Pensive – Page 11 – Premium storytelling in African comics, manga and webtoon

Unleashing the Ultimate Reading Experience: How to Enjoy Comics and Webtoons on Digital Devices

In today’s fast-paced world, there’s no denying that technology has made our lives easier and more convenient. One of the areas that have been significantly impacted is reading. Gone are the days of carrying around heavy books and magazines when you can have a whole library at your fingertips. For comic book and webtoon enthusiasts, digital devices offer an ultimate reading experience that is both immersive and enjoyable. With the ability to zoom in and out, flip through pages seamlessly, and adjust brightness and contrast, digital devices allow readers to experience their favorite stories in a whole new way. In this article, we’ll explore the tips and tricks to unleash the ultimate reading experience for comics and webtoons on digital devices. Whether you’re a die-hard fan or a casual reader, you’re sure to find something that will enhance your reading experience. So, let’s dive in!

Benefits of reading comics and webtoons digitally

Reading comics and webtoons digitally has several benefits over traditional print media. One of the most significant advantages is the convenience of having your favorite stories available at your fingertips. With a digital device, you can carry around an entire library of comics and webtoons without the added weight and bulk of physical books.

Another advantage is the ability to read comics and webtoons in low light conditions. Traditional print media requires adequate lighting, which can be a challenge when reading in bed or on a long flight. With a digital device, you can adjust the brightness and contrast to suit your reading environment, making it easier to read in low light conditions.

Digital devices also offer a more immersive reading experience. With the ability to zoom in and out, you can get a closer look at the artwork and details that might be missed in traditional print media. Additionally, digital devices allow you to flip through pages seamlessly, making it easier to follow the story and keep track of where you left off.

Tips for choosing the best digital device for your reading needs

When choosing a digital device for reading comics and webtoons, there are several factors to consider. One of the most important factors is screen size. While larger screens offer a more immersive reading experience, they can be heavier and bulkier, making them less portable. Smaller screens, while more portable, can be more difficult to read, especially for readers with vision problems.

Another factor to consider is the type of display. Full-color displays are ideal for comics and webtoons with intricate artwork and details. E-ink displays are better for long reading sessions and are easier on the eyes, but they don’t offer the same level of detail as full-color displays.

Battery life is another important consideration, especially for readers who enjoy longer reading sessions. Tablets and e-readers typically have longer battery life than smartphones, making them ideal for extended reading sessions.

Finally, consider the overall user experience. Look for devices with intuitive interfaces and easy-to-use controls. Consider the weight and portability of the device, as well as any additional features such as built-in lighting.

Conclusion

Reading comics and webtoons on digital devices offers an immersive and enjoyable reading experience that is hard to beat. With the ability to customize your reading experience and enjoy your favorite stories on the go, it’s no wonder that digital devices are becoming increasingly popular among comic book and webtoon enthusiasts.

When choosing a digital device for reading comics and webtoons, consider factors such as screen size, display type, battery life, and user experience. Look for devices with adjustable brightness and contrast, font size, and zooming features to enhance your reading experience.

Whether you’re a die-hard fan or a casual reader, digital devices offer an ultimate reading experience that is sure to keep you engaged and entertained. So why not give it a try and see for yourself how digital devices can enhance your reading experience?

March 27, 2023

Comic Book IPs That Have Become Video Games

Let us state this from right from the start: the video gaming industry is a juggernaut! Whether you like it or not, it is almost impossible to talk about entertainment today without talking about video games. The sector has grown so much that it has become the highest grossing entertainment business in the world. According to Gameranx, “today, gaming is the largest category in the entertainment industry, with revenues that far exceed those of both the film and music industries. In 2023, the gaming industry is expected to be worth more than $200 billion in global revenues, five times greater than global movie box office revenues.” This is extraordinary!

Many reasons point to the success of this domain. Firstly, and most prominently, video games are immersive entertainment. This means that video gamers, during a gaming session, usually take control of characters or objects and control them through missions or obstacles until they reach a final goal. This experience makes gamers feel like an extension of them is found in these characters or objects that they control, thereby immersing them fully in the experience. The consequence of this level of immersion is that video games can become addictive. Also, video games are great mediums for storytelling. Usually, in video game genres like action adventures and role playing games, gamers are called upon to follow fictional characters through immersive and highly enjoyable stories. Combine all of these and you have a medium that can hook practically anybody.

Undoubtedly, the video games sector deserves all the popularity it attracts. The question, however, is: what inspires the creation of these games? Frankly, inspiration for the creation of video games can come from anywhere. Novels, movies, books, day to day life, historical events and even comics have been the object of inspiration for the creation of video games.

As far as comics and video games are concerned, the two have had history which dates as far back as the existence of earliest video game consoles. In 1979, the video game “Superman” was released for the Atari 2600 system. This is the earliest known video game based on comics. Several decades down the line, comic books have been such an inspiration for the creation of video games that choosing what to play from the existing catalogue of comic book based video games can be a nightmare. After Superman in 1979, hundreds of other video games have been released on consoles, PC and even mobile devices. To give you a good idea of how much comic books have influenced video game creation, take a look at the list of comic book franchises that inspired the creation of video games below.

1. Spiderman Series

One of the most popular superheroes out there, Spiderman is one of those characters which people love because of his heroic abilities, his human story and his relationship with other characters. His adventures are also quite epic, making him a solid candidate for video game adaptation. The most popular games based on this character include: Marvel’s Spider-Man (2018), Spider-Man: Miles Morales (2020), Spider-Man: Shattered Dimensions (2010) and Spider-Man And Venom: Maximum Carnage (1994)

2. Superman Series

One of the most popular superheroes from DC Comics, Superman has been a titular character that has appeared in video games severally. The character’s backstory, supporting characters, villains and his sheer power present great opportunities to design great games. Great games that feature Superman include Superman: Shadow Of Apokolips (2002), Injustice 2 (2017), LEGO Batman 2: DC Super Heroes (2012) and The Death And Return Of Superman (1994).

3. Batman

There is hardly any comic fan who does not know Batman. From comics to cinema, Batman has thrilled fans with its dark themes, gripping story and emblematic characters. Batman himself is such an amazing character that video game developers could not resist the idea of creating video games based on him. Consequently, several top quality games have been developed based on the Batman series. Some of these games are Batman: The Telltale Series, Batman: Arkham Knight, Batman: Arkham City and Batman: Arkham Asylum.

4. Marvel’s The Avengers

Fans of Marvel Comics will certainly tell you that some of their best reads were experienced when reading the adventures of the Avengers. The assembling of multiple leading characters like Captain America, T’Chala, Iron Man, The Hulk, Thor, Black widow, The Winter Soldier and Ant Man, amongst many others, attracted so many fans to this series. The success of the blockbuster movies based on these characters also helped build the franchise’ popularity. But before the blockbuster movies, there were video games based on these characters. Some of these games include, Marvel Ultimate Alliance (2006), Guardians of the Galaxy: A Telltale Series (2017), and Marvel’s Avengers (2020).

5. X-Men

Like many other superheroes on the Marvel Comics catalogue, the X-Men boast of very very memorable and epic characters. On the list, we find characters like Cyclops, Magneto, Professor Xavier, Iceman and Wolverine. Like other Marvel franchises, the X-Men have enjoyed success in cinema. Also, video games based on this franchise have seen immense success. Some of these games are X-MEN Legends II: Rise Of Apocalypse (2005), Marvel vs Capcom 2 (2000) and X-MEN Origins: Wolverine (2009).

6. The Punisher

A very dark character who leans more on the antihero side of things, the punisher has been a very controversial character in the Marvel Comics Universe. This controversy, however, has not stopped the IP from being adapted into movies, tv shows and video games. Arcade video game fans of the nineties know this character too well as they surely had memorable experiences button bashing hordes of enemies out of the murderous character’s way. Great games based on The Punisher IP include The Punisher (2004), The Punisher (1993) and The Punisher: No Mercy (2009).

7. Deadpool

If humour was a person then he should be Deadpool. Another controversial superhero who is highly loved by fans, Deadpool has seen success not only in comics but also in cinema. The Deadpool movies performed very well at the box office but that does not end there, there are also video game adaptations based on this hilarious comic book character. Some great games where you will find Deadpool are Marvel vs Capcom 3: Fate of Two Worlds (2011), Marvel Heroes (2013) and Deadpool (2013).

8. Scott Pilgrim Vs The World

Based on a graphic novel by Bryan Lee O’Malley, this video game garnered critical acclaim more than the movie adaptation. Like most games, this adaptation stayed true to the source material and delivered a final product that thrilled video game lovers around the world.

9. The Walking Dead

The Walking Dead comics are some of the best comics on the market today. Combining masterful storytelling and eye popping art, this IP has seen its content adapted into tv shows and video games. The tv show is a masterpiece as far as sheer storytelling and entertainment are concerned and the video games are some of the best in the market today. Some of the best games based on The Walking Dead series include The Walking Dead: Season 2, The Walking Dead: The Final Season and The Walking Dead: Season 1.

10. The Wolf Among Us

In this game, Fairytale characters are being murdered in a hard-boiled, violent and mature way. It is a thriller based on the award-winning Fables comic book series (DC Comics/Vertigo) by Bill Willingham. As Bigby Wolf, you will discover that a brutal, bloody murder is just a taste of things to come in a game series where your every decision can have enormous consequences.

Without doubt, video games and comics have a solid history together. This history, as seen above, has produced so many great video games which have entertained millions across the globe. This movement has even taken root in less developed video gaming markets like Africa. A notable example is a company like Kiro’o Games which produced the game Aurion: Legacy of the Kori Odan. This game started out solely as a video game project but later on, it inspired the creation of a graphic novel. In this case, the video game may have come before the comics, but this is a shout out to video game production giants, calling upon them to turn their gaze to Africa when they want to invest in transmedia. This is because the continent boasts of highly interesting and innovative comics that are based on African cultures and traditions and which can be great inspiration for the creation of groundbreaking video games.

March 22, 2023

Why Comics are Important to African Societies

Comics have been around for centuries, and they continue to capture the hearts and minds of people all over the world. From Superman to Spiderman, comics have entertained us with their stories, captured our imaginations with their illustrations, and taught us valuable lessons about life. In recent years, African comics have joined the trend while presenting a unique perspective on African societies. One may wonder if this growing industry is worth recognition by African societies. Here are some points that can enlighten us on the matter. But first, a short history lesson.

A Brief History of Comics

Comics have been around since the early 19th century when they were primarily used for political satire in newspapers and magazines. Over time, comics have evolved, and they have become a popular medium for storytelling. The first superhero comic book, Action Comics #1, was released in June 1938 and featured Superman. Since then, comics have become a staple of popular culture, inspiring movies, TV shows, and video games. Today, the global comics industry is worth billions of dollars, and it continues to grow. From an entertainment medium meant for kids, the comic book industry has evolved to include more complex stories, and now adults make up a significant portion of the comic book audience.

Telling Authentic African Stories

One of the main reasons why comics are important to African societies is that they offer a platform for African creators to tell authentic African stories. For a long time, African stories were told through the lens of Western media, which did not always accurately portray African cultures and traditions. Western media has dominated African airwaves and bookshelves, leaving little room for African stories to be told. African comics allow for the exploration of African history. Mainstream media tends to misrepresent African societies in their stories because they are produced by people who don’t live the experiences of the people they are writing about. By showcasing African heroes and heroines, African creators can inspire a new generation and help foster a sense of pride in African identity. They are a perfect medium that allows Africans to tell their stories in their own voices and share their unique experiences with the world. The richness of African culture and history, as well as the struggles and triumphs of African people, will be portrayed best by those who live it daily.

A Revenue Stream

Another reason why comics are important to African societies is that they provide a means for African creators to make money. Yes, the shiny bags! The comic book industry is a multi-billion-dollar industry worldwide, and African creators can tap into this market by creating their own comics. The Global Comic Book Market Size was worth USD 7.87 Billion in 2022 and is estimated to grow to USD 17.12 Billion by 2030. As the industry grows, so too will the number of jobs available to Africans in the comic book industry. African creators can create and sell their comics, either online or in print, and earn a living doing what they love. By telling African stories, these creators can reach a wider audience and make a name for themselves within the industry.

Adaptations

The comic book industry has also shown that it can spill over into the film industry. Marvel and DC Comics have been successful in creating blockbuster films based on their comic book characters, and African comics have the potential to do the same. This means that African creators can create comics that can be turned into other forms of entertainment, creating even more jobs and revenue for Africans. From popular live-action shows like The Boys, The Umbrella Academy, Hellbound, The Walking Dead, and All of Us Are Dead, to animation such as Attack on Titan, many comic books, webtoons and manga have moved from page to screen. Likewise, as the game industry expands, the options expand even further. African societies must embrace this wave and ride it.

Alternative to Western Media

Another reason why African societies should encourage the comic book industry is that they can provide material for the younger generation to grow up with. Rather than being saturated with Western media, African children can grow up reading comics that reflect their own experiences and cultures. Comics provide an alternative to the often-saturated market that is prevalent in African countries. By having comics that are created by Africans, for Africans, the industry can provide material for the younger generation to grow up with. This can help promote a sense of pride in African identity and foster a new generation of African creators. African comics are the perfect alternative for children on the continent who might be inspired to become creators themselves. These stories provide material for them to grow up with and broaden their perspectives on African culture and history.

Preserving African Folklore

Comics can serve as a means of preserving African folklore. We all remember when our grandparents and parents sat us around bonfires to pass on legends and fables. Many of them are still engraved in our memories. However, so many of them have been lost to the abyss of forgotten memories and inaccuracies. Comics have the potential to preserve African folklore in a way that previous mediums could not. African folklore is an important aspect of African culture, but many more of these stories are in danger of being lost over time. By using visual storytelling, African creators can ensure that these stories are passed down through the generations and remain a part of African culture forever. This can help preserve African traditions and ensure that they are not lost to time.

Conclusion

Comics are an important aspect of African societies, from their ability to preserve culture to their potential for creating jobs and revenue. They provide a platform for African stories and culture to be shared with the world, and they can help children learn through entertainment. As the comics industry in Africa continues to grow, it is important to recognize the value of comics in African societies and support their development. A lot is being done with the advent of comic book publishers and online platforms such as Zebra Comics, Kugali Media, Raptures, YouNeek Studios and many others. Nonetheless, these African comic book creators still have mountains to climb before they can cross their arms over their chest and scream ‘Wakanda Forever’.

March 22, 2023

The Rise of New Players in the Digital Comics Market

In recent years, more than ever before, comic books have been witnessing a kind of growth that is unprecedented. From the great proliferation of manga, passing through the massive success of blockbuster superhero movies, comics are enjoying the kind of popularity that many other media can only dream of. This surge in popularity has undoubtedly attracted more people (creators, consumers and investors) to this sector, triggering growth in all forms of comic book production and consumption, in every part of the world. One of the prominent areas where growth has been witnessed is the digital comics market. Digital comics are quickly becoming a popular way for comics and book lovers to enjoy their favorite stories. With the rise of digital technology, readers now have access to an ever-growing library of content that can be accessed from any device with internet connection. But what exactly are digital comics?

At its core, a digital comic is simply an electronic version of your favorite printed issue or graphic novel that you can read on your phone or tablet. Digital comics come in various formats such as PDFs, ePUB files, CBR/CBZ files (which stand for Comic Book Archive file), and more recently MOBI format which is designed specifically for Amazon Kindle devices. While some platforms allow users to purchase individual issues at prices comparable to print editions like Comixology does; others offer subscription services where fans can get unlimited access to thousands of titles for one low monthly fee like Marvel Unlimited does.

Over the years, digital comics have even evolved to new formats like webtoon. Originally created by JunKoo Kim, a South Korean digital comics enthusiast, webtoons have become a staple in the comic book market. Webtoons are digital comics that are created specifically for the internet and mobile devices. Thanks to their mobile friendly nature and the possibility for creators to be flexible and highly creative with their works, the reach of webtoons has been alarming. Companies like Line Webtoon, Tappytoon, BiliBili comics, INKR Comics and Manta Comics have user bases or readers that reach the hundreds of millions. The growth of the sector is really exponential and no one can ignore it.

According to Fortune Business Insights, “The global comic book market is projected to grow from $15.35 billion in 2022 to $21.37 billion by 2029, at a CAGR of 4.8% in forecast period, 2022-2029.” These figures are impressive and they are the reason why many other actors continue to emerge in this market that is seeing perpetual growth.

Consequently, there has been a recent surge in new players entering the market offering innovative solutions to digital comics fans. A good example is a company such as Madefire which specializes in motion books (a combination of animation & traditional panels), which allow readers experience stories differently than they would through static pages alone. Unfortunately, Madefire shut down due to internal issues. Nevertheless, there are other companies like Editions Dupuis with their Webtoon Factory platform, Verytoon, Black Sands Entertainment and House of Comics that have entered the market as new players in the digital comics domain.

In the midst of all this growth, Africa is not left out. This growth in the demand for digital comics has seen the birth of several companies that have embraced the medium as a viable means through which they can promote African cultures, traditions and storytelling. Notable African companies that excel in this domain include Zebra Comics PLC, Vortex Comics, Comic Republic, Waanda Comics and YouNeek Studios. These companies have invested heavily in digital comics and the results they are getting is ample evidence that there is a very bright future as far as digital comics are concerned.

March 20, 2023

Winning Awards: A Selection Criteria For Great Comic Books?

It is no secret that comic book fans and book lovers alike are passionate about their favorite stories. Whether it’s a classic superhero tale or an original story with unique characters, readers love to immerse themselves in the world of comics. So when it comes to judging which comics are great, should awards be considered? Must a comic book win an award to be considered great?

Make no mistake, awards are an important part of any industry. Awards are given out to recognize excellence in writing, artwork, storytelling, and more. They also help draw attention to great works that might otherwise go unnoticed by readers or critics alike.

Also, awards are often seen as a way for creators to validate their work. It’s always nice when someone takes notice of your hard work! But there is much more value than just personal validation – awards can lead to increased visibility for comic book series or authors who may not have had access before. This helps bring new fans into the fold and encourages others already invested in these stories to continue reading them with enthusiasm!

In addition, awards can encourage publishers and other stakeholders within the industry (such as editors) to take risks on projects they may not have considered before, simply because they were recognized with an award from peers within their field – this is especially true if those peers come from outside organizations such as The Eisner Awards which has been around since 1988 recognizing achievements both inside & outside the comics publishing world each year at the San Diego Comic-Con.

Furthermore – being nominated for or winning an award gives writers/artists/publishers additional credibility when pitching ideas & concepts for future projects to potential buyers / partners etc., meaning potentially greater financial success down the line.

All of these show that awards are important as they can propel writers and even publishers to higher heights. Ultimately, however, what matters most is how we personally connect and emotionally engage with the comic book in our hands. This therefore raises the question again: Must a comic book win an award to be considered great?

The short answer is no – not all good comics need awards for validation. While there are some prestigious awards given out by organizations such as The Eisner Awards, the Harvey Awards, the National Comics Awards, the Prix Saint-Michel, the Shogakukan Manga Award, the Kodansha Manga Awards and the Ringo Awards, many excellent comic books never receive any recognition from these groups at all. In fact, there have been countless amazing stories over time that were created without ever winning any kind of award whatsoever!

Every year, awarding organizations select a handful of comics and award them prizes, leaving out thousands of excellent comic books that deserve these same awards. This alone is adequate evidence to show that not every great comic book must be an award winner.

When one looks at things critically, it is quite easy to see that from Marvel to DC, passing through Franco Belgian comics and manga, and even smaller publishers in South America and Africa, there are a ton of comics that haven’t won awards, but are of great quality. Just research on comics published by Image Comics, Dark Horse comics, Editions Dupuis, Editions Glenat, Viz, Kodansha, Zebra Comics and Brown Roof Studios, and you will get the full picture.

Ultimately, whether something wins an award should not determine its worthiness as part of anyone’s reading list. Don’t let this factor put you off from comics that are not award winners, but which you might otherwise enjoy. Instead, the focus should be on searching for interesting storylines with compelling characters that will draw people in regardless because, ultimately, this will be far more important when making the decision on which comic book to read than just accolades on paper.

March 17, 2023

7 Tips to Create Memorable African Characters for Comics

Visual storytelling has been a part of African storytelling for generations, with traditional art forms such as Nsibidi and Adinkra utilized to transmit vital themes. The growth of digital comics in recent years has created new opportunities for African creators to showcase their work to a global audience. African comics have seen a rise in readership, from the superhero genre to science fiction, with fans around the globe looking for fresh and intriguing stories. Characters that are memorable are essential to the success of a comic book. Creating compelling African characters for comics, on the other hand, might be difficult. In this article, we will share some techniques that will help you break the ice.

1. Research and Understand African Culture

To create memorable African characters for comics, a thorough understanding of African culture is required. This comprises the customs, beliefs, and traditions of various African societies. Studying African mythology, folklore, and history might provide inspiration for developing African-based characters. It is also critical to comprehend the diversity of African traditions, which differ by country and location. It is important to research the various cultures prevalent across the continent in order to produce authentic African characters. Africa is home to over 1.3 billion people, and each country has unique cultures, customs, and traditions. Researching African cultures and mythologies allows you to develop a nuanced understanding of African societies and their values. By doing so, you can incorporate these values and beliefs into your characters, making them more relatable and authentic. Beasts of Tazeti published by Zebra Comics tells the story of warriors battling for the heart of a fallen god. The society is divided into 5 clans inspired by cultures from North, West, Central, East and Southern Africa.

2. Develop a Strong Backstory

A memorable character is defined by more than their physical appearance. Their motives, values, and personality traits are shaped by their backstory. Consider your African character’s family history, childhood experiences, and education when writing their narrative. This will help you create a dynamic and convincing character. Consider where your character comes from, what their upbringing was like, and what motivates them. This will help you create a character who feels real and believable. A great example is Kwezi, a South African superhero comic book created by Loyiso Mkize. It tells the journey of a young man who was living an ordinary life until he discovered that he had superpowers. He is motivated by his desire to protect his community from danger, and he works alongside other superheroes to fight crime and corruption.

3. Choose a Unique Appearance

A character’s appearance is critical to making them memorable. It is usually the first thing readers notice, and it may be an effective strategy for making them memorable. The appearance of a character can reveal a lot about their personality, culture, and past. It is essential that they create an appearance that is distinct and representative of their cultural heritage. Take into account clothing, hairstyles, and body language. African fashion and aesthetics can inspire the creation of distinctive and eye-catching character designs. Yet, it is essential to steer clear of stereotypes and caricatures that reinforce damaging narratives about African people. “Malika: Warrior Queen” by Roye Okupe, features an African queen with a unique, regal appearance.

4. Create Characters with Strong Personalities

A character’s personality is what differentiates them and makes them memorable to readers. African comic book characters should have strong personalities that reflect their cultural heritage. They should be nuanced, with flaws and strengths that allow readers to relate to them. Consider what your character is motivated by, what they are passionate about, and what their aims and aspirations are. Consider your character’s quirks, flaws, and strengths. Are they humorous or serious? Are they brave or cowardly? Are they flirtatious or reserved? These elements will aid in the creation of a memorable and interesting character. One popular example is Anansi, the spider-like trickster god from West African folklore. Anansi is known for his cunning, humour, and love of mischief, making him a fan favourite among readers.

5. Avoid Stereotypes and Caricatures

Avoiding stereotypes and caricatures is one of the most difficult tasks in designing African characters for comics. African characters in comic books are frequently portrayed as one-dimensional clichés, promoting negative stereotypes about African people. It is critical to avoid these tropes and develop dynamic, interesting, and real people. This can be accomplished by researching and understanding African culture, as well as consulting with experts and creators from various African backgrounds. Avoid making assumptions or generalisations by researching and educating yourself on the cultures and histories from which you are drawing inspiration. In Malika: Warrior Queen, Malika is the titular character created by writer and artist Roye Okupe. She is a warrior queen who defends her kingdom against invaders, and her character is based on the historical figure of Queen Amina of Zazzau. Malika is a strong and capable character, with a rich and complex backstory that draws on African history and culture.

6. Collaborate with African Creators

Collaboration with African creators is vital if you want to create memorable African characters for comic books. African creators have a deep understanding of African culture and can offer invaluable advice on how to create authentic characters. Cooperation also ensures that varied African perspectives are represented in the development of African comic book characters. A good example of collaboration is Lake of Tears. It narrates the tale of three teenagers who cross paths on Lake Volta, sharing their stories of captivity and redemption. The story sheds light on the sad reality of many children in Ghana who are trafficked and forced to work in the dangerous inland fishing industry. This work of art came to life through the combined efforts of Kobe Ofei, John Schaidler, Setor Fiadzigbey & Challenging Heights (producer) with contributions from Alfred Achiampong & Kofi Ofosu.

7. Test and Refine Your Character

Creating a memorable character is a process that requires testing and refinement. Once you have created your character, test them with a diverse group of readers to see how they are received. Take feedback into consideration and refine your characters until they are authentic and engaging.

Conclusion

It takes research, creativity, and attention to detail to create memorable African characters for comics. By following these tips, comic creators can make their African characters come alive and create an engaging comic book experience for their readers. For both creators and readers, character creation can be a rewarding and memorable experience, but it requires patience and effort.

March 15, 2023

Are Comic Books Literature?

For some time now, there has been a debate about whether comics can be considered as literature or not. Given that comics make use of images to tell stories and target an audience which is less inclined to consume voluminous books full of text only, comics have usually been considered as a lower artform. Worse of all, the characters and themes which comic books usually treat are predominant in popular culture and not really in academic settings, making many to regard it with less consideration. So, the question here is: can comics, which are a unique art form that has been around for decades and continues to gain popularity in today’s culture, be considered as literature? Is it really fair to include them in the same category as classic novels? Well, to answer this question, it is important to spell out what literature is in the first place.

What is Literature?

Literature is defined as “written works, especially those considered of superior or lasting artistic merit” or “any collection of written work, specifically considered to be an art form, especially prose fiction, drama, and poetry. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.” Going by these definitions alone, one can comfortably say that comics can be considered as literature because they contain writing which has artistic merit and they incorporate different forms of literature like prose and poetry. This is true of most comic books out there, even though many still argue that comics cannot be put on the same pedestal as novels. If you are one of such persons, we will take this debate a little further for you, by looking at the characteristics of literature. This will help us pinpoint elements of literature that are present in comics and which make comics an undisputed part of literature.

Characteristics of Literature

Its focus is on the conscious, deliberate use and arrangement of words. Any piece of literature, like novels, should contain a deliberate use and arrangement of words so that they sound interesting in narration and in verse.

Its purpose is to entertain and to give aesthetic pleasure. Novels and even poems usually tell a story or present characters or situations in ways which are usually entertaining to the reader. If the entertainment aspect is taken out of the equation, then it is not literature.

It is usually fiction that displays a sense of reality. Not all literature is fiction but most of it presents fictionalized versions of real life in a bid to plunge the reader into an experience that is usually memorable and unforgettable.

It contains tension or conflict. In a previous characteristic, it was made clear that literature involves the telling of stories. These stories always contain conflict or tension and this is what procures the entertainment in the piece of work, keeping consumers glued to it to the very end.

It sustains artistic unity. This means that usually, in literature, a main idea is conveyed. There may be minor themes but all of them usually lie on a main theme that runs through the piece of work.

It contains figurative language. Usually, in literary pieces, there is the use of similes, metaphors, irony, symbolism, analogy and many other devices that help render the work beautiful.

Literary texts or stories are usually written in first-person, second person or third-person pronouns. This evokes a speaker who is talking to the reader or consumer about the contents of the piece.

Literary works always make use of Style. One of the fundamental ways through which one can separate literature from normal text is through the use of style. The piece can be informal, colloquial or even vulgar in tone so as to sustain a certain mood or tone within the piece. Writing that is void of style can hardly be entertaining and when there is no entertainment, there is no literature.

So, after reading the above, can one still consider comics to be literature? The answer is a resounding yes! Comics can absolutely be seen as literature. Just like any other form of writing or storytelling, they have the potential to evoke emotion and inspire thought-provoking conversations about various topics—all while entertaining readers along the way. Writing in comics is focused and deliberate, it is entertaining, it contains fiction, there is always conflict therein, it sustains artistic unity, it contains figurative language, it is written in first, second or third person, and it makes great use of style to tell memorable stories. Added to that, many comic books contain complex plots with interesting characters that add depth and dimensionality to their stories—qualities commonly found in literary works of fiction too.

At its core, good literature should captivate an audience through vivid details and creative expression; something which comics do exceptionally well thanks largely due to their visual nature combined with carefully crafted dialogue between characters (not forgetting sound effects!). This combination allows creators far more freedom than traditional prose writing when it comes to conveying meaning behind each panel or page turner – making every issue feel fresh even after hundreds of rereads!

So, the next time someone questions whether your favorite superhero series belongs on par with great novelists such Shakespeare or Tolstoy– you know what answer you need to give: Absolutely YES!!

March 9, 2023

The Life and Work of an African Comic Book Colourist: An Interview with Coeurtys Minko

In many African countries, there are certain occupations that are usually so obscure that many do not consider them as “real” occupations. One of such occupations is that of the “Comic Book Colourist.” Actually, the comic book industry in Cameroon and Africa is not yet as developed as it is in North America, Europe and Asia. So there is a tendency of considering everything that surrounds the domain of comics as not very important or of little value. In this blogpost, we will take a deep dive into the life and work of someone who spends his nine to five working as a comic book colourist and discover what it means to do this job in an African country like Cameroon. We will therefore be talking to Coeurtys Minko and, from him, we will discover what his life as a comic book colourist looks like.

Zebra Comics Blog: Hello. Thank you very much for accepting to talk to us about your experiences as a Cameroonian comic book colourist. For starters, can you tell us a bit about your background and how you got into the comic book industry?

Coeurtys Minko: Thank you! Coeurtys Minko is a Cameroonian artist who was trained and has worked solely in Cameroon. My journey as an artist started out at the Institut de Formation Artistique at Mbalmayo where, after three years of study, I graduated with a Baccalaureate Artistique certificate, with painting as my major. From there, I spent three more years at the Libre Academie des Beaux Arts (LABA) in Douala, where I graduated with a Bachelor’s Degree in Multimedia Graphic Design. After obtaining my first degree, I worked briefly as a graphic designer for some private enterprises before I joined Zebra Comics PLC in 2022. Actually, as far as the comic book industry is concerned, Zebra Comics PLC is the company that exposed me to this domain.

Zebra Comics Blog: What inspired you to become a colourist for comic books?

Coeurtys Minko: It is true that before joining Zebra comics, I did not have prior experience as a comic book colourist. However, I am a trained painter, digital painter, illustrator and graphic designer and so it was not difficult to wear the hat of the comic book colourist. I have always loved colours and so I will always be drawn to anything that gives me the opportunity to play with them. I guess what I am saying is that my love for colours inspired me to become a colourist for comic books.

Zebra Comics Blog: How would you describe your role as a colourist, and what does a typical day look like for you?

Coeurtys Minko: The role of the colourist is to complete the illustrations done by the comic book inkers, by making the decision on the choices of colours to use to make these illustrations come to life on the page. This also means that the colourist has to determine the tone of the comic and make sure that the right mood is sustained throughout the story through lighting and shadows.

As far as my typical day is concerned, it usually begins at 4am. I wake up, do a few push ups, meditate for about an hour, take a bath and, by 6am, I leave for the office. At the office, I quickly install myself and get to work. On a normal day, I start off by reading the script of the comic book pages I have to colour so as to have a good idea of the setting, characters and action in the story, which will guide me on the colours to choose for the pages I have to colour. After reading the script and getting a good idea on the colours to use, I immediately get to work, colouring the illustrated comic book pages. I do this until the close of work, which is at 5pm. By then, I should have been through with my tasks for the day. I then work on other personal projects for about two more hours before I leave the office for my home.

Zebra Comics Blog: What tools and software do you use to colour the comics, and how do you decide on the colour scheme for each panel or page?

Coeurtys Minko: Generally, in my daily work, I make use of tools and software which are usually used by graphic designers, illustrators and colourists across the world. At Zebra Comics, all artwork is produced digitally, so I work with a PC, a graphic tablet and dedicated software for illustration and colouring. As far as software is concerned, I use Adobe Photoshop and clip studio. There are quite a good number of other softwares which graphic designers and colourists use, however, I use these two for my work. And when it comes to deciding which colour scheme to use for each panel, I begin by reading the script of the comic I am working on. I study the characters, settings and actions and, based on what is presented in the script, I choose a colour scheme that will best portray what the scriptwriter put on the script. In some cases, the script can provide precisions which are easy to execute. For example, details on the eyes, skin colour, clothes, environment etc. However, in cases where precisions are not made in the script, I decide based on the character types, genre of the story (fantasy, science fiction, slice of life etc) and the target audience (for adults, men, women, kids etc) to get a colour scheme that best works for the pages I have to colour.

Zebra Comics Blog: How do you collaborate with other members of the creative team, such as the writer, penciller, and inker, to bring the comic book to life?

Coeurtys Minko: Well, it all starts with the scriptwriter. Given that he or she is the one who crafted the story, I start by getting in contact with him or her and we have a discussion on the story, its characters, setting and general mood. During our discussion, I ask questions so as to grasp his or her vision since this will enable me to colour the illustrations in a way that brings the story as close to life as the scriptwriter imagined it to be. Side by side with the scriptwriter, I also talk with the creative director. He provides the general artistic direction which gives all artwork produced in the company a signature look and helps readers identify Zebra Comics’ works whenever they come across them. I therefore take his recommendations into consideration before I begin to colour illustrations. As far as pencilling and inking are concerned, note that I double as an illustrator and an inker. So, I do inking for much of the work that I colour. However, if there is another penciller or inker, all I do is that I make sure that I have a discussion with him or her to ensure that the pencilling and inking is done in such a way that will permit the colouring to shine. In a nutshell, I will say that comic book production is a highly collaborative process, especially in an industrial setting like Zebra Comics PLC. There, we have to constantly be in discussion with everyone so as to produce the best comic book possible.

Zebra Comics Blog: Can you talk about a specific project that you worked on as a colourist that you are particularly proud of?

Coeurtys Minko: Sincerely, I will say that every project that I have worked on is important and very dear to me. It is difficult to pick out a particular project and say that it is the best work I have produced. Nevertheless, if I have to absolutely pick out projects where I excelled as a colourist, I will say KUSH, MANCRAFT and THE PATRIARCH DAMO are projects I am particularly proud of. I had great experiences with these projects and they helped me discover aspects of my craft that I didn’t know existed. However, I still believe that every artist is proud of his work, irrespective of how these pieces look and the experiences he had with them.

Zebra Comics Blog: What challenges have you faced as a colourist, and how have you overcome them?

Coeurtys Minko: Well, it has not really been challenging working for Zebra Comics. However, I will say that before I started work with Zebra Comics, I had never worked in an industrial setting. Here, deadlines are very important and that wasn’t something I was used to before I worked for Zebra Comics. I always thought that every artist had to take the necessary time to fine tune his or her work before the world sees it. So, I struggled in the beginning as I found it hard to deliver a certain number of pages every day. With time and with the tools made available to me, I learned how to work faster and so this is no longer an issue.

Zebra Comics Blog: In your opinion, what is the most important aspect of colouring a comic book?

Coeurtys Minko: First all, every colourist should be able to communicate with the different actors in the creation of the comic book. However, to be specific to the art of colouring, I will say that it is very important for every colourist to be able to bring out emotions through colour. This is because colour gives life to illustrations and helps communicate information to the reader. It will be unforgivable for a comic book colourist to use dark and sombre colours for a children’s comic book that is supposed to be vibrant, and that is expected to communicate happiness or joy, for example. So, it is very important for colourists to study the scene on a comic page so as to produce the right emotions expected from a comic book page.

Zebra Comics Blog: What advice would you give to someone who wants to pursue a career in comic book colouring?

Coeurtys Minko: Well, for any aspiring comic book colourist, the best advice I can give is that he or she should have a solid visual culture. What I mean by this is that they should be very observant about the colours around them and they should consume a lot of comics, animated shows and even movies because these usually have a lot of colour. The golden rule in this trade is that you cannot colour what you have not seen. They should study nature and how light rays behave in different settings. It is only by being very observant and trying out what you see that you can be a great colourist.

Zebra Comics Blog: Finally, what are your future plans as a colourist, and what can readers expect from your work in upcoming comic book projects?

Coeurtys Minko: For the future, I will just say that I will like to continue working as a colourist for comics for as long as possible. While doing that, I will grow and become even more apt and dynamic in my craft by producing beautiful colours for comics, manga and Franco Belgian comics. With this, readers should naturally expect great work. Work that will keep their eyes glued to the final products, given that I am always meticulous with my work and I always work hard to produce high quality results. Also, I would like to work on personal comics projects (given that I also double as an illustrator) and provide comic book fans with quality work at the level of illustrations or colours.

So, there you have it. Did you learn something about the life and work of a comic book colourist after reading this blogpost? Were there things which could be better said? Leave your thoughts in the comments section. You can follow Coeurtys Minko on Facebook and Behance.

March 7, 2023

Are Comics For Kids Only?

It may seem understandable that stories that are told with the use of images are stories meant for people with a lesser mental capacity who cannot cope with other forms of literature like novels or poetry. It is even more so because the word comics comes from the word “Funny” which points at the lighthearted and playful nature of the stories told in comic books. Comic books have long been associated with children, but with the developments witnessed in the creation of comics, embracing both lighthearted and dark themes, the truth is that comics can be enjoyed by people of all ages.

In the early years of comic book publishing, comics were usually used for comic relief and so attracted children more. If we add other formats which are close to comics like illustrated books for kids (Cinderella, Pinocchio, The Lion King, Aladdin etc), we quickly understand why comics have been often mistaken to be a medium reserved for a particular category of people. While there are certainly some comic book titles meant specifically for kids, there’s a wide variety of adult-themed stories and artwork available in the medium as well. Whether you’re looking to explore an exciting new genre or simply want to revisit your childhood favorites, here’s why comic books are not just for kids anymore.

For starters, many adults may find themselves drawn to more mature storylines than what they read as children—and thankfully comics offer plenty of those options too! From gripping thrillers like The Walking Dead and Preacher, to darkly humorous takes on superheroes like Batman: Year One, there’s something out there sure to pique any reader’s interest regardless of age. And don’t forget about classic titles such as Watchmen or Sandman —stories that have stood the test of time due to their incredible depth and complexity which only adults can truly appreciate fully. There are also many graphic novels available that explore topics from history (Maus) to classic literature (The Great Gatsby: A Graphic Novel). These types of stories allow adult audiences access into worlds previously unexplored by traditional mediums like film/TV due mainly to their unique visual storytelling capabilities. This also allows creators much more freedom in terms of formatting & structure when compared against other mediums — allowing them greater control over how they want their story told while keeping it engaging at the same time! These and more are clear evidence that comics have evolved greatly to incorporate adult stories and are not just for children.

Of course it goes without saying that certain adult-oriented content isn’t suitable at all times (or even appropriate) for younger readers. However this doesn’t mean older fans should shy away from exploring these darker themes either. In fact many publishers actually designate different age ratings on their products so parents know exactly what kind material is being consumed by whom – allowing everyone involved to make informed decisions when choosing which titles best suit their individual needs .

Fortunately though, there’s no shortage of kid friendly options available ranging from classic superhero adventures like Marvel’s Spiderman or DC’s Superman series through more modern offerings such as IDW Publishing’s My Little Pony: Friendship Is Magic lineup. All-ages titles like Archie Comics and Disney Comics provide fun stories with lighthearted characters who can easily connect with their audience. These books are perfect introductions into the world of comic books as they’re easy enough for kids to understand but still contain plenty of exciting action and adventure! So, no matter what kind of story your little ones enjoy most, you’ll be sure to find something perfect for them. You can also check out good recommendations among our vast selection HERE!

At its core though, reading comics remains one of the most enjoyable pastimes no matter how old you happen to be! With a range of genres encompassing everything from sci-fi, fantasy, horror, romance, drama, crime, political satire, historical fiction and much more, finding a perfect title couldn’t be easier today! Plus, thanks to the recent surge in popularity of print and digital formats alike, no matter your age group – whether you’re an 8 year old just starting out on his journey through comicdom or an experienced reader wanting something new – there is always something out there for everyone when it comes down to offering up quality content within this beloved medium we call ‘comicbooks’!.

March 4, 2023

Traditional Or Digital Comics Illustration? An Interview With Maitre Show

There has always been a huge debate amongst comic book creators when it comes to the way comic book art should be created. Many swear by traditional methods alone (use of paper, pencil and colours by hand), arguing that it is the only way one can see the authenticity in the craft of talented artists. On the other hand, creators who venerate digital illustration tools like graphic tablets insist on the fact that these tools help enhance their work and provide better results for different kinds of consumers. So, the debate around traditional or digital illustration tools remains a hot topic within the comic book creation community.

Well, this blogpost seeks to provide a direction or a resolution to this heated topic. In that light, the best way to do so will be to get the advice of an experienced and highly talented artist who has done illustrations for comics with traditional and digital tools. We therefore caught up with Mbozo’o Bertrand Zeh AKA Showbizz to find out what he thinks about this topic. Mbozo’o Bertrand Zeh or Showbiz is an artist who hails from Cameroon and he specialises in illustrations of all kinds (comic book illustration inclusive). This is what he had to say.

Zebra Comics Blog: Hello.Thank you for creating the time to answer our questions. Before we get your point of view on the main topic of discussion, we would like to know; Who is Showbizz?

Showbiz: Showbiz or Mbozo’o Bertrand Zeh is a Cameroonian professional artist who hails from the South Region of Cameroon, specifically from the Bulu tribe. As early as the age of three, I began exhibiting skills in drawing and illustration and I continued to hone my skills thanks to my late mother who encouraged me to keep drawing. After my studies in primary school, secondary school and at the university, I decided to become a professional illustrator. I have published comics before and I continue to work to grow the sector. Since 2020, I have been working for Zebra Comics PLC where I currently occupy the position of Artistic Director.

Zebra Comics Blog: When did your comic book journey start and what have you published so far?

Showbiz: Well, I haven’t published much yet. Note that it is only very recently that I got into comics in a big way. Also, it is not very long since I started working as a comic book artist/illustrator, so I haven’t published much. Nevertheless, I have been able to publish some comics. My first publication was in a collection published by New Era Publishers, also known as “Afro Shonen.” I got to do illustrations for four stories in this collection which was published in 2015. Unfortunately, only one volume was released. Then, in 2019, I published “MULEMA” with the startup, Legend Arts. Apart from these, I have been working on several comic book projects for Zebra Comics PLC, notably KUSH, CITY BLUES and RETROGRADE. Concurrently, I am working as an illustrator on a graphic novel to be published by Editions Dupuis. So, this is my comic book creation journey so far.

Zebra Comics Blog: What are you working on now?

Showbiz: Currently, I am working on volume 2 of the original Comic book IP from Zebra Comics PLC called CITY BLUES. Each volume of this comic book comprises five episodes. The first volume is already done and so I am currently working on the second volume. It is a great one for fans of romance comics. Comics fans should check it out on the Zebra Comics App and website. They will not be disappointed.

Zebra Comics Blog: Now, let us get to the bone of contention. What do you prefer to work with: paper and pencil or graphic tablet?

Showbiz: Well, this is a delicate and complicated question to answer because it requires a lot of explanation to be able to show which of these tools I prefer. Each of these them have their methods of use which lead to unique outcomes. For works which are very personal and where I expect a natural look in the final illustrations, I will prefer to use traditional tools. This is because I feel that with traditional tools, I can best display my art and express what I want through my illustrations. With traditional tools, I do not have many constraints which hinder me from expressing myself fully and so the results are usually very close to what I imagine in my mind. Also, I use traditional tools on personal projects, and when I have enough time to invest in them. So, traditional tools are good for producing natural and very beautiful illustrations, but they require huge investment of time. On the other hand, digital tools help in doing repetitive tasks and large quantities of work in limited time. They work well in industrial settings where large quantities of illustrations have to be done on a daily basis (like what happens at Zebra Comics PLC). So, as far as production and speed are concerned, I prefer to use digital illustration tools. But for personal projects which necessitate a great level of artistic investment and time, I will go for traditional tools.

Zebra Comics Blog: What are the advantages and disadvantages of these traditional and digital tools?

Showbiz: Well, let’s start with the use of traditional tools. Firstly, the use of traditional tools is time consuming and therefore makes work go slower. It takes time to do hand-drawn illustrations on paper. Secondly, with traditional tools, it is difficult to do large quantities of illustrations in a short time. This is because it is not possible to be repetitive or to reproduce illustrations automatically. So, traditional tools do not work well in industrial settings. On the other hand, as far as the advantages of traditional tools are concerned, they help portray the works of the artist in the best possible way. The end products of illustrations done with traditional tools are much more natural and so provide a visual appeal that is difficult to provide with digital tools. It brings out what the artist actually feels and so portrays the very basis of the etymology of art.

As far as digital tools are concerned, the first disadvantage is that they do not permit the artist to reduce the margin of error as they do with traditional tools. Digital tools render illustrations artificial, which are usually appealing, but do not provide the same level of visual appeal as traditional tools. Sometimes, no matter how you try, you may not be able to draw a curve the way you want with digital tools and so you end up with a particular way in which illustrations look, which is not always very appealing. On the other hand, digital tools are very advantageous when it comes to massive production of illustrations. In industrial settings (digital comics companies and animation projects) digital tools help produce large amounts of illustrations with impressive accuracy. Also, digital illustrations can sustain great visual appeal especially when they are consumed digitally within applications on smartphones, tablets and PCs. These tools are particularly appreciated in this era, given that many people are now great consumers of the tech on which digital illustrations are best consumed.

Zebra Comics Blog: Any last advice for aspiring illustrators out there?

ShowBiz: To every aspiring artist, illustrator and author of comics, I will say that, irrespective of their preference for traditional or digital illustration tools, they should make sure that they are trained in the use of digital illustration tools. This is because we now live in the digital era where a high percentage of comics are consumed digitally. Going into the future, this trend will increase, making the use of digital illustration tools indispensable for aspiring artists, illustrators or authors of comics. More so, if any of these aspiring artists intend to work as illustrators or graphic designers in any company in the world today, they are obliged to master the use of digital tools in their work because that is what is used in those domains to ensure speed and accuracy. However, for the very young ones who are just starting out in art and illustration, the use of traditional tools is recommended. This is because traditional illustration provides the base and foundation for every young artist. Digital tools just provide shortcuts. For anyone to know that they are using a shortcut, they have to first of all know the main route. Traditional tools will help young artists grasp the fundamentals of art and illustration before they venture into using digital tools to make work easy. To crown it all, practice as much as possible, hone your craft and you will become a great illustrator sooner than expected.

So, ShowBiz has spoken, and his points were pretty clear. What do you think about his arguments? Share your thoughts in the comments section. You can follow ShowBiz and see his works on his Facebook Page.

February 27, 2023

Category: Pensive

Unleashing the Ultimate Reading Experience: How to Enjoy Comics and Webtoons on Digital Devices

Benefits of reading comics and webtoons digitally

Popular digital devices for reading comics and webtoons

Tips for choosing the best digital device for your reading needs

Conclusion

Comic Book IPs That Have Become Video Games

1. Spiderman Series

2. Superman Series

3. Batman

4. Marvel’s The Avengers

5. X-Men

6. The Punisher

7. Deadpool

8. Scott Pilgrim Vs The World

9. The Walking Dead

10. The Wolf Among Us

Why Comics are Important to African Societies

A Brief History of Comics

Telling Authentic African Stories

A Revenue Stream

Adaptations

Alternative to Western Media

Preserving African Folklore

Conclusion

The Rise of New Players in the Digital Comics Market

Winning Awards: A Selection Criteria For Great Comic Books?

7 Tips to Create Memorable African Characters for Comics

1. Research and Understand African Culture

2. Develop a Strong Backstory

3. Choose a Unique Appearance

4. Create Characters with Strong Personalities

5. Avoid Stereotypes and Caricatures

6. Collaborate with African Creators

7. Test and Refine Your Character

Conclusion

Are Comic Books Literature?

The Life and Work of an African Comic Book Colourist: An Interview with Coeurtys Minko

Are Comics For Kids Only?

Traditional Or Digital Comics Illustration? An Interview With Maitre Show