the entertainment pleasure of readers on a regular basis. As of today, there are more than two hundred episodes of several comics/ webtoon IPs available for comics fans to read. Boredom therefore goes to the grave with Zebra Comics.

    This consistent creation and publishing of content has enabled Zebra Comics PLC to be able to track user activity on a daily basis and through this, has identified the demands of users. Thanks to this meticulous follow up, Zebra Comics PLC has therefore made use of this data to create even more comics that comic book fans will undoubtedly love. New genres, new characters, new settings and new stories will therefore be launched this month on the Zebra Comics app and website this month. This way of doing things will continue as the company’s number of readers continues to grow, and the company will continue to ensure that users’ demands are taken into consideration by providing them with high quality and fresh content.

    Before we get into the comics that are coming to the platform this month, it is worthy of note that Zebra Comics PLC exists to entertain and educate comics lovers in Africa and across the world, with high quality African comics. So, expect regular new releases on the platform every month.

    Ok, that said, let’s look at the new comics coming to the Zebra Comics app and website this month.

    1. A Reverie with Nana

    Cover Image of A "Riverie With Nana" African comic of Zebra Comics

    Bella’s world is turned upside down when tragedy strikes, leaving her immersed in grief and struggling to find her way. But little does she know, her ancestors have devised a plan to restore happiness in her life. They send her beloved grandmother, Nana, to guide her through the depths of sorrow and the challenges she faces along the way.

    A Reverie With Nana” delves into the profound philosophies of life, weaving a beautiful narrative that tackles the questions we all encounter on our journey. Through the experiences shared between Bella and Nana, you’ll discover the true meaning of love, friendship, resilience, and the pursuit of happiness. Our digital comic/webtoon series serves as a beacon of hope, offering insights and answers to the everyday struggles we encounter. Whether you’re seeking comfort, inspiration, or simply an escape into a world of enchantment, “A Reverie With Nana” has something special to offer.

    This title was created and written by Ejob Gaius, illustrated by Julio Lengtet, coloured by Achidi Ajaga and lettered by Azushi. It is available for FREE on the Zebra Comics App and Website.

    2. No Man’s Land

    Cover image of "No Man's Land" African comic of Zebra Comics

    In one of their regular celestial meetings, God and Satan gather to catch up on the recent “human events”. They both agree that mankind has gone crazy. At this point, the mischievous serpent of old presents a mischievous proposition. He suggests an experiment that God, in a moment of divine humour, agrees to carry out: “What if all the women in the world suddenly disappeared?”

    No Man’s Land” is a comedic satire that will leave you in stitches while also making you ponder the complexities of gender dynamics in society. This story dares to ask the all-important question: Can men survive without women? Through its clever storytelling and witty dialogue, this story tackles gender stereotypes, societal norms, and the battle for understanding equality between men and women.

    Created and Written by Ejob Gaius , illustrated by Yvan Ziem , coloured by Cœurtys MINKO, and lettered by Azushi, this story is available on the Zebra Comics App and Website.

    3. The Artist

    Cover image of "The Artist" African comic of Zebra Comics

    In a futuristic African society where magical elements coexist with technological advancements, artists have great power and influence, serving as a link between people and gods and driving society forward. Talhah, our protagonist, is a gifted young artist who hails from a long family of artists. Talhah’s story unfolds as he learns about his forefathers, a group of artists who brought the Elder God’s wrath to their ancestral home, Koldari. After a horrible tragedy paralyses him from the waist down, his father performs a procedure that allows him to walk again. Yet, due to restrictions, Talhah must pretend to be crippled in order to preserve his father’s secret. But when a school trip goes totally awry, Talhah returns unwillingly to his ancestral home, where more dangerous secrets and myths are uncovered.

    With stunning artwork, unique characters, and a highly detailed environment, this comic promises to be an engrossing and action-packed experience for readers. THE ARTIST was written and illustrated by the Ejob brothers, coloured by Cœurtys MINKO, and lettered by Azushi. You can read it now on the Zebra Comics App and website.

    4. Love at First Fight

    Cover image of "Love At First Fight" African comic of Zebra Comics

    Shola and Bebu have been in a serious relationship for over a year, but it turns out that Bebu has been living a double life. One that places Shola in the middle of a twisted love triangle which involves her friends. She struggles to get out of this entanglement, but her feelings for Bebu remain strong.

    LOVE AT FIRST fight is a steamy romance story that will keep you excited, sad, angry and happy at the same time.

    This romance comic was written and illustrated by E.N. Ejob, coloured by Cœurtys MINKO, and lettered by Azushi. It is available on the Zebra Comics app and website.

    The month of July will be an interesting one for fans of African comics and Zebra Comics, as the titles mentioned above will be released this month. Also, added to the above, new episodes of older titles will continue to be released, leaving you with much more content to consume this holiday.

  • Politics in African Comics

    Politics in African Comics

    Ok, let’s talk about politics. Irrespective of what part of the world you come from, politics is part and parcel of every society. From the beginning of time, till this day, politics have been key in shaping the history of nations and the lives of people. Usually viewed as an “unclean” practice, it is the basis of power, wellbeing and progress in every human society. Therefore, it is important and should be taken very seriously as it determines the course of life of people on this planet called earth.

    So, what is politics? Well, politics is the art of governing a community or country. It is the process by which people make decisions about how they want to be governed. Politics is about power, and how it is used to make decisions that affect the lives of others.

    Politics can be practiced at the domestic and international levels. Domestic politics is concerned with the government of a particular country. It includes issues such as the economy, healthcare, education, and social welfare.

    International politics is concerned with the relations between countries. It includes issues such as war and peace, trade, and diplomacy.

    Politics is a complex and ever-changing field. It is influenced by a variety of factors, including history, culture, economics, and technology. However, the key concepts in politics include:

    • Power. This is the ability to influence the behavior of others. It can be derived from a variety of sources, such as wealth, military strength, or social status.

    • Authority. This is the right to make decisions and to be obeyed. It is often based on the consent of the governed, but it can also be based on force or coercion.

    • Legitimacy. This is the belief that the government has the right to rule. It is based on the idea that the government is acting in the interests of the people.

    • Interest groups. These are organizations that represent the interests of particular groups of people. They lobby the government to try to influence public policy.

    • Public opinion. This is the collective views of the people on a particular issue. It can be used to gauge the level of support for a particular policy or to sway public opinion in a particular direction.

    That said, one however wonders: what is the relationship between comics and politics?

    Actually, comics have a long and storied history of political commentary. From the earliest days of the medium, creators have used their work to explore complex social and political issues.

    One of the most famous examples of political commentary in comics is the character of Captain America. Created in 1941, Captain America was originally conceived as a symbol of American patriotism and resistance to fascism. His first appearance showed him punching Hitler in the face, and he quickly became a popular icon of the war effort.

    In the years since, Captain America has continued to be a political character. He has been used to explore issues such as the Cold War, the Vietnam War, and the War on Terror. In recent years, he has also been used to address more contemporary issues, such as the Black Lives Matter movement and the rise of populism.

    The role of politics in Comics

    Captain America and African comics on the Zebra Comics Blog

    So, what role do politics actually play in comics? Well, the role of politics in comics is a complex and multifaceted one. On the one hand, comics can be used to promote a particular political agenda. For example, Captain America was originally created as a propaganda tool to promote American patriotism during World War II.

    On the other hand, comics can also be used to explore political issues in a more nuanced and complex way. For example, Watchmen is a comic book that does not explicitly promote any particular political ideology. However, it does explore complex questions about power, authority, and the nature of good and evil.

    Ultimately, the role of politics in comics is up to the individual creators and readers. Some people may enjoy comics that promote a particular political agenda, while others may prefer comics that explore political issues in a more complex and nuanced way.

    So, which are some of the key comics which have politics in them? Of course, Captain America is not the only political comic book character. There are many other examples of characters and stories that have used comics to explore political themes. Some of the most notable include:

     

    X-Men and African comics on the Zebra comics blog

    These are just a few examples of the many ways in which politics has been explored in comics.

    The Impact of Politics in Comics

    The impact of politics in comics can be significant. Comics can be used to raise awareness of important issues, challenge the status quo, and inspire change.

    For example, the X-Men comics have been credited with helping to raise awareness of the issue of prejudice and discrimination. The comics show how mutants are often persecuted and feared simply because they are different. This has helped to raise awareness of the real-world struggles of people who are discriminated against because of their race, religion , social status etc.

    In addition, comics can be used to inspire change. For example, the graphic novel Watchmen is often credited with inspiring the creation of the superhero genre. The comics showed how superheroes could be used to explore complex questions about power, authority, and the nature of good and evil. This helped to inspire a new generation of creators who wanted to use comics to explore similar themes.

    watchmen and African comics on the zebra comics blog

    African Comics and Politics

    As already stated, there is no place on earth where politics does not exist, and Africa is no exemption. Contrary to some opinions, Africans have always had complex political setups. From the time of chiefdoms and kingdoms, right to this day and age of democracy, the history and evolution of African societies have always depended on the political systems. African history itself is evidence of the importance of politics in the evolution of life on the continent.

    This important place of politics in African affairs has been represented in African comics on many occasions. Given the current trail of political instability which has rattled the content for several decades after independence, African comics creators have spared no creative effort in showcasing this and highlighting the negative effects that it has on the continent’s evolution. As already mentioned, comics are a means through which strong messages can be vehicled to different strata of the society, so African comics creators have made use of it to comment and make suggestions for a better political status quo on the continent.

    There are quite a few African comics which highlight the political landscape in Africa in a way that does not only educate, but equally changes mindsets on what was believed to be the political setup in Africa. Some of these comics include:

    – LES DOGUES NOIRS DE L’EMPIRE: LA FORCE NOIRE by Massiré Tounkara and Christophe Cassiau Haurie
    – HSHOUMA: CORPS ET SEXUALITE AU MAROC by Zainab Fasiky
    – L’ODYSSÉE DE MONGOU, an adaptation of a novel by Pierre Sammy Mackfoy
    – LA PAIN NU, an adaptation of a novel by Abdelaziz Mouride
    LE RETOUR AU PAYS D’ALPHONSE MADIBA DIT DAUDET by Christophe Ngalle Edimo, AL’MATA and Christophe Cassiau Haurie
    – MALIKA: WARRIOR QUEEN by Roye Okupe
    – LAKE OF TEARS by Kobe Ofei and Setor Fiadzigbey
    – LE CAUCHEMAR D’OBI by Chino et Tenso Tenso and Jamonyqueso
    – WRONG DIAL by Fensou Miles and Ayissi Jean
    – TOTEM by Franklin Agogho and E.N. Ejob

    This list is not exhaustive, however, it provides a great idea on what to look for if you are in search of African comics which talk about African politics.

    A cover image of the Wrong Dial African Comic of Zebra Comics

    Conclusion

    Politics is a complex and ever-changing topic. Comics are a powerful medium that can be used to explore political themes in a variety of ways. Whether they are used to promote a particular political agenda or to explore complex questions about the nature of power, comics can have a significant impact on the way we think about the world.

  • Is there a Difference Between Comics and Webtoons

    Is there a Difference Between Comics and Webtoons

    Comic books and webtoons are two popular forms of storytelling that have gained significant traction in recent years. While both mediums use images and text to convey narratives, they have distinct features that set them apart. This article will examine the characteristics, formats, storytelling approaches, and the impact of technology on comics and webtoons to better understand the distinction between the two.

    Understanding Comics

    Comics have a rich history that dates back to the early 19th century. They typically feature panels arranged in a sequence to tell a story. Traditionally, comics were printed in newspapers and magazines as strips or panels, often focusing on humor, satire, or political commentary. However, the medium has evolved to include longer formats such as comic books, graphic novels, and manga.

    Comics are characterized by their horizontal layout, dividing the page into panels of various sizes and shapes. These panels guide the reader’s eye movement, and the space between them, known as the gutter, creates a sense of time and continuity. Comics often incorporate text, such as dialogue and narration, to complement the visuals. The popularity of comics extends to every part of the world. African comics creators, inspired by years of consuming comics from other parts of the world, are now fully engaged in the creation of comics based on their environment and cultures.

    Introducing Webtoons

    Webtoons, on the other hand, are a relatively new form of digital comics that originated in South Korea in the early 2000s. They are specifically designed for online consumption, usually through web portals or mobile apps. Webtoons utilize a vertical scrolling format, allowing readers to view the comic without the need for page turns or zooming in.

    One of the significant differences between webtoons and traditional comics is the way they are presented. Webtoons are optimized for mobile devices, making them easy to read on smartphones or tablets. The vertical scrolling format creates a continuous flow of images, providing a seamless reading experience.

    Formats and Layouts

    Comics and webtoons have distinct formats and layouts that contribute to their unique storytelling experiences.

    Comics traditionally use a page-based format, where multiple panels are arranged horizontally. This layout allows for careful control of pacing, panel size, and panel transitions. Readers navigate through the story by moving from panel to panel, often with page turns.

    Webtoons, on the other hand, utilize a vertical layout that extends indefinitely downwards. Panels are stacked vertically, creating a continuous flow of images that the reader can scroll through. This format offers a more fluid and uninterrupted reading experience.

    Artistic Expression and Visual Presentation

    Artistic expression plays a significant role in both comics and webtoons, but the mediums differ in their approach to visual presentation.

    Comics often feature intricate details, shading techniques, and dynamic panel compositions. The use of black and white or limited colour palettes can create a specific mood or aesthetic. Comics also utilize panel layouts and page turns as tools to enhance storytelling, utilizing visual cues to guide the reader’s attention and create narrative impact.

    Webtoons, on the other hand, prioritize clear and readable artwork that translates well to digital platforms. The vertical scrolling format allows for larger and more visually striking images. Colour is commonly used in webtoons, creating vibrant visuals that enhance the reader’s engagement and enjoyment. Visual storytelling in webtoons often relies on vertically stacked panels, with minimal spacing between them, to maintain a smooth and immersive reading experience.

    Accessibility and Distribution

    Accessibility and distribution are key aspects that differentiate comics and webtoons.

    Comics have a long history of being physically printed and distributed through various channels, including bookstores, comic shops, and libraries. Readers can own physical copies of comics or borrow them from different sources. The physical nature of comics allows collectors to appreciate the tactile experience of flipping through the pages and admiring the artwork.

    Webtoons, on the other hand, are inherently digital and rely on online platforms or mobile apps for distribution. They can be easily accessed and read on digital devices, such as smartphones or tablets. Webtoons are often available for free, with revenue generated through ad-supported models or premium subscriptions. This digital accessibility has expanded the reach of webtoons globally, allowing readers from all corners of the world to enjoy them.

    Technological Impact and Interactivity

    The rise of technology has significantly influenced both comics and webtoons, shaping their creation and consumption.

    Comics have embraced digital tools, allowing artists to create and distribute their work digitally. Artists use software programs to draw, colour, and letter their comics, enhancing the efficiency and quality of the artwork. Digital platforms have also enabled self-publishing, giving independent creators the opportunity to share their stories with a wide audience.

    Webtoons, being born in the digital age, have fully embraced technology. The vertical scrolling format and digital distribution platforms cater to the growing demand for mobile-friendly content. Webtoons often incorporate interactive features, such as comments, likes, and sharing options, allowing readers to engage with the creators and fellow fans. The interactivity fosters a sense of community and encourages ongoing discussion and feedback.

    Conclusion

    In conclusion, while both comics and webtoons share the fundamental goal of storytelling through sequential art, they differ in their formats, layouts, artistic expression, accessibility, and distribution. Comics have a rich history and a wide range of formats, from newspaper strips to graphic novels, while webtoons emerged as a digital medium optimized for mobile devices, utilizing a vertical scrolling format.

    The artistic styles, presentation, and storytelling techniques employed in comics and webtoons vary, catering to the preferences and expectations of their respective audiences. Technology has played a significant role in shaping both mediums, with digital tools and online platforms enabling new opportunities for artists and expanding the reach of webtoons worldwide.

    With all that has been said, we must also highlight the growing influence of webtoons in the comic book industry. As the influence of mobile technology continues to increase in the lives of everyone, comic book readers and creators are not left out. Some African comic book creators such as Zebra Comics and Raptures have adopted the webtoon style. Long-time readers on the continent are falling in love with the webtoon format as evidenced by the number of downloads and monthly readers on these platforms.

    Whether you prefer the traditional feel of flipping through the pages of a comic or the convenience of scrolling through a webtoon on your mobile device, both mediums offer unique and immersive experiences that continue to captivate readers and push the boundaries of visual storytelling.

  • The Relationship between Comics and Animation

    The Relationship between Comics and Animation

    Comics and animation are two closely related art forms that have been influencing each other for over a century. Both mediums use sequential art to tell stories, and they rely on the use of images to convey emotion and action. However, there are key differences between comics and animation.

    One of the biggest differences is that comics are static, while animation is dynamic. Comics are essentially a series of still images that are meant to be read in sequence, while animation is a series of moving images that create the illusion of motion. This difference in format has a number of implications for the way that stories are told in comics and animation.

    For example, comics are often better suited for telling stories that are more character-driven or introspective. This is because comics can give readers more time to linger on each image and to absorb the nuances of the characters’ expressions and body language. Animation, on the other hand, is often better suited for telling stories that are more action-oriented or visually exciting. This is because animation can use its dynamic visuals to create a sense of excitement and suspense.

    Another difference between comics and animation is the way that they are created. Comics are typically created by a single artist or team of artists, while animation is often created by a team of animators, writers, and technicians. This difference in production process means that comics are often more personal and idiosyncratic, while animation is often more polished and professional.

    Despite their differences, comics and animation have a long and mutually beneficial relationship. Comics have inspired many animated films and television shows, and animation has helped to bring comics to a wider audience. Many of the most popular animated characters, such as Superman, Batman, and Spider-Man, originated in comic books. Apart from this, comics and animation relate in the following ways:

    1. Source Material

    Batman Year One and African Comics on the zebra comics blog

    Comics provide a wealth of source material for animated films and television shows. Many of the most popular animated characters, such as Superman, Batman, and Spider-Man, originated in comic books. This means that there is a large library of pre-existing stories and characters that can be adapted into animated form.

    2. Training

    The skills that are needed to create comics, such as drawing, storytelling, and pacing, are also essential for animation. This means that comics can be a great way to train animators. By studying the work of comic book artists, animators can learn how to create compelling visuals and tell engaging stories.

    3. Inspiration

    The creativity and imagination that is found in comics can spark new ideas for animated films and television shows. This is because comics often push the boundaries of what is possible in terms of storytelling and visual art. By looking to comics for inspiration, animators can come up with new and innovative ways to tell stories.

    In recent years, there has been a growing trend of cross-pollination between the two mediums, with comics being adapted into animated films and television shows, and animation being used to create motion comics.

    Superman and African comics on the zebra comics blog

    This trend is likely to continue in the future, as comics and animation continue to evolve and find new ways to tell stories. Both mediums have a unique ability to capture the imagination of audiences, and they are both constantly pushing the boundaries of what is possible. As a result, they are sure to continue to entertain and inspire people for many years to come.

    Here are some examples of how comics and animation have influenced each other:

    • The Fleischer Studios’ Superman cartoons of the 1940s were inspired by the popular comic book character.
    • The anime series Akira was based on the manga of the same name.
    • The motion comic adaptation of Watchmen brought the graphic novel to life in a new way.
    • The film Spider-Man: Into the Spider-Verse used animation to explore the multiverse in a way that would not have been possible in live-action.
    Akira and African comics on the zebra comics blog

    These are just a few examples of the many ways that comics and animation have influenced each other. As these two mediums continue to evolve, it will be interesting to see how they continue to interact and inspire each other.

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